Tag Archives: national park

Morning Light, Trees and Granite

Morning Light, Trees and Granite
Morning sun backlights a grove of trees growing on granite slabs

Morning Light, Trees and Granite. Yosemite National Park, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning sun backlights a grove of trees growing on granite slabs

One of my Sierra Nevada photographic obsessions has to do with back-lit trees. There is something about that light that I find compelling — possibly the halo effect of the brilliantly lit ends of branches, perhaps the possibility of photographing something that is very difficult to actually look at in person, or maybe the contrasting effects of sharply defined close details juxtaposed with bright and haze backgrounds. For me, this light, along with the granite slabs and boulders, provide definitive features of the Yosemite high country.

On this morning I was out early, driving along Tioga Pass Road as the sun came up. (Driving was required this time, as I had to camp outside the park and drive in very early.) I had stopped in Tuolumne meadows, nearly empty of people since it was early and the campground was still closed, and had worked in the still and quiet morning to photograph the early light coming over the Sierra crest. I happened to notice this little granite and tree vignette as I turned away from my main subject for a moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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High Country, Dawn

High Country, Dawn
Just before sunrise, soft light and colorful sky above Yosemite high-country peaks, forest, and meadow.

High Country, Dawn. Yosemite National Park, California. July 27 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Just before sunrise, soft light and colorful sky above Yosemite high-country peaks, forest, and meadow.

Sometimes landscape and nature photographers enjoy complaining about certain things required to be in the right places at the right times in order to make photographs of their intended subjects. So, here is a story. The previous day I had been out photographing until the light was gone, and then had to travel back to my dark camp. By the time I finished camp business, it was quite late, and by the time I got to sleep it was less-than-a-full-night’s-sleep until the time I would have to get up. But get up I did, well before dawn. I dressed in the cold and darkness, soon heading out with no coffee or breakfast while the sky was still dark. Before long I began to find potential subjects, even though the light was not yet quite “there.”

Now, behind that story (complaining? false heroism?) is another truth: I feel fortunate to be able to do this! As I ventured out, I found myself almost entirely alone. Even though I was driving on a very popular high country road, I saw almost no one else. Before long the bluish earth shadow line began to drop toward the horizon behind these peaks, and I stopped at a little meadow I know well. Although it is next to the roadway, it was almost completely silent and still, and the meadow plants were covered with dew. I photographed as this brief show of sky color began to fade, and as I finished I thought about the number of people who only come to these places in the middle of the day, and who therefore miss the color and the quiet and the solitude. Is it worth getting out of my sleeping bag in the predawn darkness? Yes!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Summer, Sierra River

Summer, Sierra River
The Tuolumne river flows past forest and granite outcroppings on a summer afternoon.

Summer, Sierra River. Yosemite National Park, California. July 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The Tuolumne river flows past forest and granite outcroppings on a summer afternoon.

This is a sort of “Sierra dreaming” photograph — a scene from last summer, of the sort that I’m looking forward to experiencing again this coming season. It is also a bit of a distraction from the fact that circumstances (nothing bad, just busy-ness and a deadline) have kept me away from the Sierra recently and will probably do so for another month of so. (Though I am sure that this particular spot, photographed in mid-July during a drought year, may look quite a bit different on that date this year!)

Many Sierra Nevada photographs focus on the monumental and spectacular — and for good reason. There are plenty of spectacular and monumental things in the range! But after many decades of wandering around these mountains I find that more and more it is more subtle features that define the experience for me and which draw me back again. This season I have started to see the reports of those venturing very early into the back-country, and each time I see another photograph of a bit of rocky trail, a path through forest, or a fast-flowing creek, it brings back my own memories of many such places — memories that go beyond the mere visual qualities to include sounds of water and rock, the fragrance of the trees, and the feeling of the breeze. Humor me with this somewhat unspectacular photograph of a place that isn’t special enough to be named — it, too, brings back almost all of those associations!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Evening

Dunes, Evening
Evening light comes to desert sand dunes, Death Valley National Park

Dunes, Evening. Death Valley National Park, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening light comes to desert sand dunes, Death Valley National Park

I made this photograph on the evening of our arrival in Death Valley this past March, when we spent the better part of a week photographing in this desert park. We took a slow drive into the park from Ridgecrest, stopping at Trona and then in the Panamint Valley before crossing Towne Pass and dropping into Death Valley itself. It was early enough that we decided to take a “little” side trip to some slightly remote canyons in the afternoon and go for a short hike. We returned to the Stovepipe Wells area and then headed out along the dunes in the evening.

The evening light, especially when softened a bit by clouds or else just after the sun sets, paints the dunes and the surrounding terrain in marvelous and subtle colors. Mountains that are blue-gray in daylight and dunes that are almost colorless take on the colors of the haze, the sky, and the evening light, with shades of pink and yellow and blue and purple and more. This little vignette adds the green of the lush plants growing atop this sand dune, though the dead plants at the right betray the harsh conditions that are found her much of the time.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.