Tag Archives: mountains

Temblor Range Wildflowers

Temblor Range Wildflowers
Temblor Range slopes covered with spring wildflowers

Temblor Range Wildflowers. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Temblor Range slopes covered with spring wildflowers

In the right locations, for a few weeks in spring following a wet winter, California’s grasslands can produce absolutely stunning wildflower displays. They typically occur near the very end of what I call the “impossibly green season,” when the typically dry and brown grasslands are brilliantly green from winter rains but just about to turn golden-brown once again. There are many places to find these flowers, but the Carrizo Plains can, in good years, produce exceptional colors. This spring, following a winter of record-breaking precipitation, has been one of those years.

I drove though this area on my way to Death Valley, and when I arrived I found hundreds (perhaps thousands?) of Sunday visitors to the flowers. By late afternoon many of these people were leaving, and our small group set out to look for colors along the lower slopes for the Temblor Range. (So named because they formed along the path of the great San Andreas fault.) We picked a one-lane gravel road and followed it up the lower slopes to where it dead-ended, then got out and continued up the into the hills on foot. I made this photograph near the top of our climb, shortly before sunset as the light from the evening sun passed over the flower-covered ridges of this gully at a low angle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Abandoned Stamp Mill

Abandoned Stamp Mill
“Abandoned Stamp Mill” — An abandoned water-powered stamp mill high in the Panamint Range, Death Valley National Park

It seems that every national park or monument has both a natural and a human hisstory, or perhaps a story about the relationship between the two. While the power of natural forces (heat, water, geology, and more) is abundantly obvious in the huge, austere landscape of Death Valley National Park, the human history of the place is rarely far from view. It begins with the evidence of people who lived here long before European-origin settlers came, evidence that can be seen in rock art scattered throughout the park, in the recognition that many settlements (current and now-abandoned) have a very much longer history than we may think, and in the native people who still occupy and identify with this landscape.

Perhaps more obvious is the more recent history of those who came to look for mining success. (There are places in the park where extraction still takes place.) Some examples are obvious to the casual visitor, but the more time you spend in the back-country of the park the more you understand that this particular history is everywhere — though not usually as obvious as this example. This stamp mill, built to crush gold ore, is amazing in multiple ways. Perched at the end of high ridge in very remote location, it was powered in the most unlikely manner… by water piped in from a spring over twenty miles away. The location is stupendous, and it is easy to think that practical issues may not have been the only considerations in choosing the site. From here one can look down thousands of feet to broad alluvial slopes leading towards Death Valley, but one can also look further into the distance and see the snow-covered peaks of the Sierra Nevada.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Dormant Trees, Granite

Dormant Trees, Granite
A granite cliff towers above dormant trees along the Merced River, Yosemite Valley

Dormant Trees, Granite. Yosemite Valley, California. February 25, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A granite cliff towers above dormant trees along the Merced River, Yosemite Valley

Winter can produce a softer and subtler Yosemite Valley, one that can sometimes be just a bit tricky to photograph. Perhaps the most obvious subjects in the winter are found on days when there is snow, or when storm clouds and mists shroud the cliffs and ridges. As a matter of fact, those are the things I’m usually hoping to find when I visit the Valley at this time of year.

But the true nature of the Valley in winter includes some subtler subjects, sometimes nearly devoid of the greens of spring and summer or the colors of fall. Truth be told, the meadows are brown and trees lose their leaves, the clouds can block or filter the light, and many sections of the surrounding cliffs can be in shadow. This photograph is such a scene — winter dormant trees along the banks of the Merced River, brown meadows underneath and stretching beyond, and the steel-gray colors of shadowed granite above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mixed Forest, Brian Head

Mixed Forest, Brian Head
Mixed aspen and conifer forest, autumn

Mixed Forest, Brian Head. Brian Head, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Mixed aspen and conifer forest, autumn

Back in 2012 we made our first serious autumn photography foray into Utah, spending several October weeks traveling around the southern part of the state. Among other things, this was the first time I started to understand the differences between the patterns of California fall color that I know so well and the patterns in Utah and similar places. For me the biggest annual fall color event is the turning of the eastern Sierra aspens, which typically reaches is peak by or perhaps a bit before the middle of October. We began this trip with a much earlier than usual visit to those California mountains and, sure enough, we arrived for the very beginning of the serious color in the locations I would typically visit a week or more later. After spending just a couple of days there — I did not want to completely miss the California aspen season! — we headed east across Nevada to Utah.

Our first stop in Utah was in the Brian Head vicinity. (One draw was that the off-season lodging prices were extremely good.) I had not been here before and did not really know what to expect, though I knew that Cedar Breaks National Monument was nearby. We soon discovered that here, unlike in the Sierra Nevada, the big, high elevations aspen trees had already reached and passed their color peak, perhaps even by the end of September. Lesson learned! (We subsequently did learn that there are plenty of other fall color opportunities in the state at lower elevations, and that they can extend all the way into November.) This ridge of mixed conifers and aspens is just outside of the Brian Head area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.