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Sand Dunes, First Light

Sand Dunes, First Light
The first morning light reveals textures in sand dunes, Death Valley National Park

Sand Dunes, First Light. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The first morning light reveals textures in sand dunes, Death Valley National Park

These dunes, and others like them, are both more ephemeral and more permanent that many may expect. The permanence initially surprised me. I had always imagined the peaks of dunes marching gradually across the landscape like slow motion ocean waves, producing a landscape that would never be the same twice. However, observing certain dunes in Death Valley National Park over a period of time made it clear that the broad features of the dunes are actually very nearly permanent. From year to year the overall form of the dunes remains largely the same — no surprise, perhaps, given that the forces that form them are constant, including the prevailing winds and surrounding geological features. Yet, other things are more ephemeral. Plants come and go, and footprints are erased by the next dust storm. The light is constantly changing, through the daily cycles and the annual cycle.

This was the final morning of this trip to Death Valley. Since dust storms (and rain!) had passed through the previous evening I was certain that I could find areas unmarked by footprints, where the natural patterns produced by wind would be found. I drove to a less popular area near the dunes, loaded up my equipment, and set out across the playa to get to the low dunes I had in mind. I arrived in soft pre-dawn light and began to photograph, trying to work with this subtle light and its extraordinarily low contrast, all the while watching the sky to the east to see when sunlight would strike the dunes. I composed this photograph in that soft light, but as I worked the sun cleared the mountains far to the east and warmer colored light began to more clearly show the sand patterns. I made this photograph during the very brief interval — literally only seconds — when that first light began to softly light the sand and before it struck with full intensity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Winter Fog, Water, Island

Winter Fog, Water, Island
Winter fog obscures the view of a wetland island

Winter Fog, Water, Island. Central Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Winter fog obscures the view of a wetland island

This is one of a pair of similar photographs I made in this spot on a lovely dense fog morning out in the winter Central Valley. (The other is simpler and doesn’t include the foreground plants.) We had arrived quite a bit earlier and had already done a circuit of the gravel road that encircles the location, and we were now on our second loop. Believe it or not, the fog had become a lot less thick by the time I made the photograph!

Imagine that everything is still, but that the sounds of birds are everywhere — a combination of visual stillness but audio tumult in every direction. As I watched this little island the fog continued to thin and thicken, and at times it almost became invisible. Shortly after I made the photograph the clearing began in earnest and the beaks began to develop in the shallow tule fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Rain and Sandstorm

Evening Rain and Sandstorm
Evening rain and sandstorm as sun illuminates the Grapevine Mountains

Evening Rain and Sandstorm. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening rain and sandstorm as sun illuminates the Grapevine Mountains

During the spring season in Death Valley National Park almost anything can happen. It can be 90 degrees or higher, or it might snow. Days may be pleasant to sunny, or it could be overcast with huge winds and dust storms or rain. We just spent the better part of five days there, and I think I saw as great a range of conditions as I’ve encountered before. The second evening was particularly remarkable. We were up in Panamint Mountains when we first noticed the tell-tale haze of dust storms, and by the time we returned to the Valley it was so windy that there was nothing to do but hunker down and wait it out. Near sunset the winds began to abate a bit and we ventured outside. I heard a few claps of thunder and it began to rain huge drops. Later we discovered that it had snowed on the highest peaks.

A few days later the conditions were supposed to be more benign. We spend early morning hours photographing out on the dunes, then did a midday and afternoon hike up a beautiful canyon. Exiting the canyon we were surprised to see dust beginning to rise again, since the forecast had called for very light winds. By the time we got back to Stovepipe Wells the winds were howling, light rain was falling, and dust filled the atmosphere. A bit later things calmed down and I decided to make a quick evening trip to a nearby high point from which I could get an overview of the valley. Arriving there I could see a wild combination of dramatic light on up-valley mountains, rain falling on their summits, and the dust storm growing below. Within minutes of making this photograph the wind began to howl and the dust enveloped my position and I retreated once more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

First Light, Trees, Lake, and Ridge

First Light, Trees, Lake, and Ridge
Trees along a rock strewn lake as first morning light strikes a southern Sierra Nevada backcountry ridge

First Light, Trees, Lake, and Ridge. Sequoia National Park, California. August 8, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Trees along a rock strewn lake as first morning light strikes a southern Sierra Nevada backcountry ridge

This was the scene on the morning of this fifth day or a trip of over a week across the High Sierra Trail, a trip that would eventually summit Mount Whitney before descending the east side of the Sierra. To me, this route feels like it is composed of several distinct sections. The first couple of days are the approach, reaching the first high country from a west side trailhead. The next few of days are the crossing of the Kaweahs and the descent to the ridges above Big Arroyo, a portion of the trip that has the distinct feeling of remoteness and of dropping down to much lower country. Then there is the march up the Kern and the ascent to meet the JMT, followed by the lateral over to a base camp below Whitney, with the finale being the ascent of this ridge and then the long descent to Whitney Portal.

This morning was in that post-Kaweah phase, at our second camp after crossing the Gap. This lake, a bit off the “official” route, is a quiet and forested place with a gentle feeling that contrasts the rough edges of the higher country. We awoke this morning and I was out before dawn, photographing the first light on this high ridge beyond the trees and across the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.