What is the popular image of Death Valley National Park? I’d say that it is some combination of the following: desert, sand dunes, arid, empty. There can be some truth to that though it is not quite so uniform. This photograph is an example — it is not empty and there are no sand dunes. Instead we see flowers stretching off into the far distance.
Continue reading Desert Gold Flowers, Panamint Range Mountains
Last fall I was in a popular Eastern Sierra location to photograph autumn aspen color. I had arrived before sunrise, while it was still pre-dawn twilight. I began photographing before the sun came up, continued through the arrival of first direct light, then moved on to some other nearby subjects. As I continued to work I could not help noticing that the full moon was setting in the western sky.
Continue reading Sierra Setting Moon at Sunrise
Arriving at Lake Manly to photograph on this late-February morning, I would have rated the conditions as “OK but not stupendous.” I was hoping for a colorful desert sunrise over the reflecting waters of the temporary lake, but clouds muted the intensity and color of the light. My practice is to not give up but to instead find other ways of seeing the landscape. I kept photographing, and soon realized that the morning was special in different ways than I had expected.
Continue reading Morning Clouds, Lake Manly
This is, in several ways, kind of an odd Death Valley photograph. The fine-grained gravel covering the slopes and hills here are not widespread in the park — in most places the ground tends to be lighter in color. On the other hand, the curving shapes and runoff erosion channels are seen elsewhere, as are the plants. (If you look very closely, you will see not only the larger green plants but lots of small wildflower shoots just emerging.)
Continue reading Eroded HIlls