Tag Archives: orange

Photographs: Nature, Photographs: Wildlife

Birds, Sunset Clouds

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Birds, Sunset Clouds
Birds fly in a cloud-filled winter sky

Birds, Sunset Clouds. © Copyright 2017 G Dan Mitchell – all rights reserved.

Birds fly in a cloud-filled winter sky.

This seems to be largely a photograph of sky, but if you look a bit closer you’ll see lines of birds spread across its width. It is a winter sky, looking west very late in the day, just after the sun has set, and the birds are departing in that direction. Surprisingly, the largest group of them are white pelicans, birds that I usually don’t encounter in quite such large numbers. There are a few sandhill cranes mixed in here and there.

As with some much “nature” photography (here I’m also thinking of landscape subjects) a lot happens very quickly at the margins between day and night, the time when arguably the most interesting light is available. Closer to the middle of the day things tend to change more slowly and there may be more time to contemplate. But during that time between not-enough-light-for-photography and middle-of-the-day stability, the conditions are in constant flux, and it is “now or never” for many photographs. In this image an additional dynamic element was added as I timed the exposure to place the birds beneath the curving shapes of the clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature

Winter Sky, California

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Winter Sky, California
Winter evening sky above the San Joaquin Valley, California

Winter Sky, California. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter evening sky above the San Joaquin Valley, California

Photographers sometimes have a complicated relationship with sky. On one hand, quite a few of us tend to minimize its presence in photographs, especially when the sky isn’t special. The sort of blue sky day that seems beautiful to non-photographers (and beautiful to photographers when not making photographs!) often produces a plain blue expanse that can seem empty in a photograph. (Not always. It is also possible to use this in some cases, for example to suggest grand space and distance.) Among my photographer friends, quite a few work to minimize the presence of such skies or even eliminate it entirely — to the point that this can become an inside joke. I’ve heard people refer to certain photographs by one friend as “an extremely rare [insert photographer name] photograph of the sky.”

But sometimes the sky begs to be included, and on occasion it can be the main subject. To generalize, the most interesting skies often come in fall, winter, and perhaps spring in California, when much of the state gets its most interesting weather. (There are opportunities in summer, to — how about a clearing thunderstorm?) I made this sky photograph while I was busy photographing another subject. During a slow moment I looked away from that “other thing” and saw these clouds. I pivoted and made a few exposures, just as the last sunset light was illuminating the undersides of the clouds and already beginning to fade from the highest clouds against the darkest sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Architecture, Photographs: Night

Roll-Up Door, Night

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Roll-Up Door, Night
“Roll-Up Door, Night” — A metal roll-up door, old windows, and buildings in multi-colored night light

This is another photograph from my recent “alumni night” with The Nocturnes at the historic Mare Island Naval Ship Yard in Vallejo, California — a location where I did my first night photography about fifteen years ago, and to which I return at least a couple of times every year. The places is a sort of Mecca for Bay Area night photographers, almost all of whom have made the place a subject at some point. It holds very old historic ship yard buildings and structures, some areas that are essentially abandoned, a few areas undergoing redevelopment, and the effects of the ever-present San Francisco Bay that surrounds it.

Some things remain the same and others change. This photograph holds a bit of both extremes. The buildings in the scene have been there a long time and I have photographed them in the past. However, the lighting has changed significantly. This used to be an area of extremely dim light, but now there is a new facility just to the left of the area in the frame, and when anyone approaches security lights are activated and they cast a glow across the faintly green building. Its color controls with that of the more distant concrete building illuminated by an entirely different type of light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Color

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Aspen Color
Colorful autumn aspen trees in the Eastern Sierra Nevada

Aspen Color. © Copyright 2018 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees in the Eastern Sierra Nevada

On the surface, at least, this is a very simple photograph… so it gets a simple title: Aspen Color. The trees are part of a large (and both popular and accessible) grove in the Eastern Sierra Nevada. Like so many others, I stop here each autumn, and I’ve spent a lot of time staring at the trees rising from a creek to far up the surrounding slopes, almost committing to memory the general scene and many of its details. While many Sierra Nevada aspen trees tend to be short and somewhat twisted, at least by comparison to those familiar groves to Colorado trees standing straight and tall, in places in the Sierra you can find those big, stout, and tall trees. This grove is one of those places, though there are plenty of the smaller trees mixed in, too.

On the day I made this photograph the colors in the larger grove varied from deep green to extremely bright yellow/gold, with a few bits of red-orange visible here and there. The latter colors first caught my attention in the spot shown in the photograph. The reddish color was subtle and only in a small area, but it was the starting point for the idea of the photograph. It is hard to make some sort of order out of such complex detail, but the idea was to place a complete tree along the left side of the frame, put that bit of red-orange at lower right, and to include some of the leaves that had not yet lost their green tint.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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