Tag Archives: national park

Trees On Sandstone Cliff

Trees on Sandstone Cliff
”Trees on Sandstone Cliff ” — Two small trees grow from cracks in a sandstone cliff, Zion National Park.

Today I am sharing yet another “lost and found” photograph, again from a decade-ago visit to Utah and, in this case, Zion National Park. (“Lost and found” photographs disappeared into my raw file archives, only to be rediscovered years later.) This one features a bit of vegetation, including some with developing fall color, growing in the cracks of a sandstone cliff.

I am impressed by how little some trees need to make a success of it. In the Sierra Nevada I have seen beautiful little trees growing on little more than a shallow bowl in the granite holding a few hands full of soil. Here the trees are growing in cracks in the solid sandstone, and must have little or no actual soil to nourish them.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Just a Cloud

Just a Cloud
“Just a Cloud” — Sunset clouds over Death Valley, February 2025.

I spotted this cloud at the end of a very long day that began in the San Francisco Bay Area. I was on the road before sunrise, heading for Death Valley National Park. I crossed the Diablo Range, continued south on Interstate 5, then crossed the Great Central Valley through Bakersfield to climb Tehachapi Pass. From there I dropped into high desert, took route 14 north along the “baby Sierra,” then followed backroads up past Trona, eventually entering the park and crossing Towne Pass. It was after 3:00 when I finally got a campsite and started setting up.

Once I had established my camp, it was time for photography. On one hand I was excited to get started. On the other hand, after that long day it would have been easier to just enjoy a quiet evening in camp. But off I went, to an elevated position from which I could photograph sunset light on desert mountains. After the light left those peaks, it still produced some color on a few dissipating lenticular clouds high above the Panamint Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Zabriskie to Rogers Peak

Zabriskie to Rogers Peak
“Zabriskie to Rogers Peak” — Long morning view, from formations at Zabriskie Point to distant Rogers Peak in the Panamint Mountains.

Poor Rogers Peak doesn’t get a lot of respect. Despite being just under 10,000 feet tall, offering a rather impressive view from close up, and being snow-capped in the winter… it is eclipsed by its neighbor, Telescope Peak, the highest in the park. (You can see a bit of the shoulder of Telescope Peak at the far left.) It doesn’t help that a communications complex has been installed on its summit — which seems like a bit of an inappropriate insult in a national park!

The photograph encompasses a very long view, extending from rugged hills at Zabriskie Point all the way across Death Valley to the summit of the Panamint Mountains. I estimate that this is over 20 miles as the proverbial crow flies. Such distances are common in Death Valley National Park, a huge place with an expansive landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dunes at Dusk

Dunes at Dusk
Soft dusk light on low sand dunes, Death Valley National Park.

Dunes at Dusk. © Copyright 2023 G Dan Mitchell.

Soft dusk light on low sand dunes, Death Valley National Park.

This subject is going to appear in several photographs from our late-March visit to Death Valley National Park. Some of them will focus on the astonishing power of a dust storm that swept through near the end of the trip. However, this one comes from a different evening, a quiet one with gentle winds and soft light.

The conditions make all the difference when photographing dunes, More than almost any other sort of landscape, the appearance of sand dunes varies greatly depending upon intensity, quality, and color of light. Here I photographed in the early twilight just after the sun had dropped behind distant mountains in the west. The dunes picked up the pink of the sunset, the blue of the sky, and the softness of indirect light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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