Tag Archives: orange

Pedestrian With Bucket

Pedestrian With Bucket
Two men walking, one with safety vest and bucket

Pedestrian With Bucket. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two men walking, one with safety vest and bucket

I share this in my ongoing effort to perplex those who like my landscape photography… but aren’t so sure about the other stuff! Don’t worry, my intentions are entirely positive. I’ll remain a bit circumspect, but not entirely so. I like photographing urban scenes for a bunch of reasons, ranging from aesthetic to practical. On the practical side, they are often much more accessible — I can literally step out my front door and make photographs or perhaps find them at the end of a one-hour train ridge. They also challenge me to see in ways that are not in my native comfort zone, and they hone my ability to see quickly… which is a good thing. On the aesthetic side, if you know much about the history of photography and photographers, it is obvious that good work can be done in these places.

As to what is going on in this photograph, you shouldn’t view it though the lens of landscape photography. Well, OK, perhaps you could do that. This is a kind of landscape. It even includes some native “wildlife.” When you look at photographs of natural landscape, you probably look beyond the pure “beauty” of place and subject to consider the abstractions of from and color and implied motion and so forth. It might be worth trying the same thing with other subjects!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Crouching Man in Orange

Crouching Man in Orange
A street scene in San Francisco with a crouching man wearing orange

Crouching Man in Orange. © Copyright 2018 G Dan Mitchell – all rights reserved.

A street scene in San Francisco with a crouching man wearing orange

Today we take a little break from nature photography and head to San Francisco, one of my favorite places to do street photography. I suppose one reason it is a favorite is that it is so close — typically I hop on a train very early in the morning to arrive there around dawn (or a bit later this time of year) and then set out on foot to explore. It is also a favorite because, well, it is San Francisco. What a place — even with recent changes and overcrowding. The City borders to San Francisco Bay, it is full of diverse and interesting neighborhoods, and the people range from locals to out-of-town visitors.

This photograph is bound to seem a bit strange to those of you have stuck with me through a few weeks of redwood forest photography — what happened and what’s going on here?! I don’t want to explain too much — partly because a photograph can often reveal whatever it has to say on its own, partly because I don’t want to clutter it up with too many words, and partly because you can discover some stuff about it on your own if you choose to. Color is one clue…


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Color

Aspen Color
Aspen grove containing colors from green through red and orange to yellow

Aspen Color. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Aspen grove containing colors from green through red and orange to yellow

I have been watching this location for many years, and even this season I had checked it out earlier in the week to see how the color was coming along. During that first check the color was just beginning, and most of the trees were still green, but when we returned just a matter of days later the scene had been transformed, and most of the trees were wildly colorful. The bits of remaining green seemed to be just enough to set off the brighter shades of yellow, orange, and red.

Photographing aspen color depends a lot on the nature of the light at the time of the photograph. Midday light can be harsh, and the subtle qualities of the coloration can be lost. In fact, if the light on the front of the aspen trees they lose virtually all of their color and they can look quite drab and boring. On the other hand, photographing aspens in shadows can let the colors glow, especially after a bit of adjustment to compensate for the blue quality of the shadow light. Additionally, the softer shadow light allows shaded portions of the scene to be more visible. On this morning we planned our time to make sure that we arrived at a series of locations just before the shadows were overwhelmed by the arrival of direct sun. In fact, as I photographed these shadowed trees, the line of sunlight streaming over a nearby peak was only feet behind my camera position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Groves, Early Evening

Aspen Groves, Early Evening
Early evening light on aspen groves with fall color, Eastern Sierra Nevada

Aspen Groves, Early Evening. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early evening light on aspen groves with fall color, Eastern Sierra Nevada

As with virtually all locations with fall color, especially the fall color of aspen trees, timing (and/or good luck about timing!) is everything. There are so many variables that can make or break a photograph of autumn color, and some of them are beyond our control. Precisely when does the color peak in a specific location? What are the effects of the preceding months of weather, from winter snows and summer rains to the temperature patterns? What about preceding days of weather — has it snowed, how cold has it been, have there been strong winds? On the day of the photograph, what are the clouds doing? Are you there at the ideal time of day — perhaps a time when there is some backlight on the trees and other distracting elements are perhaps less well-lit?

Sometimes it all comes together — or close enough — and you find a scene with beautiful color, few trees that have completely lost their leaves, perhaps a bit of green remaining, the light in the right place, and more. For what I was after I had a window of only a few minutes to make this photograph. You may have noticed that the evening shadow has already reached the very bottom of the frame, but that the light has softened and warmed enough to bring out the color in the trees. But what you cannot see in the photograph is that I came to this same location two prior times over the period of a week, one of them the previous night. On those visits it did not work quite right — clouds covered the sky, it was hazy, too many trees were green, near gale force winds were blowing, and more. A rule of landscape photography is that the more chances you give yourself, the greater the odds that you’ll be there when the elements all happen to fall together.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.