Tag Archives: orange

Sunrise, Marshland, Birds

Sunrise, Marshland, Birds
Thousands of migratory geese fly above foggy San Joaquin Valley marshland at dawn

Sunrise, Marshland, Birds. San Joaquin Valley, California. February 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of migratory geese fly above foggy San Joaquin Valley marshland at dawn

On this late-February day we arrived at the wetlands well before dawn, slowed by heavy tule fog along the final miles of our route. The fog was thick but not deep, and while our horizontal view was obscured we could see that objects as short as utility poles extended above the fog layer. At our destination we finally stopped, and got out of the vehicle to set up camera equipment and to get the lay of the land.

Almost immediately flocks of geese began erupting from ponds and taking to the sky, thousands at a time. First a group nearby, then one far off to one side, then another at the distant edge of the refuge, and so on until the sky was filled with them. We thought that it was perhaps the greatest bird tumult that we had seen, and we had arrived just in time to see it. (Of course, only a few days later we experienced an even more monumental evening, with tens of thousands of geese and cranes.) At first we simply photographed the birds in the low light, but eventually I turned my attention to the landscape and made a few photographs across the tule ponds toward the first light developing above the Sierra crest far to our east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Cranes, Dusk Sky

Cranes, Dusk Sky
Sandhill cranes return in dusk light above the San Joaquin Valley

Cranes, Dusk Sky. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sandhill cranes return in dusk light above the San Joaquin Valley

It sometimes seems odd to me that as the day comes to an end out here where I photograph birds, things seem to both slow down and speed up. The slowing down is the natural consequence of the daylight coming to an end, with my own awareness that a long day of photography that began well before dawn is soon to conclude, and the quieting of some of the natural occupants of this environment. The speeding up comes from certain events that take place suddenly and evolve quickly, along with the potential for several of them to occur simultaneously.

Very late in the afternoon I made a quick circuit of the area where I was photographing, trying to make a few final full daylight photographs and identifying locations where certain dusk events might be more likely — a landing by cranes, a sudden departure of geese. I identified a spot out along the levee loop where a decent sized flock of snow geese (and perhaps some Ross’s geese?) had settled in close to the perimeter road, and less than a half hour before actual sunset I was back there and ready to photograph. For some time things were very quite nearby. The geese mostly sat still in the shallow water near reeds, and I had time to compose photographs that were essentially landscapes with birds. As I was working on one of these I saw, far off in the distance beyond a roadway, that a huge flock of geese had lifted off and was wheeling in circles. Ah, well, I wasn’t going to get to photograph that flock close-up on this evening! Before long I sensed a restlessness in the smaller flock near me and, sure enough, groups soon began to lift off suddenly and head south and west — first smaller groups, and soon almost the entire remaining flock. When this happens I transition immediately from the slow and leisurely “landscape with birds” photography to working quickly and making instant decisions about what to photograph and how to photograph it. As I tracked these birds into the distance I began to notice lines of cranes heading back to one of their favorite spots perhaps a quarter-mile away. Using a long lens I tracked them as they crossed the cloud-textured sunset sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Orange, Yellow, and Green

Orange, Yellow, and Green
Autumn aspen color along Bishop Creek in the eastern Sierra Nevada

Orange, Yellow, and Green. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Autumn aspen color along Bishop Creek in the eastern Sierra Nevada

By the time this photograph appears at my website, the transitory seasonal aspen color show will be mostly a memory. (Or, for many of us who think way in advance, a promise for next year!) With this fall’s release of my book on Sierra fall color (“California’s Fall Color: A Photographer’s Guide of Autumn in the Sierra” — Heyday Books, 2015) I made a point of spending as much time in the Eastern Sierra as possible. I started looking for easy signs of developing autumn color all the way back in early September — and in this unusual, drought-influenced year, I found it. The first notable aspen color appeared in late September, and by the end of the month I saw very good color in some high elevation locations, and I spent a good portion of the next few weeks returning to photograph as it continued to develop.

I made this photograph in early October, typically the beginning of the period of best color — though this year some areas had already lost leaves by then. Aspens grow in a range of different surroundings — these grow in a drier area of sage brush rather than begin interspersed with pines. This group of aspens had achieved more or less peak color, and some nearby trees were losing leaves rapidly. In this photograph the colors are intensified by the quality of the light — I like to photograph these trees in the very early and very late times when they have fallen into shadow, softening the otherwise harsh contrasts of brighter light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspen Trees, Near-Peak Color

Aspen Trees, Near-Peak Color
A small group of aspens against a rocky slope are in full autumn color

Aspen Trees, Near-Peak Color. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small group of aspens against a rocky slope are in full autumn color

Having visited this area a week earlier I was expecting a certain level of fall color in specific places along the shoreline of this eastern Sierra Nevada lake when I arrived here again early on October. I was also expecting to see quite a few other photographers, given that this is an accessible and well-known location. I was not disappointed on either count. As I arrived I found brilliant colors along the small dirt roadway, and I also found photographers everywhere — in the parking lots, along the shoreline of the lake, stopped in the middle of the road, wandering in grassy areas. There were even a few workshop groups collected together in promising spots.

I kept going, passing through the area of the most intense color. My idea was to find a location from which I could get a line back across the valley towards the trees, placing them against a backdrop of the gray texture of granite hillsides and cliffs, and contrasting that with the brilliant color of the leaves, made even more saturated by the cloudy, wet conditions. I found my spot, wandered up onto a slight rise with a clear view of the trees, and used a long lens to isolate them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.