Tag Archives: one

Bluffs and Morning Fog

Bluffs and Morning Fog
Coastal bluffs lead away into the fog along California’s rugged Pacific Ocean coast

Bluffs and Morning Fog. Big Sur Coast, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Coastal bluffs lead away into the fog along California’s rugged Pacific Ocean coast

I am still astonished by how widely variable the appearance of a single scene can be along this Big Sur coastline. On a winter day this area could be raked by monumentally powerful Pacific storms, raising winds and surf. On a quite summer evening it could be warm and peaceful with sunset light bathing the cliffs. On another summer evening everything could be socked in completely by thick fog.

On this spring morning the light coming over the ridges of the coastal mountains was still casting shadows along the shoreline, while the tops of the bluffs were in sunshine. Oddly, on a morning that began clear, fog was beginning to form down low, hugging the coast just above the water. Despite the bright morning sun, along these bluffs the principle color was blue — the blue shades of ocean water and the subtler blue of haze and fog and shaded rock, with the landscape and water eventually disappearing into the distance, muted by the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bixby Bridge, Big Sur Coast

Bixby Bridge, Big Sur Coast
A spring morning along the upper Big Sur coastline above Bixby Bridge.

Bixby Bridge, Big Sur Coast. Pacific Coast Highway, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A spring morning along the upper Big Sur coastline above Bixby Bridge.

Living in the greater San Francisco Bay Area region, I’m spoiled by the wealth of visual opportunities within a day’s drive. It has been a busy few weeks since I returned from Death Valley near the beginning April, and I was overdue for a day of photography — so I decided to pick a relatively local area and head out. I had two possibilities in mind. The first was Point Reyes, north of San Francisco, and a location I’ve been trying to get my photographic mind around for some years now. The other option was to head south towards the upper section of the Big Sur coastline, perhaps with a stop at an old favorite, Point Lobos.

Initially my plan was, in fact, to start at Point Lobos. However, as I crossed the Carmel River and soon got my first look at the ocean I saw that fog was beginning to form. For me, that is a good sign! I’d much rather photograph in “interesting” conditions than in perfect blue sky weather, and I’ve often found low coastal fog in the morning to produce some stunning lighting. So I bypassed Point Lobos and headed on to the south. This point was my turn-around, on a high bluff looking back up the coast to the north past Bixby Bridge and a series of additional ridges dropping to the Pacific, with that low fog starting to gather further along. Yes, it is a familiar icon… but, yes, it is also quite beautiful.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Big Creek Bridge, Big Sur Coast

Big Creek Bridge, Big Sur Coast
Evening light on the Big Sur Coast and the Big Creek Bridge

Big Creek Bridge, Big Sur Coast. Pacific Coast, California. January 24, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening light on the Big Sur Coast and the Big Creek Bridge

I have to admit that when it comes to available photograph subjects… I am spoiled. I knew I was going to go make photographs today, but when I awoke well before dawn I had not decided for sure where I would go. I considered going north across the Golden Gate to Point Reyes National Seashore, but it sounded like a weak weather system was going to pass through that area late in the day. I thought about heading to the Central Valley where my favorite winter subject, migratory birds, can be found — but I generally prefer to go there when I think there will be at least some fog. So I headed south, beginning my morning with a few hours at the Point Lobos State Reserve and then heading further south down the Big Sur coastline.

When I arrived at Point Lobos the light was interesting and the surf was still huge. Over the next few hours the surf diminished a bit and a thin overcast drifted in overhead and began to thicken. I figured that I might get somewhat clearer light a bit further south, so off I went on the Pacific Coast Highway. On the way south I stopped at this spot and considered it as a possible subject for the sunset hour, and then I continued on down the coast. Later I checked the time, estimated I had enough to make it back to this spot before sunset, and headed back up the road, arriving here perhaps ten minutes before the good light arrived. The bridge, dwarfed by the immense landscape of coastal mountains and ocean, spans the outlet of Big Creek.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Elephant Seals, Point Piedras Blancas

Elephant Seals, Point Piedras Blancas
Elephant Seals, Point Piedras Blancas

Elephant Seals, Point Piedras Blancas. Big Sur Coast, California. July 24. 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Elephant seals massed along the edge of the beach at Point Piedras Blancas, California

Photographing elephant seals was not originally port of my (somewhat vague) plan when I set out for the Big Sur coast on this one day outing. I started out fairly early heading south, figuring that I would just stop at whatever seemed interesting along the way. It was quite foggy across the Salinas Valley near the outlet of the Salinas River, so I wasn’t sure what I would find on the coast. But when I got there the fog was thinning quickly, so I had a lot of opportunities for seascape/landscape photography along the periphery of the fog. Continuing south I eventually “ran out of fog” and as it became midday the light was less inspiring, so I set a new goal of looking for lunch! After lunch I continue south a bit more and crossed the lowlands south of Ragged Point.

As I drove past the elephant seal viewing area, which I had last visited in the winter when the newborn seals were still there, I was a little surprised to find a decent number of seals. Since the good light for photography on the return drive was still a ways off, I figured that photographing elephant seals was as good of a way to spend an hour as any so I stopped and made some photographs. The place is quite different without all of the newborn seals. There were far fewer seals and almost all were relatively large. Mostly they lay around, either up on the beach a ways or else lined up side to side right at the waterline as this group is doing.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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