Tag Archives: north

Trees, Meadow and Path

Trees, Meadow and Path
“Trees, Meadow and Path” — A wilderness path leads past a small creek, meadow, and trees to the shoreline of a subalpine Sierra Nevada lake.

In late July I headed into the Sierra Nevada backcountry on a short backpack trip with a group of friends. The trip was special, as I first backpacked with some of them decades ago. It had been quite a while since I went into the wilderness with this gang — so it was something of a reunion. Of course, being the only photographer on the trip meant that I did end up spending some time alone, especially in the early mornings.

Why is that? Well, apparently normal people do not climb out of their sleeping bags when it is still cold and dark outside, and then head out carrying photography gear to look for composition in the pre-dawn light. I hear that most o them, in fact, stay in their sleeping bags, waiting for the sun to warm their tents! I spent a couple of early hours wandering this alpine landscape, making this photograph before the direct sunlight had yet arrived here.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trunks and Needles

Trunks and Needles
“Trunks and Needles” — Trunks and needles at the base of a small copse of Sierra Nevada backcountry trees.

It was early evening, and I had been working subjects along the shoreline of a subalpine Sierra Nevada lake. There’s lots to see in such places — the shoreline itself, meadows ringing the lake, boulders scattered here and there. As the light over the lake became less interesting my attention turned to the nearby lodgepole pine forest.

While the lake was fairly well-lit, with nothing to block the remaining light, the forest was dark and mysterious. As I poked around the forest’s edge I found several examples of twisting trees growing very closely together and catching the colorful reflected light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

First Light — Tufa, Clouds, Mountains

First Light — Tufa, Clouds, Mountains
“First Light — Tufa, Clouds, Mountains” — The first dawn light on Mono Lake tufa towers, with desert mountains and morning ing clouds in the distance.

The landscape of Mono Lake and Mono Basin seems reduced to essentials: rocks, mountains, water, sky, light. And all of this is in a place of uncommon quiet and immense space — it is difficult to truly comprehend the scale of the basin. These qualities seem especially strong if you come down from the peaks and intimate landscapes of the nearby Sierra Nevada.

I was out there early on this July morning — having literally “come down” from those peaks near the Sierra crest in predawn darkness. Rather than getting close to the famous tufa formations, my goal was to photograph the lake and its surroundings from a distance, using long lenses to bring together some of the close features and distant elements of the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Sea Stacks and Surf, Big Sur

Sea Stacks and Surf, Big Sur
“Sea Stacks and Surf, Big Sur” — Rough surf and rugged sea stacks along the Big Sur coastline.

California’s coast is quite varied — in places you can find classic wide beaches, but there are impossibly rugged, inaccessible areas, too. (One section in far-northern California is so rugged that engineers were forced to divert the route of Highway 1 far inland.) This photograph comes from a section of the upper Big Sur coast that combines that ruggedness with a degree of accessibility.

I visited on the late-June morning because friends and fellow photographers were visiting the area — so it was a chance both to photograph and to meet up with them. We arrived very early, before the tourist crowds, and photographed soon after the sun cleared the coastal hills and light arrived on the rugged, rocky shoreline and surf.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.