Three people in an art gallery with a freight elevator door
I suppose that if you are camera-shy and you see me in a museum that you may want to run for cover. (Or just wait for me to become interested in the exhibits — I’m notorious for taking forever to work my way though museums. Family members have been known to just give up and go find a restaurant to wait for me to finally finish!) In any case, I like to photograph in museums, for the interesting architectural details and light and for the opportunity to watch people doing interesting things and assembling themselves into various compositions.
We were at the San Francisco Museum of Modern Art (SFMoMA) where we had seen a lot of very interesting stuff. (My favorite was the installation on the top floor by William Kentridge, “The Refusal of Time. I walked into it prepared to be unimpressed, but ended up being very moved by it.) Along the edge of a gallery on a lower floor there was a giant freight elevator door taking up almost all of one wall. One thing about museums is that almost anything seen in such a place has the potential to take on meanings beyond the ordinary, and for some reason this door caught my attention. I did as I often do with such subjects — I waited for people to populate this “intimate urban landscape” so that I could make a few photographs.
Local people form an impromptu tableau in the town of Radda, Italy
It was our last day in the hills of the Chianti region of Italy, and for reasons I cannot recall at the moment we made one final visit to the small, hilltop village of Radda, situated in the wine and olive growing region between Florence and Siena.
We arrived early — which makes sense, in retrospect, because later we had to drive to Florence, where we would stay for the next few days before flying back to the US. The town, which can be quite busy at times, was rather quiet, and some of the small streets were almost deserted. The sun was low enough still that the narrow streets were still in shade. I walked up steps to the front of the town church, looked down, and made this photograph of an interesting collection of people standing near some steps.
People sit on benches to watch a nighttime carousel in Florence, Italy
After a week in the mountain and vineyard country between Florence and Siena, we returned to Florence for a few days before catching our flight back to the US. This was our first visit — aside from passing through to pick up a rental car on the day we arrived — and we only wished that we had left more time to explore this city, especially the old central city along the Arno River, with its narrow and curving streets and its many museums.
The weather is very warm here in August, and lots of people are out on the streets in the evening. We joined the thongs each evening and went out to late dinner and then wandered. On this evening we wandered up from the Ponte Vecchio into town and passed a small square where there was a brightly lit carousel.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
