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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Holly, Dry Wash

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Desert Holly, Dry Wash
Desert holly plants grow along the curves of a small desert wash

Desert Holly, Dry Wash. © Copyright 2019 G Dan Mitchell – all rights reserved.

Desert holly plants grow along the curves of a small desert wash.

Among plants that manage to eke out an existence in dry landscapes, such as that of Death Valley National Park, there seems to be a spectrum of accommodations to dryness. Out near the sharp edge of that bell curve is found the desert holly plant. In some of the locations where I see it, the plant seems to be just about the only thing that is still able to live on the driest and rockiest soils.

The specimens in this photograph are growing along the course of a dry wash, and they probably get a good portion of whatever small amount of water that sustains them during brief periods when water flows following rainstorms. (It had rained heavily during the previous month here… and there was no visible water in this wash.) The plants present a sometimes surprising bit of green in this otherwise arid and bare landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Hills And Mountains

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Desert Hills And Mountains
Morning light on eroded forms and desert mountains

Desert Hills And Mountains. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning light on eroded forms and desert mountains.

Often when I photograph in a familiar place I look at certain subjects, find them appealing, but just don’t quite yet know how to see them as photographs. Sometimes I attempt a photograph and end up dissatisfied. Other times I look and don’t even photograph. The far ridge in this photograph has been one of those subjects.

The ridge is very impressive — high, barren, and rugged — and it is easily visible from some very popular locations in Death Valley National Park. However, perhaps because access is not easy or possibly because better known features are nearby, I rarely see it photographed. On this spring morning I had been photographing one of those other locations, and I looked up to see the high clouds above the ridge and the backlight on the foreground hills… and it seemed like the right time to give this scene a try once again.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Bandlands, Morning Light

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Bandlands, Morning Light
Soft early-morning light on rugged and colorful badlands formations

Bandlands, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft early-morning light on rugged and colorful badlands formations.

On the final full day of our early-April 2019 photography visit to Death Valley we decided to head for a familiar location where I enjoy photographing in the morning. After being closed earlier in the season this area had finally reopened — flooding of washes in the area had interfered with access, and repairs had be recently completed.

The photographic opportunities in this area — and, to be honest, in many places — depend a lot on the specific qualities of the light during a visit. I’ve been here where clouds turned everything gray and when intense light made some portions of this landscape a bit too stark for my preferences. This morning was close to ideal. When we arrived, before dawn, there was a high overcast and the light was not all that spectacular. However, the clouds were thin, and as the sun rose the light made it thought the dissipating clouds — and this sort of high, thin clouds provide some of the most subtle and beautiful light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning Musings

Backcountry Photography, Two Ways (Morning Musings 9/24/14)

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Peak and Tarn, Sunrise
Peak and Tarn, Sunrise *

The subject of selecting (and carrying!) photographic equipment for backpacking trips came up in a recent conversation. There’s a lot I could say about this, since I’ve backpacked for decades and often prefer to do certain kinds of landscape photography while traveling on foot, mostly in the Sierra. Actually, I not only could say a lot about this — I have! An extensive article at this website goes over a lot of important things related to combining backpacking and serious landscape photography: My Backpacking Photography Kit. Take a look at the article if you want a lot of details.

The main issues involve how to incorporate the weight/bulk of serious camera equipment into a load that also includes your food and shelter and much more, how to best make use of the photography equipment in the backcountry, how to approach the process of photographing “out there,” which equipment to use, and a few other things. Basically, unless you are young and very fit and willing to accept a great deal of pain from a huge load… you are likely to have to make some compromises and adjustments in both the backpacking equipment and the photographic equipment you carry. The good news is that the compromises are quite doable, and that you can still make fine photographs in areas that you probably can’t get to in any other way.

A related question had to do with a different way to get into the back county that I’ve used during the past two seasons, namely support by pack animals. Left to my own devices, I probably would not have tried this — at least not for a few more years! However, I’ve recently had the wonderful opportunity to join some other photographers who have been traveling into (mostly) the Yosemite backcountry for nearly 15 years every summer to make beautiful photographs. (See a video about them here and take a look at their beautiful book: “First Light: Five Photographers Explore Yosemite’s Wilderness.”) When they started, large format and medium format film cameras were the norm for this sort of serious work, more or less necessitating pack train support if they were to stay out for any length of time — and they often went out for a week or two at a time.

Last year was my first time being part of a pack train supported backcountry trip, and I initially felt almost a bit guilty about it — as a person who has enjoyed walking all over the Sierra backcountry for decades. Continue reading Backcountry Photography, Two Ways (Morning Musings 9/24/14) →