Morning light glances across the surface of Tenaya Lake, sprinkled with pollen, and illuminated shoreline trees and boulder, Yosemite National Park, California.
Shortly after the sun cleared the surrounding peaks, the morning light slants across the pollen-covered surface of Tenaya Lake to illuminate two small trees and their larger neighbors, along with a small peninsula and some shoreline boulders. This is an area in which I have photographed in the past, but this time I arrived much earlier in the day and the water level was still considerably higher than later in the season due to the heavy snow melt run-off that had peaked only a week or two earlier.
Black and white photograph of clouds reflected in the surface of shoreline water on a frozen alpine lake, Yosemite National Park.
Once I discovered the reflections of evening clouds in this narrow band of water between the ice and the shoreline of this frozen lake, I managed to make several exposures as the clouds continuously moved past. (I earlier posted a color photograph taken at about the same time.) As I went through the group of images I wanted to try one in a black and white rendition and this one seemed like the of the bunch for that interpretation.
Since the “abstractness” of this scene is what drew me to it, I decided to run with that idea in this version. Although it may not be apparent, this interpretation is the result of more post-processing work than was the case with the similar color photograph.
New corn lily plants emerge alongside a stream in the Yosemite National Park high country.
Shortly after the winter’s snow melts, the Sierra corn lily plants begin to grow quickly in wet areas, especially those next to streams and lakes. This year I saw them earlier in the season than usual, and for the first time I saw them as they first emerged. I’m used to seeing them in the form shown in this photograph, with the large curving leaves that I assumed were responsible for the “corn” part of the plant’s name. However, as the plants first break through the soil they look almost exactly like unhusked corn, and now I wonder if that is the actual reason for the name.
These specimens, as is often the case, were growing in a tightly packed group along the banks of a fast-flowing stream that meanders through a nearly flat meadow. The plants remain beautiful throughout the season, though the nature of that beauty changes. Soon they will lose the lush green of spring and become somewhat tougher looking. At some point in late August they will begin to show some brown edges, and a bit later they will turn brilliant golden, yellow, and brown colors as the short Sierra summer comes to an end.
Black and white photograph of silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.
During peak snow melt many Sierra Nevada lakes overflow and flood surrounding meadows and forest. Although the water level was lower at the end of June when I made this photograph than it had been three weeks earlier during my first visit of the year, many areas in the margins of the lake were flooded. (This, of course, makes the mosquito population very happy – and human visitors less so!) The early morning sun back-lit these closely spaced trees and the rocks ringing this quiet flooded area along the shoreline.
I have visited this lake for many years. I’ve long been intrigued by this particular spot, where flat granite slabs line the shoreline, allowing the lake to expand and contract across shallows as the season progresses. Later in the season this spot can be dry, but early season in this wetter-than-usual year the water flooded this small pool and what might otherwise be shoreline trees were on a rocky peninsula. Those trees have been a subject for other photographers— being aware of this I wanted to avoid a photograph that imitated their beautiful work. I arrived in the early morning, when the air was still and cool and the water smooth. I walked about a bit and just looked, then came to this spot, where the complex patterns of the trees and their reflections in the water fill the frame, creating for me a sense of stillness and calm and quiet.
This photograph was a prize winner in the Yosemite Renaissance 2013 show in Yosemite Valley. Prints are available. Email me and/or see the Sales link at the top of this page.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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