Tag Archives: paint

House with Blue Trim

House with Blue Trim
“House with Blue Trim” — A white hour with blue doors, Casals de Loivos, Portugal.

This past May we spent a week on a walk through the hills, villages, and vineyards of Portugal’s Douro Valley, completing a large loop that began and ended in the town of Pinhão. We walked every day, and stayed each evening in various local accommodations. The last of those was in the remarkable little village of Casals de Loivos, perched high above the Douro Valley.

On the final morning we were scheduled to do the short, pleasant (and entirely downhill!) walk from there to Pinhão, where we were scheduled to catch a train back to Porto. Before setting out from Casals de Loivos we wandered around the small village for a while. I found this striking little building on one of its streets.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Paint Line

Paint Line
“Paint Line” — The boundary between two different approaches to painting one building, Lisbon.

I spotted this little architectural oddity somewhere near the St. George Castle in Lisbon, high up in the hills. This is a single wall – it is all the same building. I can only assume that the building is divided into two or more residences and that those who live there have very different ideas about paint! Both are pretty striking. Purple isn’t quite a typical building color, and the worn, layered, and textured quality of the right side is about as different as I can imagine.

Little scenes like this are among those that I’m always looking for when traveling — interesting shapes, architecture, color, texture, and items that reflect that particular place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Weathered Street Art

Weathered Street Art
“Weathered Street Art” — The weathered and worn figure of a man, on a wall in Montpellier, France.

There is a fine line when photographing things like this between appropriation of someone else’s creative work and making the image because the placement and weathering themselves provide independent visual interest. In short, I’m not big on simply photographing what other people create, but I do seek out and photograph things like this bit of weathered street art found on a wall in Montpelllier, France.

I suspect that it has or had some meaning or message that isn’t apparent to me — either because I lack the cultural context to see it or because it has been weathered to the point where it is no longer apparent. For me, that weathering itself is part of the attraction. In this case, the bits that remain suggest something like a genie emerging from a bottle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Free ‘P’ Star

Free 'P' Star, Store, Paris
“Free ‘P’ Star” — Free ‘P’ Star, a Paris thrift store, with orange and black paint and lots of street art.

This was one of those street photography “grab shots” — I think it was in Le Marais —that I make while walking about in the urban environment. I often make them almost spontaneously — thinking in the moment that the subject is interesting visually, but then not taking time to note the precise location or other facts. To be honest, in a lot of ways this is the opposite of how I work in my landscape photography, and that may be part of the appeal.

From more recent internet research, it appears that “Free ‘P” Star” may be a chain of what we in the US call “thrift stores” or “second hand shops.” There were lots of things in this scene that attracted me: the string contrast between black an orange, the glow of the purple light inside the store, and the impressive collection of street art on the outside wall.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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