“Trees, Stream Bank” — Trees and spring grass along side a creek, Applecross Bay, Scotland.
Perhaps I have already mentioned that we experienced a lot of “gray” weather during our May visit to northwest Scotland? In fact, the locals told us that it was colder, wetter, and grayer than usual for this time of the year. We even saw new snow on some highlands peaks, and we had at least some precipitation just about every single day. That weather, along with early May time frame meant that we did not see a whole lot of lovely green landscape. But there were a few exceptions, including this spot at Applecross Bay.
“Canisp and Loch Ewe — Canisp peak rises above Loch Ewe with a tree-covered island.
Some travelers like to know everything about their destinations before they depart. I can understand — one reason we travel is to learn about new places and, more practically, knowledge can help you travel efficiently. But I’m partial to not knowing everything in advance, instead leaving plenty of room for discovery. (Of course, it helps — a lot — that my wife is a planner!) The details of this photograph may be a case in point. (There has been an update to this post. Click the “more” link below to see… more.)
“Mud Patterns” — Colorful patterns formed in dry and cracked mud, Capitol Reef.
Recently I went through my archives to see just how many photographs of dried mud I have made over the years. It is a lot! There are perhaps a few dozen finished photographs of this subject that I have shared publicly. But there are scores of them sitting in my unprocessed raw file archives. This one, in fact, is one that I “discovered” during this search, and I’m now sharing it for the first time.
“Cliff Face in Morning Light” — Warm early-morning sunlight intensifies colors and textures of a sandstone cliff, Arches National Park.
We had finished dawn photography of nearby formations on this October morning at Arches National Park. As I was working that subject I kept noticing this remarkable bit of cliff, also in the direct morning sunlight. The larger formation of which it is a part did not offer me any obvious photographic subject, so I switched to a long lens and zeroed in on the colors and textures of this small portion of the scene.
