Tag Archives: mule

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Bandlands, Morning Light

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Bandlands, Morning Light
Soft early-morning light on rugged and colorful badlands formations

Bandlands, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft early-morning light on rugged and colorful badlands formations.

On the final full day of our early-April 2019 photography visit to Death Valley we decided to head for a familiar location where I enjoy photographing in the morning. After being closed earlier in the season this area had finally reopened — flooding of washes in the area had interfered with access, and repairs had be recently completed.

The photographic opportunities in this area — and, to be honest, in many places — depend a lot on the specific qualities of the light during a visit. I’ve been here where clouds turned everything gray and when intense light made some portions of this landscape a bit too stark for my preferences. This morning was close to ideal. When we arrived, before dawn, there was a high overcast and the light was not all that spectacular. However, the clouds were thin, and as the sun rose the light made it thought the dissipating clouds — and this sort of high, thin clouds provide some of the most subtle and beautiful light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Morning Musings

Backcountry Photography, Two Ways (Morning Musings 9/24/14)

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Peak and Tarn, Sunrise
Peak and Tarn, Sunrise *

The subject of selecting (and carrying!) photographic equipment for backpacking trips came up in a recent conversation. There’s a lot I could say about this, since I’ve backpacked for decades and often prefer to do certain kinds of landscape photography while traveling on foot, mostly in the Sierra. Actually, I not only could say a lot about this — I have! An extensive article at this website goes over a lot of important things related to combining backpacking and serious landscape photography: My Backpacking Photography Kit. Take a look at the article if you want a lot of details.

The main issues involve how to incorporate the weight/bulk of serious camera equipment into a load that also includes your food and shelter and much more, how to best make use of the photography equipment in the backcountry, how to approach the process of photographing “out there,” which equipment to use, and a few other things. Basically, unless you are young and very fit and willing to accept a great deal of pain from a huge load… you are likely to have to make some compromises and adjustments in both the backpacking equipment and the photographic equipment you carry. The good news is that the compromises are quite doable, and that you can still make fine photographs in areas that you probably can’t get to in any other way.

A related question had to do with a different way to get into the back county that I’ve used during the past two seasons, namely support by pack animals. Left to my own devices, I probably would not have tried this — at least not for a few more years! However, I’ve recently had the wonderful opportunity to join some other photographers who have been traveling into (mostly) the Yosemite backcountry for nearly 15 years every summer to make beautiful photographs. (See a video about them here and take a look at their beautiful book: “First Light: Five Photographers Explore Yosemite’s Wilderness.”) When they started, large format and medium format film cameras were the norm for this sort of serious work, more or less necessitating pack train support if they were to stay out for any length of time — and they often went out for a week or two at a time.

Last year was my first time being part of a pack train supported backcountry trip, and I initially felt almost a bit guilty about it — as a person who has enjoyed walking all over the Sierra backcountry for decades. Continue reading Backcountry Photography, Two Ways (Morning Musings 9/24/14) →

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Erosion Patterns

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Erosion Patterns
Erosion Patterns

Erosion Patterns. Death Valley National Park, California. December 10, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Deeply furrowed erosion patterns in early morning light, Death Valley National Park

I spent some time photographing Death Valley National Park in mid-December, during a very cold time of the year. It is not unusual for the place to be surprisingly cold in the middle of winter, but this was a period of exceptional cold and it got down to 25 degrees in the Valley and much colder in some of the places I visited in the surrounding desert mountains. I had arrived the evening before I made this photograph, and a sequence of events on the drive it suggest an inauspicious beginning to this visit. I usually come in through Ridgecrest and then up through Trona. I usually drive almost straight through to Ridgecrest and then take a long, late lunch break there – getting my last espresso until I come back out of the park, filling up the gas tank, and so forth. I killed pretty close to an hour taking care of these odds and ends, and then started out of town toward Trona.

Less than a mile up the road I ran into a flashing warning sign announcing that this entrance to the park was closed! This necessitated a bit of backtracking and then travel north up US 395 to then head east toward the park on highway 190. I had originally planned to arrive by mid-afternoon, set up camp, and then photograph in the evening… but by the time I finished all of this driving it was dark when I arrived and I simply pulled into the campground and slept in my car. Early the next morning, feeling just a bit disconnected, I drove over towards 20 Mule Team Canyon where I knew I should be able to find some nice morning light. In fact I did, and I soon found this beautiful miniature landscape of nearly parallel gullies in a hillside along the canyon. As the first light hit the edges off the ridges between the gullies I found a composition that mostly filled the frame with them. I finished shooting here and moved on. At my next location, I finally must have engaged my brain, and I checked the camera to find that it had been left on ISO 3200 from my previous work photographing musicians backstage at a concert in natural light. Groan! So this photograph is one that I managed to salvage from that little escapade… and I’m grateful for the relatively good performance of modern cameras… even when the operator is not paying attention!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dry Wash, Twenty Mule Team Canyon

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Dry Wash, Twenty Mule Team Canyon
Dry Wash, Twenty Mule Team Canyon

Dry Wash, Twenty Mule Team Canyon. Death Valley National Park, California. April 2. 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

A dry wash descends past the barren hills of Twenty Mule Team Canyon in morning shadows, Death Valley National Park.

I made this photograph on an early morning in early April a couple of years ago. I had gone to Death Valley National Park’s Twenty Mule Team Canyon to photograph some folded and eroded patterns in the upper portion of this valley, and a bit after sunrise I noticed a trail heading up a side canyon. I decided to follow it. It started out by ascending the wash shown in the photograph and eventually reached a low saddle along the eroded ridge of between this canyon and the descent to Death Valley itself. When I arrived there, as sometimes happens in Death Valley, I discovered an old vehicle track heading down into the canyon on the other side.

Since I had some other plans for a bit later in the morning, and because I didn’t see anything immediately exciting on the other side of this ridge as the route descended, I instead backtracked into this wash. As my trail crossed the broad area across from this line of hills I looked back toward the main valley and saw this sunlit s-curve in front of the somewhat shaded ridge.

Related: See my extensive posts on Photographing Death Valley

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.