Tag Archives: peninsula

Cove and Wave

Cove and Wave
Cove and Wave

Cove and Wave. Point Lobos State Reserve, California April 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A wave washes into a small cove and onto a pebble beach along California’s coastline south of Monterey

I went down to the Monterey, Carmel, and upper Big Sur coast on what seemed like the first warm-season day of the year. I have probably mentioned before that I prefer the off-season for photography – that time of year when there are storms, giant waves, clouds, rain, cold, and all sorts of interesting conditions. As odd as it may sound, I tend to almost stay away from the coast when the weather becomes too nice! (Of course, there is always fog. And in the summer along the Pacific coast, I do mean “always.”) At the first place I stopped to photograph I was feeling a bit of the letdown from the beautiful morning… but as I got out of my car and stood there in shirt-sleeve weather, warm and no wind, and looked out over the slightly misty coastline I started to feel a bit better about warm weather. :-)

A bit later I headed back toward Point Lobos, where I found a bit more surf than I might have expected, and the high tide had brought the water in close to the shoreline. Here I set up right at the edge of a low bluff above this pebble-filled beach, put a wide-angle lens on the camera, and made some photographs of the near-perfect curve of the waves entering the cove and washing up onto the beach, with sea stacks further down the coast line.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ferns, Olympic Peninsula

Ferns, Olympic Peninsula
Ferns, Olympic Peninsula

Ferns, Olympic Peninsula. Olympic National Park, Washington. August 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Lush ferns grow along a trail through rain forest at Olympic National Park

On this day we initially planned to make a quick foray to North Cascades National Park, but I got a call saying that Olympic Peninsula web cams were showing relatively clear skies and that I should think about changing plans – so I did! Instead of heading north from the Seattle area, we headed west and took the ferry across Puget Sound, arriving to find clearing fog and some partial clouds, but quite a bit of sunlight. Taking the advice of someone who knows the Pacific Northwest better than I do, our plan was to first shoot down in the rain forest and then to head up to Hurricane Ridge near the end of the day.

We started at Sol Duc falls, a short one-mile hike from a parking area at the end of a side road. My mental image of these forests involves lush growth, cloudy conditions, and rain. The first was present, but both the clouds and the rain were missing. In some ways that could be a good thing, but shooting in the forest in the midday sun poses major problems. The main issue is so-called “pizza light,” with deep shadows and bright, sunlit highlights mixed together throughout the scene. When we got to the waterfall, that is precisely what we found. The fall is in a narrow gorge – and while the bottom of the gorge was in deep shade, beams of direct sunlight were striking the white water of the fall. While it might be possible to make a photograph of this subject in such conditions, it made a lot more sense to me to turn my attention to smaller scale subject that allowed me to better control the light – and this close up “intimate landscape” of a twisting group of ferns is one of the results.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Olympic Peninsula Forest

Olympic Peninsula Forest
Olympic Peninsula Forest

Olympic Peninsula Forest. Olympic National Park, Washington. August 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sunlight filters through dense forest in Olympic National Park, Washington

During mid-August we traveled to the Seattle area – not primarily for photography but mainly to see the Seattle Opera production of Richard Wagner’s Ring Cycle. The Seattle Ring is sometimes referred to as the “Green Ring,” largely because the production design draws heavily on the natural world of the Pacific Northwest, and especially on the forests. Even when photography is not the primary focus, it is never too far away, so on a day when there were no performances we decided to take the ferry across Puget Sound to the Olympic Peninsula and see what we could find. We left the Seattle area in heavy fog – the subject of at least one photograph that I’ll post later on – but when we got across the water it was relatively clear. That was a bit surprising since I’ve had seem some pretty cloudy and rainy weather out there in the past, including one memorable trip to Hurricane Ridge when we arrived to find visibility that must have approached, oh, about fifty feet.

One of my brothers, also a photographer, lives in the area and after seeing the positive weather forecast he had suggested that we start at Sol Duc Falls. In actually turned out that the weather was perhaps a bit too nice, as this heavily forested area ended up exhibiting that deadly combination of bright light beams coming through the trees and deep shadows down below, an effect sometimes called “pizza light.” It is about the most difficult thing to photograph, as the dynamic range of the scenes is just far too large for cameras. We hiked to the falls, a short and pleasant hike, and arrived to find that the base of the fall, which is in a deep gorge, was in dark shade while brilliant direct sunlight hit the top of the water. I decided to not try to photograph this – “been there, done that!” – and instead see what I could find in the surrounding forest itself. The light issue remained here, too, but I noticed that a few puffy clouds were blowing around and I figured that I could set up the shot and wait for the nice soft light to arrive in the shadow of one of the clouds. This photograph was made in exactly those conditions – a passing cloud momentarily obscured and softened the light. I think that seeing the beautiful forest-inspired set of Seattle’s Ring had put me in a frame of mind to find and photograph this sort of thing, and I feel like this photograph reflects that connection.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocks, Surf, and Dusk Horizon

Rocks, Surf, and Dusk Horizon
Rocks, Surf, and Dusk Horizon

Rocks, Surf, and Dusk Horizon. Pacific Coast, California. August 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A curving rock shelf extends into the “blue hour” Pacific Ocean surf and toward the fog-darkened horizon as night approaches.

A short, evening visit to the California coast above Santa Cruz began with photography in golden hour light in areas where the fog bank hung just offshore with moist air over the coast creating a gentle, misty atmosphere and soft light. We photographed a few subjects in this light – and looked at others that we did not stop to shoot – and continued north as the sun dropped toward the horizon, where the fog waited to envelop it. We stopped at a beach where large groups of pelicans were resting and then resuming their flight along the coast, and noted that there was still a bit of light in the sky and, oddly, below the bottom of the fog bank along the horizon. As this light died, we turned briefly north, and I soon saw this rocky bench extending into the ocean waves.

Following the evening golden hour there is a time that some call the blue hour – when the warmer colors of sunset drain from the sky and we are left with soft, blue light. It might have seemed odd to anyone watching me photograph this rocky feature, but instead of hurrying to shoot it before the light faded, I took my time – I wanted the light to fade, both for the mysterious blue coloration and because this would make it easier for me to use extended exposure times to allow the water to soften and blur a bit. When I began shooting it was only dark enough to get exposures of perhaps a second or two – at least without adding a neutral density filter – but as I waited, making an occasional photograph in the interim, the light began to move toward a near-night state, and I was able to get exposures of 15 seconds or longer… and that blue light that I was looking for.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.