Tag Archives: peak

Forest, Peaks, And Snow

Forest, Peaks, And Snow
Storm clears above snow-dusted peaks near Tuolumne Meadows.

Forest, Peaks, And Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Storm clears above snow-dusted peaks near Tuolumne Meadows.

I suspect that most Sierra visitors and residents have certain special places that have long-time associations, certain views that we almost always must stop for, no matter how many times we have seen them. Since the first high country experiences I can recall were in and around Tuolumne Meadows, it is probably no surprise that it is the location of several of those places for me. I have collected these spots for years — decades, actually — and they range from a particular rock outcropping — I stop to visit at the beginning and end of every season — to bigger and more familiar views. I understand that I’m not the only person who counts the first view of Tuolumne Meadows and surrounding peaks, seen along the road at the west end, as one of these places.

Tioga Pass Road opened for the season this past week. I missed opening day, but I did manage a long up-and-back one-day drive a couple of days later. Tuolumne looks quite different at this time of the season, especially if your main experience is limited to the short alpine summer when the snow is mostly gone and the meadow is mostly green. At this early date the meadow is brown (though you can see first shoots of new growth if you look closely), the river is flooding over its banks, and a lot of snow is still on the high peaks. In fact, new snow had just fallen above 11,000′ or so. This photograph does not show the whole view, instead focusing on a bit of meadow, a lot of forest, snow-capped peaks, and the clouds at the tail end of a spring storm


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Spring Ice, Snowy Mountains

Spring Ice, Snowy Mountains
A partially melted lake and snow-covered mountains near the Sierra Nevada crest.

Spring Ice, Snowy Mountains. © Copyright 2018 G Dan Mitchell – all rights reserved.

A partially melted lake and snow-covered mountains near the Sierra Nevada crest.

For many of us the annual re-opening of Tioga Pass Road through the Yosemite high country marks the beginning of the “summer” season, even though it often takes place in late spring. (And, “the season” typically extends into autumn, too.) Whenever I can, I try to be there on the day the road opens. For those familiar with the route from more typical summer visits, the conditions can be a real surprise, especially in years of heavy snowfall and late melts. In the big years there is water everywhere — waterfalls flowing, creeks and rivers are filled to (and beyond) their banks, meadows are flooded, and sometimes the creeks flow right across the roadway. Conditions beyond the road can be quite difficult, approaching impossible at times. (I recall one very early season hike to Parker Pass, when creek crossings were surprisingly challenging and some high elevation areas that are dry in summer were too wet to walk through.)

I decided not to go on the first open day this year, mostly due to weather issues, instead postponing my visit for a couple of days. I did go, and it turned into one of my epic one-day-up-and-back trips. I was on the road shortly after 4:00 AM, went as far as Panum Crater (which I climbed) near Mono Lake, and didn’t get back home until well after midnight. In some ways, this isn’t the ideal time for photography — that can be more interesting later on when the meadows have turned green. Honestly, it is more about kicking off the new season. Late in the day, I headed back up from Lee Vining to cross Tioga Pass and stopped briefly to photograph this familiar lake just the pass, with its remarkable pattern of melting ice and the distance peaks of Kuna Crest still fully covered in snow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Peak Aspen Color

Peak Aspen Color
An eastern Sierra Nevada aspen grove at the peak of fall color

Peak Aspen Color. Eastern Sierra Nevada, California. October 9, 2017© Copyright 2017 G Dan Mitchell – all rights reserved.

An eastern Sierra Nevada aspen grove at the peak of fall color

I regard fall aspen photography as, to a great extent, an exercise in timing. One element of this is, of course, to simply be in the right place at times of peak color. Aspen color is rarely static, and from day to day it changes. Just a few days earlier I had been in this same spot and most of the trees were still green. (I made a mental note on that earlier visit to come back in a few days when I suspected that the colors might be more developed.) The time of day is also critical since light variations play a huge role in the ways the colors appear. Early and late in the day, when the trees are still in shadow but perhaps lit by open sky and reflections from surrounding mountains, the soft light can produce rather saturated colors and fill the shadows with light. When backlit, the same groves might be so bright that it is sometimes difficult to figure out the idea exposure. And when the groves are front lit the colors can be greatly diminished.

Before we came to this spot we had started our day by photographing in a rather different area a few miles away. We worked those subjects for perhaps an hour and a half, and at that point I remembered my idea of visiting this other location, the one where I made this photograph, before the direct sunlight arrived. So off we went, down one canyon and then up another, to arrive at this spot where I knew colorful aspen trees would spread up the hillside in the shade. The colors were quite incredible. Most of the hillside was in full color — a lot of golden/yellow, but also shades of orange and red. Here and there a few trees where still green, and for this composition I decided to place one of those clusters of green trees in almost the center of a frame otherwise filled with wild colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wheeler Glacier and Cirque Headwall

Wheeler Glacier and Cirque Headwall
“Wheeler Glacier and Cirque Headwall” — Wheeler glacier and the cirque headwall below Wheeler Peak, Great Basin National Park

On my recent first-time visit to Nevada’s Great Basin National Park I experienced the challenges and rewards of photographing a brand new (to me!) location. As I have previously noted, I usually avoid doing too much research about a new destination ahead of time, at least beyond what is necessary to successfully get there and back and locate places to stay and eat, along with the most basic known features of the place. (For anyone who hasn’t heard the message already, I’m trying to retain the potential for discovery in new places and to make it more likely that I will form my own orientation to them.) So, what I actually knew about this park in advance of my visit was somewhat limited: it is formed around the Snake Mountains, it is famous for its caves, Wheeler Peak is the second highest point in Nevada, there might be fall color at this time of year, that much of the park is not easily accessible… and there is a glacier!

From this and a few of my other photographs of the high areas of the park you might get the impression that it is largely and alpine place. It isn’t. In fact, the spots that do have that feeling are a small portion of the park and at least partially notable for being exceptions. Yet, once you arrive at such places they become your entire world. (Well, almost your entire world, since views of the surrounding “basin” terrain are rarely far away.) This glacial cirque cuts into the highest ridge, separating the two tallest summits in the park. The view straight into this glacial valley is, indeed, impressively alpine. (As I write this I have a photograph of a Pacific Northwest glacier scene from Mount Shuksan open on my computer, and it shares remarkable parallels with this photograph.) On this visit the effect was enhances by a recent dusting of early autumn snowfall that coats the mountains and the top of the huge rock glacier at the lower edge of the much smaller ice glacier.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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