Tag Archives: national

Below the Cliff

Below the Cliff
“Below the Cliff” — Trees at the base of a sandstone cliff, Zion National Park.

this photograph comes from a trip to Utah and Zion National Park over a dozen years ago. It is also another of my “lost and found” photographs — from a file that has languished in my raw file archives since that time. I think I may have left it behind after working up a different photograph of the same cliff.

This is a classic Utah red rock canyon scene, with bright green trees (just barely starting to take on autumn colors) at the base of red rock cliffs. I love how the red and green stand out against one another. As I’ve said before, this Sierra Nevada guy, after a visit to Utah, always feels like the gray rock of his “home range” looks a bit… bland.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Death Valley Wildflowers

Death Valley Spring Wildflowers
“Death Valley Wildflowers” — Hillsides covered with wildflowers after a wet winter in Death Valley.

We just returned from another visit to Death Valley National Park. Wildflowers are blooming in California’s deserts and the show is far from over. It has been an odd weather year in California, but desert areas received abundant well-timed rainfall that is producing an above average (and perhaps earlier than usual?) wildflower bloom. We saw the potential back in December and scheduled our return to the park accordingly. We were not disappointed.

Is this one of the proverbial “super bloom” years? Few are using that term at the present moment, but it is clearly an above average year. Some areas, like this gravel fan below desert hills, are covered with fields of desert gold flowers. Small flowers are underfoot everywhere. Other locations are green with sprouting plants that will continue to produce new blooms over coming weeks.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Mountains, Sky, and Water

Mountains, Sky, and Water
“Mountains, Sky, and Water” — Desert mountains and hazy light above Lake Manly, Death Valley.

Many of my Lake Manly photographs look out into Badwater Basin, across the lake, and towards the Panamint Range rising in the west. For this photograph I found a camera position a bit north of the “usual spot” and pointed the camera south to including the sequence of desert mountain slopes beyond the lake. This view includes the interrupted reflections of those slopes along with salt flats along the edge of the lake.

This photograph is related to another I shared recently that also featured layers of desert mountains extending into the far distance. Both feature “atmospheric recession,” in which haze lightens more distant features and obscures their details. In addition to elements such as converging perspective lines, this effect also can suggest depth and distance.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Evening Road, Death Valley

Evening Road, Death Valley
“Evening Road, Death Valley” — A gravel road descends toward desert playa under evening skies, Death Valley

Sights like this become familiar if you spend much time exploring Death Valley National Park — a deserted gravel track heading off into the arid landscape with hills in the distance. There are variations: a narrow track following a streamed winding between high walls, a road crossing high desert mountains, and others. This particular example is not all that isolated — though it doesn’t get a lot of visitors.

It was late in the day and we had hurried back down into the Valley in hopes of low-angle sunlight on the terrain between the road and the far hills. That did not happen, and the light was somewhat flat. But the same clouds that blocked the late-day sun also filled the sky above the desert terrain in this photograph.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.