Tag Archives: north

Photographs: Central California, Photographs: Nature

Winter Fields

February 4, 2018 G Dan Mitchell Leave a comment

A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

During winter I travel to California’s Central Valley somewhat frequently, ostensibly to photograph birds but, to be honest, also to photograph the landscape — one that often features fog, fields and trees on the trajectory between winter and spring, unusual effects of light, and those birds. In mid-January I was there one afternoon, on my way to an opening reception at the Carnegie Arts Center in Turlock. The drive would usually take me about two hours, but I left early to create some time to explore areas along the San Joaquin River as it approaches the delta and eventually San Francisco Bay.

It was an interesting weather day. It was range when I left the San Francisco Bay Area, but I got ahead of the front as I crossed into the valley, and it was partly sunny as I headed east on country roads towards this destination. Out here by the river it was hazy and foggy, as it so often is this time of year, and before long the clouds of that front caught up with me and produced an interesting and evocative “atmospheric soup” that was occasionally illuminated subtly when the clouds above the fog to the west thinned. The photograph looks across fallow and muddy fields where sandhill cranes were collecting and towards the scattered trees that grow nearer to the river, above which a flock of cranes flies past.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco

South Beach Harbor, Morning

February 3, 2018 G Dan Mitchell Leave a comment

Morning light on South Beach Harbor and buildings of downtown San Francisco

On this late-January morning I was up — you know the drill… “hours before dawn” — to catch a train up the Peninsula to San Francisco for a morning of street photographer and a visit to the San Francisco Museum of Modern Art, where an extensive show of Walker Evans photography was nearing the end of its run. (At some point I should write a bit about my response to the show. A quick summary: great show, some brilliant work, some work I identify with personally, some work that makes me wonder why it is on the wall.) For these trips I’m usually up around 4:00 AM, giving me a half hour for coffee and a quick breakfast before I walk to catch a bus to the train station, where I catch one of the “baby bullet” express trains that has me in San Francisco an hour later.

The weather was in flux, and when by the time I arrived it was clear that a dome of solid high clouds was over San Francisco. However, as I left the train just before sunrise I was able to see some light on the underside of the clouds that was apparently coming from a gap in the cloud cover across the Bay to the east. I quickly headed over to the nearest shoreline location and ended up at the South Beach Harbor. I found some unusual light here as the sun rise. The light was coming through a narrow gap between the western edge of the cloud shield and the low, East Bay hills. Meanwhile, the clouds over and to the north of San Francisco kept the sky there somewhat dark. As the light hit the shoreline area where I had gone, the foreground boats and buildings and so forth were lit by this lovely filtered light and set off against that darker sky. The conditions did not last long — soon the sun rose above that cloud gap and the light soon became gray and flat.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Fog, Tree, And Pond

February 1, 2018 G Dan Mitchell Leave a comment

I love fog, and I especially love the thick and mysterious tule fog of California’s Central Valley — comprised of the northern Sacramento Valley and the southern San Joaquin Valley, and draining to the Pacific Ocean via San Francisco Bay. This fog is mostly a winter thing, when the moisture rises from the ground, farmland, and ponds as the temperature drops at night. It often reaches its peak in the early morning, just after dawn. (It also creates some very challenging driving conditions — so bad that lots of people simply try to avoid them.)

If you stop and get out of your car, the world of tule fog is quiet and mysterious and still. Your universe closes down to a radius of perhaps a couple hundred feet or less, and you can sense as much about your surroundings by sound as you can by vision — you might hear but not see a flock of crane passing overhead. Surprising to some who are new to these conditions, while the tule fog is incredibly dense, it is often astonishingly shallow. On occasion I have seen conditions so bad that it was almost impossible to drive… but I could look up and see clouds in the sky overhead. The tops of trees and utility poles might poke out of the top of the fog layer. This, of course, can produce some very special light, since this thick fog may also be intensely illuminated by that overhead sky and sun, to the point that at times it can almost hurt to look into the brightness. Those were not the conditions when I made this photograph, but the astonishing blue color (which I actually had to tone down a bit in post) is the result of the glowing fog picking up the color of the blue morning sky.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Photographs: Central California, Photographs: Nature, Photographs: Night, Photographs: Wildlife

The Cranes Return

January 31, 2018 G Dan Mitchell Leave a comment

I understand that the “Super Blue Blood Moon” or something similar occurred early this morning. I missed it. (Well, not quite. I did look out my window before sunrise, and I saw a bit of the eclipse over my neighbor’s house.) However, almost exactly 12 hours earlier I was in a position to look at and photograph that very same moon as it rose over the Sierra Nevada and climbed into the sky above California. It was a beautiful, quiet, peaceful moment at the end of a long day photographing birds.

I chose this particular day to visit the wetlands for a couple of reasons. First, I knew there would be ground fog in the morning and that fog often leaves behind a soft and hazy atmosphere. Second, I knew that the moon would rise from behind the Sierra about a half hour before actual sunset, putting it at an interesting elevation above the horizon at sunset and during the blue hour, that period when the moon seems bright but the ambient light is still sufficient to illuminate the landscape. I began watching for the rising moon at the appointed time, but it did not immediately appear, because it still had to clear the Sierra and because the atmosphere above the valley was so thick with haze. Perhaps twenty minutes later it began to emerge from the haze, and I quickly moved to a spot I had previously considered, where some trees break up the otherwise flat landscape here where a gravel road winds among them. I hoped that the cranes might appear — they often do during the moments shortly after sunset — and hoped even more that they might pass through the scene. Sometimes one does get lucky, and a long string of the birds flew just above the moon as the sky turned pink and deeper blue.

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G Dan Mitchell Photography

Tag Archives: north

Winter Fields

South Beach Harbor, Morning

Fog, Tree, And Pond

The Cranes Return

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.