Tag Archives: national

Forest and Pond (Vertical)

Forest and Pond (Vertical)
“Forest and Pond (Vertical)” — Forest trees reflected in the still water of a subalpine pond, Yosemite.

This is another photograph from my early July (the first day of the month!) camping and photography trip to the High Sierra just outside the eastern boundary of Yosemite National Park. Among other things, this positioned me for quick trips into the park to photograph in the high country. The landscape was still almost deserted — the snow and meltwater had recently diminished, campgrounds were not yet open, and new rules restricted the number of drivers entering the park.

Later in the season this little scene would look quite different, as everything in the high country begins to dry out near the end of a typical summer. But at this point the grasses were still green and growing, and there was some new growth on the trees, too. There are actually two versions f this photograph — I shared a horizontal (“landscape”) version of it a few weeks ago.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Tall Aspens, Fall Color

Tall Aspens, Fall Color
“Tall Aspens, Fall Color” — A large grove of big aspen trees with autumn color, on an Eastern Sierra Nevada hillside.

This is a type of autumn aspen photograph that I think of as a “wall of color.” Here there are more of the tall and straight trees than we see in many places in the Sierra, and the entire grove is at or near its fall peak. It helps that I had a somewhat elevated vantage point to make the photograph, part of what lets me fill the frame with color.

To look at this photograph you might imagine a scene almost like New England fall colors. However, while such colors there can go on for miles and cover successive mountains (hills, really) and valleys, in the Sierra the color is more concentrated. Groves, many of which are small, can stand out brilliantly against the predominant background of dark conifer trees or rocks or sagebrush.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandstone Formations, First Light

Sandstone Formations, First Light
“Sandstone Formations, First Light” — Sandstone towers and walls in first light, Arches National Park.

I made this photograph from an “official” viewpoint…. that is named for an entirely different view that lies behind my camera position. There is something interesting in that other direction, but this tableau of sandstone towers and walls, near and far, seems more compelling to me, especially very early in the morning when the rising sun illuminates them. I made this photograph just before actual sunrise, when the earth’s shadow is visible in the distant sky.

My feelings about Arches National Park are complicated. When we drove into the park in the morning on my very first visit, I really had little idea of what I would see. I was dumbfounded by the wild formations — huge sandstone walls, tall towers, rocks perched in improbable places, long views. It is definitely worth a visit or two, but be aware that it is a heavily impacted place. Its beauty is part of the reason, but it also lies just outside the town of Moab, Utah, making it (perhaps too) accessible.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Morning, Forest at Meadow’s Edge

Morning, Forest at Meadow's Edge
“Morning, Forest at Meadow’s Edge” — Three generations of lodgepole pine forest at the edge of a Sierra Nevada meadow.

From the time I first visited Tuolumne Meadows (decades ago, as a child) I remember hearing that the meadows were being gradually overtaken by the forests. (I later learned that the story is not quite that simple.) This stuck with me, and I’ve always been intrigued by the boundaries between meadow and forest. This photograph shows three age groupings of pines next to this meadow — the three big and old trees left of center, a dense stand of younger tall trees at the right, and a thick line of “baby trees” extending from the left edge beyond the three big trees.

This was a special morning at Tuolumne. It was the first day of July, in a year when the campground would not open for another month. Park entrance restrictions further limited the number of visitors. I camped just outside the park and was able to enter before dawn. I had the landscape almost entirely to myself as the sun rose and light fog cleared from the meadow.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.