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Windows, MOMA

Windows, MOMA
Windows, MOMA

Windows, MOMA. New York, New York. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

A scene consisting almost entirely of windows and secondary reflected subjects, Museum of Modern Art, New York.

Look closely and you’ll perhaps see that this is not quite what it might first appear to be. It is something of a visual trick or joke on one level. It is some other things, too.

The bottom line is that almost nothing in this scene is actually where it appears to be or even what it appears to be. The shot was made through an upstairs window of the Museum of Modern Art in New York, and the vertical shapes are the window frame and a bit of the interior wall at the far right, with some diagonal elements of the frame at top and bottom. But the “scene” outside is entirely reflected in the windows of the adjacent building – this is actually a photograph of a single glass-walled building, not exactly a photograph of an urban scene with buildings and trees and sidewalks and people – those are all reflections in the glass of the building. Obviously, I was also having some fun with perspective lines going off in a range of different directions – the window frame lines converging to the right, the outside perspective lines converging toward the left, and the converging lines on the reflected buildings headed back to the right. There’s more, but I’ll probably get lost if I try to describe it. A close inspection – easier with the print than in this little jpg – reveals some other odd stuff here and there: double images of some of the reflected buildings, some warping and bending of those shapes, people scattered around the courtyard and some moving figures that are barely visible.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


‘Rim of the World’ Overlook, Morning

'Rim of the World' Overlook, Morning
'Rim of the World' Overlook, Morning

‘Rim of the World’ Overlook, Morning. Sierra Nevada, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

The view toward Yosemite and the High Sierra from the ‘Rim of the World’ overlook above the Tuolumne River canyon along highway 120.

‘Rim of the World’ is the name given to a scenic overlook above the deep valley of the Tuolumne River along route 120, the northern route into Yosemite National Park. It is something of an odd place. It is a fairly pedestrian traffic pullout, though it overlooks the immense and impressively deep canyon of the Tuolumne. But the view is at least partially obstructed by things like power lines. However, it is a view that on clear days can extend great distances to very high Sierra peaks.

I most often simply blow past the spot on my way to or from the park. However, on this morning as I passed I thought the low morning light looked interesting so I found a spot to turn around and drove back. There was a bit of high cloudiness, and the light was coming across the folds of these foreground hills from the right, lighting up various bits of ridge and trees and illuminating the morning haze enough to amplify the effect of distance. If I’m not mistaken, the further ridge with its faintly seen snow fields is in the area of Mount Hoffman.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Jim M. Goldstein’s “Best Photos of 2010” Project

Every December Jim M. Goldstein takes on the task of collecting the annual “best of” lists of many photographers. His project started modestly a few years back, picked up steam quickly… and I can only imagine the huge number of entries he is fielding this year! You can get more information about Jim’s project in a post at his blog. There is still time to put together your list and submit it.

My own “2010 Favorites” page is nearing completion, and I hope to post it later this evening. This year I tried something new – I invited readers to chime in with their feedback on my initial list of over 50 photographs. The response was wonderful and I’m very grateful to participants for their very kind words about my photography and for the time they took to look carefully through a much too large set of images and then post helpful lists and comments.

Two Holiday Rituals

I have two holiday photographic rituals this time of year. I have begun one and will soon get to work on the other.

Today I began going through all of my raw files from 2010. I don’t even know how many thousands of files there must be, and it is perhaps better that I don’t know! Each time I do this year-end review I find a number of photographs with potential that I did not see right after I made them. Sometimes it simply takes a bit of distance in order to see what is there; other times I just moved on to another project before I was truly finished with the previous one. Don’t be surprised to see of these photographs posted here over the next few weeks.

Soon I’ll begin the second task, trying to pick my favorite photographs of 2010. I also enjoy this since the process lets me revisit and relive some of the experiences I had as I made the photographs. Given that I work from my “daily photograph” pool, it should be easier than reviewing the raw files – instead of thousands of files there are only a few hundred. However, it always turns out to be harder than I think it will be. I think there are perhaps two reasons. First, while most of the raw files are not really worth a second look, the photographs from which I select the “favorite of the year” images are all images that I like. This makes it very hard to narrow the selection down to perhaps ten or twelve photographs. Second, in some ways I am the least qualified to understand my photographs. That may sound odd, but no one else can see them in the same way that I do since I was there when they were made and thus know things about them that only I can know. Other viewers are perhaps better able to simply view them “as photographs.”

Regarding the second task, feel free to share your ideas and suggestions concerning the selection process or even to suggest specific photographs that might have connected with you.

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