Tag Archives: national

Erosion Patterns

Erosion Patterns
Erosion Patterns

Erosion Patterns. Death Valley National Park, California. December 10, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Deeply furrowed erosion patterns in early morning light, Death Valley National Park

I spent some time photographing Death Valley National Park in mid-December, during a very cold time of the year. It is not unusual for the place to be surprisingly cold in the middle of winter, but this was a period of exceptional cold and it got down to 25 degrees in the Valley and much colder in some of the places I visited in the surrounding desert mountains. I had arrived the evening before I made this photograph, and a sequence of events on the drive it suggest an inauspicious beginning to this visit. I usually come in through Ridgecrest and then up through Trona. I usually drive almost straight through to Ridgecrest and then take a long, late lunch break there – getting my last espresso until I come back out of the park, filling up the gas tank, and so forth. I killed pretty close to an hour taking care of these odds and ends, and then started out of town toward Trona.

Less than a mile up the road I ran into a flashing warning sign announcing that this entrance to the park was closed! This necessitated a bit of backtracking and then travel north up US 395 to then head east toward the park on highway 190. I had originally planned to arrive by mid-afternoon, set up camp, and then photograph in the evening… but by the time I finished all of this driving it was dark when I arrived and I simply pulled into the campground and slept in my car. Early the next morning, feeling just a bit disconnected, I drove over towards 20 Mule Team Canyon where I knew I should be able to find some nice morning light. In fact I did, and I soon found this beautiful miniature landscape of nearly parallel gullies in a hillside along the canyon. As the first light hit the edges off the ridges between the gullies I found a composition that mostly filled the frame with them. I finished shooting here and moved on. At my next location, I finally must have engaged my brain, and I checked the camera to find that it had been left on ISO 3200 from my previous work photographing musicians backstage at a concert in natural light. Groan! So this photograph is one that I managed to salvage from that little escapade… and I’m grateful for the relatively good performance of modern cameras… even when the operator is not paying attention!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Memorial Pool

Memorial Pool
Memorial Pool

Memorial Pool. New York City. December 26, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Memorial  pool at the National September 11 Memorial, New York City.

It is hard to know precisely what or how to write about this place as it evokes so many responses of all different sorts. On that September day over a decade ago we were on the opposite coast, watching the events unfold as if in a dream. A year and a half earlier we had stood on top of these buildings at night. Since then my oldest son has moved to New York and now works within a very short distance of this place. Our first visit to the site was a few years ago, when almost all original traces of the September 11 events were gone (though if you looked closely you could see chips and cracks in places), and it had become an incredibly busy construction site, with more cranes than I had ever seen in one place and with the new tower climbing skyward. It was hard to connect what we saw on that visit to what had occurred – until we walked around a corner and saw a memorial to firefighters from the closest fire station.

This time we first walked here on Christmas morning. We didn’t pick that day for any particular reason except that we were not far away and it seemed like a place that we wanted to visit. We walked down, looked up at the new tower through trees, and walked back. The next day we wanted to visit the Memorial, so we returned and stood in the lines with thousands of other people in freezing weather as light snow flurries fell. Once there I knew I wanted to photograph, but I didn’t want to intrude on anyone else, so I photographed things more than people in the flat, cloudy light. This photograph includes a bit of one of the pools, where water that has just fallen down the upper walls, leaving ice behind on this cold day, pauses momentarily before continuing its descent into the center void of the memorial.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marin Headlands, Winter Evening

Marin Headlands, Winter Evening
Marin Headlands, Winter Evening

Marin Headlands, Winter Evening. San Francisco Bay Area, California. January 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Golden evening haze over the Pacific Coast below the rugged cliffs of the Marin headlands

How we ended up here on this evening in a slightly complicated and random story. Our main goal was to go San Francisco’s De Young Museum, where the big show of David Hockney’s work was entering its final days – we had been planning to go but somehow the time passed and it was now or never. I’d write, “It is a great show and you should go…” but it is too late! Hockney’s work is engrossing and compelling and includes subjects that a landscape photographer can identify with. (Hockney’s relationship to photography is interesting and, it seems, a bit complex. He is known for some photo collages that he created, yet he disparages photography or at least the way photography is often done. He apparently said something about photography along the lines of it being fine if you want to view the world from the point of view of a paralyzed cyclops. Ouch!)

We spent a few hours in the exhibit and then it was mid afternoon. There were still a couple of hours of light left, so we decided to head across the Golden Gate Bridge, but with only the vaguest of plans in mind. (Basically the plan consisted of “Coffee and then look for something before the light is gone.”) By the time we got over there and were ready to look for light, we realized that we had only a short time before the light would go and we would have to head back over the bridge to get dinner. (We had reservations at a favorite Indian restaurant.) We realized that we had only enough time to drive up into the headlands on our way to the bridge, so up Conzelman Road we went. I missed a mysterious and ominous photograph of a large freighter in the haze outside the Golden Gate since I wasn’t able to find a place to stop and park – but we finally managed to park the car and get out and look around. I did not take my camera gear out at first, since I have more than enough photographs of The City and the bridge at sunset, but soon I became interested in the backlit glow around the rugged cliffs dropping to the water to the west and then the expanse of glowing, hazy air stretching over the water towards the horizon, where water and sky merged invisibly.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Granite, Water, and Tree

Granite, Water, and Tree
A small tree grows from a crack in a granite wall and the reflecting surface of a Sierra Nevada lake, Kings Canyon National Park

Granite, Water, and Tree. Kings Canyon Park, California. September 14, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

A small tree growing in a crack in a granite wall above the reflecting surface of a Sierra Nevada lake, Kings Canyon National Park

I have begun to return to the photographs from the September 2013 9-day backcountry trip into the eastern Sierra of Kings Canyon National Park. Four photographers traveled over two nearly-12,000′ passes to reach a basin full of lakes at 11,000′, where we set up camp and photographed for the better part of a week. By staying in one location we were able to come to know the surrounding wilderness intimately, frequently returning to locations at different times of day and in different weather conditions. Of course, even a week in one valley like this one is not sufficient to truly know it – a lifetime might be necessary for that!

When I return from a shoot like this one I’m always anxious to dig into my photographs and see what I came back with. In the field, while I’m complete focused on each photograph as I make it, I quickly move on to the next thing, and after a week of shooting I certain do not recall every shot. The initial pass through the image files always reveals some photographs that speak to me, and others that seem to have potential. I might work them over for a week or two, but then I tend to put them aside and move on to other things. But I’m not done. Some photographs do not reveal themselves to me as quickly as others, and I’ve learned that when I go back to the original files months or even years later I often “discover” photographs that were there all along, but which somehow escaped my attention. This is one of those, though in this case I think I have some ideas about how it ended up waiting for me to revisit it months later. First, when I made the photograph I knew there was something about these patterns that was photographable – but at the time I recall being a bit challenged by making a composition out of it that did not include some distracting materials above the elements you see here. At the same time, another photograph of a similar subject turned out to be one of those that worked right away, and I think that encouraged me to move on past this one. This week I began to revisit these files and when I saw this one it was almost immediately obvious to me that it would work with his wider crop, which solved the problem of the “distracting materials” that I mentioned above. I like several things about this photograph: its subtle color palette, the strong abstract patterns of cracked rock and green-gray lichen, the very small tree growing in the crack in the rocks.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.