Tag Archives: north

Autumn Snow, Last Light On Granite

Autumn Snow, Last Light On Granite
Last evening light on glaciated granite dusted by autumn snow.

Autumn Snow, Last Light On Granite. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Last evening light on glaciated granite dusted by autumn snow.

The path to this photograph was a long and convoluted one, and it was certainly not what I was planning on when my day began. I had arrived in the Yosemite area the prior morning, planning to photograph autumn subjects in The Valley before heading over to Oakhurst for the opening reception for the final run of last year’s Yosemite Renaissance Exhibit. I arrived in Yosemite Valley to find it filled with smoke (and a surprising number of October visitors), but I found subjects that could work in this conditions and set about photographing. This is the time for fall color in The Valley, with lots of beautiful leaves on big leaf maple, dogwood, oak and other trees. In the evening I went over to Oakhurst in time to enjoy the reception, where I had an opportunity to see the 2017 version of the show one last time with friends and fellow artists.

I was up well before dawn the next morning with a general plan of heading to Glacier Point for sunrise. However, a beautiful, forested valley full of dogwood and other fall color intervened, and by the time I finished there it was clear that I wasn’t going to make my goal by dawn or even close to it. I did go on up to near Glacier Point, where I photographed wildfire smoke before deciding to go back to The Valley and photograph more trees. I did so, and I had some successes, but by mid-afternoon the crowds and smoke were becoming oppressive, to I decided to make what might be my final trip of the season up to Tioga Pass. Without stopping to photograph, I made it to the pass in the late afternoon. I soon started back down to begin my long drive back to the Bay Area. As I passed the closed-for-the-winter Tuolumne store I saw a familiar van and some tripods standing nearby, so I quickly stopped to see that a couple of friends were there. We talked for a long time — longer than I expected — but I finally tore myself away with little more than a half hour of daylight left. I started west, not sure if I would stop to photograph, but I soon saw that it was going to be a beautiful evening. The smoke was gone up here, the air was clear, and the warm colors of evening were on the peaks. I quickly stopped at a familiar place, but pointed my lens at a less-familiar subject — a series of retreating granite ridges marked by new snow and lit by the final light of the evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wildfire, Forest, Early Morning

Wildfire, Forest, Early Morning
Early morning smoke from a wildfire drifts through a Yosemite National Park forest

Wildfire, Forest, Early Morning. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early morning smoke from a wildfire drifts through a Yosemite National Park forest

This is the second in what will almost certainly be a series of photographs I made of this wildfire in late October. The fire — the Empire Fire — started in the region south of Yosemite Valley, covering terrain ranging from the Bridal Veil Creek area to the broad valley east of Glacier Point Road, and in many places burning right along that driving route. At one point the road had been closed, but by the time of my visit it had reopened. The fire was not longer spreading rapidly, but was instead in that slow-burning phase that may actually be beneficial to Sierra forests.

I ended up here almost by accident. I originally planned to be at Glacier Point by dawn, but other photographic subjects distracted and ultimately delayed me. By the time I arrived here the sun had cleared the mountains of the Sierra crest and the light was reaching down into the valley. But the air was still on this morning and the smoke settled and drifted slowly among the trees and mountains. I found a position well above the smoke and spent almost an hour looking for the beauty in this scene, one that might initially conjure up thoughts of destruction, but which eventually does have a kind of stark beauty. As the morning continued, the wind began to gradually pick up, the smoke rose to and above my position (making breathing difficult) and eventually the smoke simply began to uniformly obscure the landscape — and I moved on.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Forest, Wildfire Smoke

Forest, Wildfire Smoke
Smoke from the Empire Fire drifts among forest trees in the early morning

Forest, Wildfire Smoke. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Smoke from the Empire Fire drifts among forest trees in the early morning

In late October I spent a few days photographing in and around Yosemite National Park. I was in the area for the opening reception for the last hurrah of this year’s Yosemite Renaissance Exhibit, which has been installed at Gallery Five in Oakhurst. I took advantage of the visit to photograph various autumn subjects including the (somewhat early this year) fall colors in Yosemite Valley. But I also photographed another Sierra Nevada fall subject that we often aren’t as easily attracted to, namely wildfire smoke.

Like most Americans brought up with Smokey The Bear, I used to think that wildfires were uniformly evil things. We are more enlightened today, and we now understand that fire is actually a healthy part of the forest ecosystem. (Some fires at not so healthy, such as some during recent years that have completely destroyed large areas of forest.) Periodic fire clears out underbrush and forest litter, doesn’t kill mature trees, and tends to prevent the truly dangerous fires may otherwise occur. While I understand this intellectually, it has been harder for me to begin to see wildfires as attractive photographic subjects. However, on this morning, it was a bit easier! I had decided to get up early and head for Glacier Point at dawn — but I was soon distracted by an opportunity to photograph autumn dogwood trees. By the time I finished that I knew that I wasn’t close to being on schedule for dawn at Glacier Point, but I decided to head that direction anyway. As the road turns toward Glacier Point and overlooks a vast expanse of Sierra to the east, the view of this valley filled with early morning smoke that


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Storyville Coffee

Storyville Coffee
Patrons sitting at the window of a Seattle coffee shop

Storyville Coffee. Seattle, Washington. September 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Patrons sitting at the window of a Seattle coffee shop

As you may have noticed — at least if this isn’t the first time you have seen one of my posts — I like to photograph a rather wide range of subjects. Some know me as a “landscape” or “nature” photographer, but my subjects include many other things: night photography, street photography, urban landscapes, musicians, and more. One line of thinking holds that this is not a good thing — that it dilutes one’s photographic identity and fails to produce a recognizable style. Yet, it turns out that I’m not alone, and lots of other photographers are fascinated by multiple subjects. (Last weekend I ran into a couple of fine photographers and friends high in the Yosemite Sierra, people who have a reputation for photographing the natural world. When I met them they were just finishing up photography of peeling paint on an empty building…) Once they have been typecast, they tend to accept that — since being recognized for a type of photography is a good thing — but they occasionally admit to being frustrated when their other work isn’t understood.

So this is from my “other photography” — the work I do when I spend time in urban environments. It is hard for me to explain the fascination of “street photography” to those who don’t get it, but I’ll try. First, I think we can regard this world as a kind of “urban landscape” — and some of the same attractions of light and texture and color and form are found here. Second, it can be an incredibly dynamic “landscape.” When things are going well, I often feel that I’m in the midst of a continuous flow of people and compositions and their collisions and that there is almost too much to see. The trick is often (though not always) to stay tuned in and to be read to see and photograph quickly. Third, the human layer is something found much less in landscape photography, and it fascinates me. Here I just happened to spot one of the little vignettes that are everywhere in the city — an interest group of people in different poses and likely with different attitudes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.