Tag Archives: nevada

Sunrise, From the Valley to the Sierra

There is a lot going on in this photograph. Of course, the most obvious first impression is likely to be the wild light. It was a cloudy dawn, and in the gap between the edge of a weather front and the distant Sierra Nevada the sky colors were very intense. And, yes, those mountains are the crest of the Sierra Nevada as viewed from the farmlands of the Central Valley.

It was also hazy, and that made the atmosphere between me and the mountains glow orange For a moment as the sky lit up. Closer, out there among the trees dotting the landscape, tule fog hugged the ground and drifted, occasionally rising over obstructions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sierra Silhouette, Wetlands Winter Sunrise

On a recent early morning visit to the Central Valley I was lucky to run into a couple of friends who were also there to see the wintry landscape and photograph migratory birds. We conversed casually during slow moments when we found ourselves in the same spots. One of them noted that a lot of my recent photographs have relied on pastels. True! I’ve been focusing those colors recently, and they are common in the winter landscape. This is not one of those photographs.

Indeed, these colors are almost lurid. I photographed just before the sun came up, when the pre-dawn light is at its most saturated. I used a long lens to focus on the brightly-lit clouds and their reflection, and to eliminate much of the surrounding darker landscape. Wild displays of color like this — and sky filled with migratory birds — are among the reasons that I’m willing to get up at “oh-dark-thirty” and drive for hours in the darkness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Wetland Pond and Trees, Dawn

I made this photograph in a quiet corner of a place where I often photograph in winter. Trees grow along a levee separating a small pond from a much larger body of water where migratory birds sometimes land. I had a brief window of sunrise light on this morning, as clouds from an arriving weather system moved overhead and on toward the east, darkening the sky except for a narrow strip above the distant Sierra Nevada.

I have photographed these trees before, though in quite different light. Birds often are found here, though not typically the larger geese and cranes. (By good luck, a line of geese passed along the trees as I made the exposure, but you might have to look for them.) More common birds are the various “little brown birds,” plus some raptors and the occasional owl.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Aspens, Peaks, and Evening Shadows II

Aspens, Peaks, and Evening Shadows II
Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Aspens, Peaks, and Evening Shadows II. © Copyright 2023 G Dan Mitchell.

Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Seeing a photograph here with the Roman numeral “II” attached you may wonder if there is a version “I.” There is, of course, and the first of the pair was posted a few days ago. In this case, the only significant difference is that this is a “landscape” orientation view of the scene and the other version used the “portrait” orientation. When the subject allows it I often photograph in both orientations — partly for practical reasons and partly because they both seem to work!

The scene is a type that I like a lot, at the elevation where the forests we expect in the high country meet high desert sagebrush country. The aspen trees seem to like both, and they are frequently a bridge between the two types of terrain. Here it is late in the afternoon (or perhaps early in the evening?) and long shadows are starting to stretch across the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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