Tag Archives: national

Forest, Morning, Autumn Color

Forest, Morning, Autumn Color
Early morning autumn colors in the underbrush of a Yosemite forest.

Forest, Morning, Autumn Color. October 22, 2017. Yosemite National Park, California. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early morning autumn colors in the underbrush of a Yosemite forest.

I like to visit Yosemite National Park every year around Halloween, when fall colors often peak in Yosemite Valley — including oaks, dogwood, cottonwood, big leaf maple, and more. This year I went a bit earlier — slightly more than a week before the end of October — since I wanted to drop in on a gallery opening reception in Oakhurst, for the last hurrah of the 2017 Yosemite Renaissance exhibit, which includes one of my photographs. I went up on the day of the opening, starting in Yosemite Valley. I spent the day photographing, but also marveling at the astoundingly huge number of people who were crowding the place. I try to avoid The Valley in the summer, especially on weekends, but I figured that October wouldn’t be so bad. I was wrong! In any case, by going away from the most popular places and a few other strategies, I was able to find some relative solitude.

I stayed in Oakhurst than night and then got up well before dawn the next morning. My loose plan was to head toward Glacier Point for sunrise, but I was sidetracked along the way — first by these fall colors and later by the opportunity to photograph a forest covered with wildfire smoke. Regarding that color, I already knew that there can be a lot of beautiful color along the road between Oakhurst and the Valley, and that it can be especially beautiful very early in the morning, when there are few people and the direct sunlight has still not arrived. I found this spot that I had scoped out the previous day, and I paused for some photography. Subjects like this are about as far from “iconic” as one can be, but they often evoke deeper associations with the feelings of such places than photographs of another popular mountain. As I made this photograph it was quiet, still, and cold, and the pre-dawn light was filtering down into the darkened forest. The colorful underbrush was the first thing I saw, but soon I realized the quiet beauty of the tall trees in this burned-over area as they marched up the hill toward the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pasture, Estero, and Drakes Bay

Pasture, Estero, and Drakes Bay
Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

Pasture, Estero, and Drakes Bay. Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

I have a confession to make regarding Point Reyes. Although it is, relatively speaking, “in my local neighborhood” and I’ve gone there a lot, I have yet to fully wrap my mind around the place to the extent that I feel that I have fully photographed it or fully understand its character. I do have some photographs of the place that I like quite a bit, but when I go there I often find it more difficult to photograph than places like the Sierra, the Big Sur coast, California’s deserts, and similar. I love photographing the ocean, but here the features of the coast are perhaps more subtle, tending more toward beaches and bluffs and bay than to dramatic and rocky coastline. There are hills, but many are rather short, tend to be covered almost completely in forest in many cases, and tend to lack rocky outcroppings. The light can be very interesting, but there is often a fine line between too much and too little sun.

To summarize, I’m still working to figure out my vision of the place. Our most recent visit, in the middle of October during the northern California wildfires, was provided no exceptions to the challenge. There was no fog and the sky was almost clear… except that wildfire smoke often tended to blanket the terrain, producing a sort of yellow quality to the light. Because it is October, most of the green of meadows is long gone, and instead open areas are a kind of muted brown. Yet, I still want to photograph the place, and I know I’ll eventually “get it.” We did spend some time looking for photographs in the park this time, and this lovely inlet from Drakes Estero caught my attention as we traveled out toward the location of the Point Reyes Lighthouse. After we stopped and I looked more closely, I found the old stock fence to be an interesting addition to the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bluff, Tidal Flats, Tomales Bay

Bluff, Tidal Flats, Tomales Bay
Evening along the shoreline of Tomales Bay

Bluff, Tidal Flats, Tomales Bay. Near Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening along the shoreline of Tomales Bay

This is another photograph from our very recent visit to areas of California just north of San Francisco. If you follow the news, that description perhaps calls to mind the recent (and current, as I write this) major wildfires burning in California, including the disastrous fire in the Santa Rosa area that killed dozens of people and destroyed thousands of homes and other structures. In fact, we were very close to that area on this trip. We might not have gone at all, except that one of the reasons for going there was to participate in a wedding — and since the wedding went on despite the first, we went. We had planned a few days after that for photography, and we decided to stick to that plan, too.

The effects of the fires were obvious in many ways: signs in shops and elsewhere about people needing a place to stay or raising funds for fire relief, the traffic heading to the coast to try to find relief from the smoke, and the constant presence of that smoke in the air. We ended up doing much less photography than we usually would, but on one day we did manage to make a few photographs. We had driven north up that coast a ways, turning around just north of Jenner where the smoke became quite severe, and we were returning to the area around Point Reyes National Seashore. We arrived alongside upper Tomales Bay, which separates Point Reyes from the rest of California, not long before sunset. Here the smoke thinned a bit, mostly just producing some atmospheric haze, and the scene was quiet and still in the early evening light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Nearly Bare Aspens

Nearly Bare Aspens
Aspen trees with only a few leaves remaining, Great Basin National Park

Nearly Bare Aspens. Great Basin National Park, Nevada. September 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Aspen trees with only a few leaves remaining, Great Basin National Park

In this post I continue, at least a bit, the theme of my last post: the varied rate of fall color change. In the previous post I wrote about the variations in the eastern Sierra Nevada — how early the first signs of color can occur, how late in the season it may be when the final aspen leaves fall, and the varying rates at which the colors arrive, even in limited geographical areas of the range. But if you stretch your horizons beyond the Sierra the variations are even greater.

We first “discovered” this a few years back when we visited Utah in the fall. I often make a point of not doing too much research before visiting a new area, and often this has the advantage of letting me discover the place on my own terms. On the downside, sometimes I miss the timing a bit! On that Utah trip I assumed that the colors might change on the schedule I’m used to in the Sierra… and we ended up arriving too late for the best aspen color. On the trip where I made this photograph I assumed that, since the location is virtually on the Nevada-Utah border, color would come earlier, and I arrived about a week before the end of September. In fact, the color change was underway, though still not quite peaking. But in a few spots, including the little grove where I made this photograph, some trees had almost completed their fall color season already!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.