Tag Archives: pattern

Torre Del Moro Stairs

Torre Del Moro Stairs
“Torre Del Moro Stairs” — Stairway ascending to the top of the Torre del Moro, Orvieto, Italy.

Yes, I know that photographs of winding staircases are a bit of cliche… but I CLIMBED these stairs, so I earned this picture! This is the inside of the Torre del Moro in Orvieto, a beautiful old tower more or less in the center of the town. We were in the midway through our romance with towers (see the next paragraph) when we climbed this one. We briefly debated whether or not to do it, but the description said there was an elevator to get us past the first 170 steps. It wasn’t working. But the view from the top (along with the rather close-up sound of the bells!) was spectacular.

I photographed this scene as we descended. I suppose a smarter photographer would have taken advantage of the excuse to pause during the ascent… but then it might have been hard to hold the camera steady as the heart pounded! We climbed a fair number of these towers during our trip, especially during the first half. The first was along the coast of Spain — the “tower of Hercules.” After that we ascended them in a number of other places. But eventually… the lure of yet another tower began to diminish and we tended to enjoy new cities from street level.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Lattice Fence

Lattice Fence
“Lattice Fence ” — Detail view of lattice fence.

Believe it or not, I have been trying to photograph this bit of fence of several years. It isn’t that it has been a major goal for me, but every time we visit this place I end up trying to make a picture of it. It is one of those subjects that seems like it should be simple to photograph, but then it turns out to be anything but. Part of the issue is that the symmetry that attracts me to its form creates some compositional issues.

I’m more pleased with the version I came up with on this visit. I bypassed some color challenges (the colors aren’t exactly striking) by going with a monochromatic rendition. Some thin clouds softened the light — although the subject is under trees, often there is either a bit of direct light on it or, worse, on the stuff in the background. And this time that background was in soft, deep shade.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Blue Stone

Blue Stone
Detail of fractured blue stone with colors intensified by light from overcast sky.

Blue Stone. © Copyright 2022 G Dan Mitchell.

Detail of fractured blue stone with colors intensified by light from overcast sky.

At some point on almost any backcountry trip I end up spending time looking at things that I might not notice and photograph at first. The initial focus is often the grand landscape of mountains and valleys and trees and rivers — but eventually I focus on the more “intimate” aspects of the landscape. Among these are the infinitely varied patterns and colors of rock, miniature landscapes of textures and fractures and more.

While walking back and forth between our camp and a nearby high point from which I photographed the larger landscape I had noticed several bands of interesting rock and made a mental note to return to them. A few days into our stay that moment arrived and I spent a few hours wandering slowly through this area, looking intently and finding more to photograph than I had initially seen. The intense color of these rocks is partially due to their innate blue tint and partly due to photographing them when they were in shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Moving Water

Moving Water
A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

Moving Water. © Copyright 2022 G Dan Mitchell.

A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

This is the second of a pair of somewhat abstract water photographs I made on a quick visit to the California coast last week. I just had a few hours, so I went up the coast from Santa Cruz to Half Moon Bay, then over the coast range and returned to Silicon Valley. It was an “extremely typical” day in this part of the world, by which I mean that the conditions were “typical” (cool and foggy) for this time of the year, but even more so to the point that I encountered coastal drizzle heavy enough to feel like rain.

I paused at one overlook high above the Pacific, hoping to photograph pelicans that often coast past on updrafts from the incoming ocean winds. I just missed oen flock as I arrived, but I quickly attached the long lens and… waited… for the next flock… which never showed up. Since I had that lens on the camera I decided to point down rather than up and photograph the shallow water at the edge of the ocean far below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.