Tag Archives: national

Spring Wildflowers

Spring Wildflowers
Bright yellow spring wildflowers carpet the hills of the Carrizo Plain National Monument

Spring Wildflowers. © Copyright 2019 G Dan Mitchell – all rights reserved.

Bright yellow spring wildflowers carpet the hills of the Carrizo Plain National Monument.

As I drove a bit deeper into the Carrizo Plain National Monument last week I encountered this scene along a section of gravel road. These yellow flowers — I believe they are a daisy known as monolopia — covered vast areas from the lowest levels of the plain on up to the slopes of the surrounding mountains. I made the photograph on a somewhat special morning that had begun with thick ground fog. Eventually the fog broke up to leave behind blue sky with scatted fluffy clouds.

These flowers are a very short-lived phenomenon here, and they don’t grow in such abundance every year. This has been a relatively good year for rainfall, and this area was hit by heavy rains from an atmospheric river storm a few weeks earlier. These wildflowers are opportunistic — in bad years they may barely make an appearance, but when the rains do come they make up for lost time and produce brief but astounding displays. (If you were to come back here in a bit more than a month you would find a very dry landscape and very few flowers.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Two Hikers, Titus Canyon

Two Hikers, Titus Canyon
Two hikers descending the narrows of Titus Canyon

Two Hikers, Titus Canyon. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two hikers descending the narrows of Titus Canyon.

Earlier this month I visited Death Valley National Park for a few days. I go there and photograph at least once each year — I’ve been visiting for a couple of decades and photographing the place seriously for about fifteen years. I often point out that there are few places where the effects of water are more obvious than in this unlikely location. Almost all features of the park are formed or sculpted by water, and these effects are very visible in the early bare desert landscape. I arrived only a day after extremely heavy rains, and the evidence was everywhere — flooded sections of roadway, wet and muddy washes, dunes that were still damp, large shallow lakes on playas.

Many park roads were closes, including the long dirt road through Titus Canyon. The road starts high in Amargosa Canyon, crosses the mountains, descends toward the Valley, and near the end passes through a section of very narrow canyon. Normally there is enough traffic there to interrupt the reverie of hikers, but the road was closed to vehicle traffic and we (some members of my family) and I enjoyed a long and quiet hike up the canyon. Here two hikers (my sister and her husband) are descending though one of the deeper and narrower sections of the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Water Tanks, Mountains and Plain

Water Tanks, Mountains and Plain
Two abandoned water tanks at Carrizo Plain National Monument in spring

Water Tanks, Mountains and Plain. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two abandoned water tanks at Carrizo Plain National Monument in spring.

These old and apparently abandoned water tanks sit over a small seasonal stream a good distance up above the floor of the Carrizo Plain. You would think that the purpose of the tanks would be obvious, but I’m not so sure. I did a bit of (less-than-diligent) research to try to discover their purpose, but what little I came up with seemed to have less of the character of being based on primary sources and more than of something reportedly heard by someone who was told something by someone who thought they remembered that… You get the picture. I can think of two possibilities. As some sources report, they could have been built to ensure a year-round water supply for cattle operations. It also seems possible that they could have been connected to resource extraction operations, such as those at Soda Lake.

The presence of the tanks is a reminder that this landscape (like most landscapes, to be honest) has a strong human element — it isn’t exactly wilderness! When people visit the Carrizo today they most likely come to see the natural phenomenon of the springtime wildflowers. But the place has been shaped by oil exploration and (nearby) extraction, cattle ranching, “mining” of various sorts, and more. All of that aside, the backdrop for these remnant structures, especially on a spring day when rain showers alternated with sunshine, is an immense and spectacular landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Drifting Fog, Hills

Drifting Fog, Hills
Dawn fog pours across arid California hills

Drifting Fog, Hills. © Copyright 2019 G Dan Mitchell – all rights reserved.

Dawn fog pours across arid California hills.

Sometimes I end up completely throwing out my photographic plans for the day. When I awoke in the pre-dawn darkness on this day, I intended to head down from camp to a plain and lower hills where I would photograph spring wildflowers. I fixed coffee and had a bowl of cereal in the dark, loaded up my vehicle, tried to sneak out of camp without bothering the “normal” people who sleep in, and heading down the gravel road. As I drove it began to look like the valley was, to my complete surprise, completely socked in by thick fog.

Before entering the upper limit of the fog I stopped at a turn on a hillside from which there was a panoramic view. Far to the southeast I saw that the fog was even in the mountains, and that gentle morning breeze was apparently pushing it up and over a series of high ridges just as the first reddish light of dawn intensified. I quickly put my wildflower photography ideas on hold and went to work photographing the ephemeral fog and light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.