The image I posted earlier today both here at the blog and on Google+ got me thinking about the various ways that a photograph can “come to life.” This particular image followed a path that several other images that I consider to be among my best followed – namely, it languished in my raw file archive for nearly a year before I rediscovered it recently while going back through the old files. I recognized this pattern some time ago, and I now make it a habit to revisit all of my (thousands and thousands of) raw files about a year after I shoot them.
Why didn’t I “see” this image when I first reviewed raw files right after the shoot? I’m not entirely certain, but several ideas come to mind. Sometimes at the time of the shoot I have a strongly fixed notion of how I want to portray the subject , and as I shoot I’m already categorizing exposures by how well they correspond to this preconception. So when I initially go through the raws I may be mostly looking for what fits my expectations as opposed to looking objectively at what works on its own merits. Coming back a year later allows me to better see the image for what it is, without having my judgment so affected by prior expectations.
Related to this is the sheer number of images and how one deals with them in the post-processing workflow. I may begin with what I think are the most promising couple of images from a shoot and then take them all the way to a print-ready (or actually printed) stage. Once I’ve done that with the first selects from a given subject, I’m more likely to move on to other subjects – and potentially leave other good images in the dust.
There is a lot more to say about this, I think, but I’ll save the longer explication for another blog post in the future. Does anyone else make a practice of doing a full review of raw files at some future date?
