Tag Archives: mountains

Desert Mountains and Dunes, Morning

Desert Mountains and Dunes, Morning
Desert mountains in shadow and early morning sun on dunes, Death Valley National Park.

Desert Mountains and Dunes, Morning. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert mountains in shadow and early morning sun on dunes, Death Valley National Park.

If you have been following along recently, you may recall me writing that this rocky ridge would show up a few more times in the photographs from my recent Death Valley visit. Although I never actually went to that ridge, it was off to the side as I walked to and from another subject on one evening and the following morning. The ridge runs a bit further to the right before ending with a spur that extends slightly into the broad, flat desert valley beyond.

Late in the day the surface of this ridge takes on the warm tones of sunset light, and the color of the ridge is quite different. Some red tones in the rock combine with the reddish light to produce a very colorful appearance. But this photograph was made the next morning, when the light comes from the other direction, leaving that same face in the cool-toned shadows. I made the photograph as the sun was gaining enough elevation to shine over the top of the ridge, striking the sand dunes that are near its base.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dunes and Hills, Evening

Dunes and Hills, Evening
Evening light on rocky desert hills and sand dunes, Death Valley National Park.

Dunes and Hills, Evening. © Copyright 2022 G Dan Mitchell – all rights reserved.

Evening light on rocky desert hills and sand dunes, Death Valley National Park.

You may see a few photographs of this ridge and its low peaks over the next week or two. It was not my main reason for going to this location, nor was it my target when I set out on foot to photograph nearby. But as soon as I started walking I found myself intrigued by its form, the large valley beyond it, and the combination of rocky formations and a thin distribution of blown sand. I ended up photographing it on successive days on my way to and from another subject.

The ridge illustrates an important general fact about much of the Death Valley National Park geography, namely that there are a whole lot of ridges and valleys that trend roughly in a north-south direction. (Technically, the line tens to run sort of northwest to southeast.) It turns out that this is really important to photographers, since much of the early morning and early evening light either strikes features directly or else leaves them in shadow. If you are keeping track of my photographs of this feature, you’ll see a clear example of this. In a previously posted photograph made at one end of the day, the ridge is almost entirely in shadow, with just a bit of rim light near the top, and only the distant mountains are in the sun. Here the table are turned, and the ridge is fully illuminated while the distant mountains are in soft, shadow light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Light, San Luis Reservoir

Winter Light, San Luis Reservoir
High clouds, fog, and brilliant light on a winter day over San Luis Reservoir, California.

Winter Light, San Luis Reservoir. © Copyright 2022 G Dan Mitchell – all rights reserved.

High clouds, fog, and brilliant light on a winter day over San Luis Reservoir, California.

Because it lies between the southern San Francisco Bay Area and California’s Great Central Valley — and on the route to many interesting places ranging from the Sierra to Southern California and Death Valley — I have driven past the San Luis Reservoir probably hundreds of times over the years. (I’m old enough to barely recall the area before there was a reservoir, from trips when I was a young child.) Being just another part of the system to transport water in the state, I hardly think of it as one of California’s great scenic wonders.

But in the right conditions and the right light, it becomes difficult to ignore it as a landscape subject. The reservoir is huge and it is surrounded on three sides by mountains. Because of the expansive scale, light can reflect off its surface in ways that mimic what I sometimes see along the Pacific Ocean coast. It also picks up the winter atmosphere, with its fogs and mists, from the Central Valley. And because the road runs more or less along its northern shore, all of this is frequently backlit, as in this photograph that I made in the middle of the day while returning from the Central Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Backlit Desert Hills, Morning

Backlit Desert Hills, Morning
Early morning sun back lights rocky desert hills, Death Valley National Park.

Backlit Desert Hills, Morning. © Copyright 2022 G Dan Mitchell – all rights reserved.

Early morning sun back lights rocky desert hills, Death Valley National Park.

Given the opportunity, I like to visit Death Valley twice each year — once during winter and again around the start of spring. While the spring visit brings the hope of seeing a brief wildflower bloom, winter is less crowded (and, yes, it can be crowded in this park) and feels more elemental. I’m just back from the winter visit, and I had the chance to both revisit some familiar places and push out the boundaries a bit by visiting locations that were new to me.

I was in a fairly remote part of the park on this morning, awake early to walk a mile or so to my intended subject. Due to the sun direction and geography, I didn’t need to start out in complete darkness… which inevitably meant that I was distracted by the landscape as I walked toward my primary goal. The sand-covered hills in this photograph are located at the end of a much taller ridge, and their extension into the large valley beyond places the tallest peaks in the early morning sunlight. More desert mountains rise in the distance beyond the wide valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.