Tag Archives: national park

Bear Gulch Reservoir

Bear Gulch Reservoir
“Bear Gulch Reservoir” — Spring at Bear Gulch Reservoir, Pinnacles National Park

This small reservoir sits at the upper end of a very popular trail through caves at Pinnacles National Park. The area has been in my consciousness for decades. The caves were perhaps the “main attraction” when my family visited the park (then a national monument) when I was just a kid, so I distinctly remember emerging from the canyon at the upper end of the caves to arrive at this reservoir. I’m not sure of its history, but I suspect that the reservoir has been there a very long time, certainly before it was even a a national monument.

The reservoir is relatively sheltered in the bottom of this canyon, and the water was very still on the day of this recent visit. The surrounding terrain is filled with the pinnacles that give the park its name. If you look closely, you may be able to see a couple of fellow hikers taking a rest in the shade next to the water in the lower left corner of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Looking West

Looking West
Looking across Sierra Nevada foothills toward California’s Central Valley at dusk

Looking West. © Copyright 2018 G Dan Mitchell – all rights reserved.

Looking across Sierra Nevada foothills toward California’s Central Valley at dusk

I didn’t intend the photograph to be such, but it could be at least a bit metaphorical. I made in near the end of my period as a Yosemite Renaissance artist-in-residence, at opportunity that provided me with a total of about two weeks to photograph in the park, mostly in the Valley. (More of the photography from this work will be seen in an exhibit opening at Gallery 5 in Oakhurst in June — stay tuned for the details!) Hence the metaphorical “sunset” on the photography for this project (unless I manage to squeeze in one more quick visit next week!) and “looking west” toward my home in the San Francisco Bay Area, from which I post this image.

I suppose this photograph is also a bit more evidence — as if it were needed! — that Yosemite is far more than just the Valley, as incomparable as that area of the park is. I made the photograph on my evening “commute” between the Valley and my lodging elsewhere in the park, and by this evening I had already selected the location as a likely prospect. Often when I’m in the park my orientation is to the highest peaks lying on its eastern boundary along the Sierra crest. But on this evening I was looking the other way, towards layers of foothills descending toward California’s Great Central Valley to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Morning Light, After Snow

Morning Light, After Snow
Light snow on forest trees and granite faces, following winter snow

Morning Light, After Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Light snow on forest trees and granite faces, following winter snow

On most days I’m convinced that there is no season more beautiful in Yosemite Valley than winter, and no day in the Valley more beautiful than one following snowfall, when the sun comes out again, snow blankets the trees, and a bit of remaining mist floats among the spires. (OK, on an autumn day I may give more credit to fall colors, and on a spring day I may acknowledge new growth and wildflowers. But still.)

I was fortunate that it snowed on several days during my recent artist-in-residence stint in the Valley. (Thank you, Yosemite Renaissance.) It did not snow a lot, but it was unusually cold and snow fell all the way to the valley floor, with an accumulation in some spots of a few inches. Because it was so cold the snow did not immediately melt (as it often does at this elevation) or fall from the trees. In this photograph, across the open space of a meadow, you can still see snow in the trees, and it gets thicker as the trees ascend the south side of the Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Morning Light, Trees and Granite

Morning Light, Trees and Granite
Morning sun backlights a grove of trees growing on granite slabs

Morning Light, Trees and Granite. Yosemite National Park, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning sun backlights a grove of trees growing on granite slabs

One of my Sierra Nevada photographic obsessions has to do with back-lit trees. There is something about that light that I find compelling — possibly the halo effect of the brilliantly lit ends of branches, perhaps the possibility of photographing something that is very difficult to actually look at in person, or maybe the contrasting effects of sharply defined close details juxtaposed with bright and haze backgrounds. For me, this light, along with the granite slabs and boulders, provide definitive features of the Yosemite high country.

On this morning I was out early, driving along Tioga Pass Road as the sun came up. (Driving was required this time, as I had to camp outside the park and drive in very early.) I had stopped in Tuolumne meadows, nearly empty of people since it was early and the campground was still closed, and had worked in the still and quiet morning to photograph the early light coming over the Sierra crest. I happened to notice this little granite and tree vignette as I turned away from my main subject for a moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.