Tag Archives: paint

Leaf, Stone, Weathered Paint

Leaf, Stone, Weathered Paint
“Leaf, Stone, Weathered Paint” — A leaf lies on a stone sidewalk marked with weathered paint, Hakone Gardens.

This photograph was most certainly not the thing I came here to photograph. We went to the Hakone Japanese Gardens this spring, timing our visit for the peak of the cherry blossom season, and arriving in the late afternoon so that we could photograph these and many other blossoms on into the evening. Photographing old and worn out steps and dead leaves was not the main goal!

As we walked some of the hillier paths the route followed a series of old stone steps. It appeared that at one time some of the steps may have been coated with paint — red in some spots and yellow in others. But that paint was apparently not renewed, and today there are just scattered bits of it here and there on the rocks.. The single dead leave seemed to evoke a feeling quite at odds with the spring theme we were there for.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Utility Box Art, Arezzo

Utility Box Art, Arezzo
“Utility Box Art, Arezzo” — A take off on Magritte’s “The Man in the Bowler Hat” on a utily box in Arezzo, Italy.

This image was on, as best as I could tell, some kind of utility box near the entrance to a building in Arezzo, Italy. I recall first becoming aware of similar things in Florence a few years ago, where I saw (and also photographed) an image of composer Giuseppe Verdi. (Verdi wears goggles in that image, which is the signature of an artist known as “Blub.”) I like them quite a lot — for their combination of whimsy, references to great art in everyday circumstances, and how they disrupt what can be a somewhat plain visual environment.

This was not the only one we saw in the Arezzo. As we walked around the small central area o the town we saw others with a variety of different themes. (You can find many more images by the artist, Mauricio Rapiti, on social media and elsewhere.) In this case, it wasn’t just the image itself that caught my attention, but also the way it interacts with the lines of the wall on which it is placed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Weathered Wall

Weathered Wall
“Weathered Wall” — Abstract patterns of paint, stucco, and weathering on a wall in Orvieto, Italy

There’s really no obvious way to tell from the image that it was made in Italy — though once you know that you may recognize that beautifully worn and weathered walls are part of the landscape there. I spotted this detail as we walked through the small hill town of Orvieto during the summer of 2023.

While I usually prefer to think of such weathering as “picturesque,” you could be forgiven for regarding it as run-down, too. To be honest, the exteriors of buildings in big cities are not always pristine, and this is especially so when we get away from fancy downtowns and into regular neighborhoods. After years of visiting such places it finally occurred to me that people in these places might surrender exterior beauty, but that they transfer their aesthetic impulse to interiors. In any case, I’m happy to find subjects like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Graffiti, Bologna

We spent several very enjoyable days in Bologna, Italy last summer. There are many wonderful things about this city — its two famous towers, the activities in the central piazza, the food, and more. But the amount of graffiti in the central city is quite striking, to the point that it seems to be a real part of the city’s character. The street art is quite diverse, including the familiar large scrawls, bits of poetry, and more — in this area including a Madonna and Child image.

I remember this from our first visit years ago. We came into the city late in the day, dropped off the car in a garage staffed with questionable characters, had to hunt for our lodgings inside an unmarked building, and then found ourselves unable to enter. We got in, got settled, and went out to find dinner. In our area the streets were deserted, no streetlights were on, nothing was opened, the walls were covered with similar graffiti. The sensory effect was post-apocalyptic. (I can report that the Bologna experience is mostly much different than that!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.