“Forest Floor, Late Summer” — Late-summer forest floor littered with fallen cones, branches, needles, and leaves.
As summer comes to an end in the high country of the Sierra Nevada, as it was during my early September visit this year, the moisture, growth, and greenery of the early season give way to the drier and more brown conditions signaling the coming of fall. The short period of rapid summer growth ends, and the mountains seems quieter.
We camped and photographed for several days at a small lake, exploring and even revisiting to places to photograph them more than once. By staying in one location for a time, it we notice things that are overlooked during a shorter stay. Initially the dramatic granite features around the lake drew our attention, but after a few days we became more interested in subtler things, including a low, grassy area near the outlet stream of the lake. On this morning I was simply wandering slowly though this area, now looking more closely and at smaller things, when I saw the still-shadowed ground densely covered by a carpet of pine cones.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Hazy evening light slants across steep granite cliffs and slabs and trees
This was not quite the very last photograph I made on my recent 10-day Sierra sojourn, but it was close. Our exit from the backcountry was scheduled for the following morning, and camp busy-ness (and general end-of-trip laziness) would mean no morning photography the next day, so I went to nearby area of beautiful granite slabs and canyon views and went to work, photographing on into the evening light and eventually stopping only after the sun had set.
We often hear that the vast majority of visitors to Yosemite only visit The Valley, and that they regard that small but spectacular place as being the whole of the experience of the park… and that they are entirely wrong. In a sense I am grateful that most visitors do not crowd into the high country in the same way they do in The Valley, even though a part of me is disappointed that they miss so many other astonishing beauties. I cannot think of a juxtaposition of cliff and slabs and trees in the Valley that is more beautiful than this spot, especially in the evening when the last rays of the sun shine up this valley and illuminate cliff edges and the branches of trees.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Boulders, grasses, and trees along the shoreline of a subalpine lake, Yosemite National Park
Some aspects of landscape photography remind me, perhaps in a strange way, of spring skiing. In the spring there is still often plenty of snow, but the temperature swings between sub-freezing nights and warm days have some big effects on the snow. In the morning the re-frozen snow can be so hard that it is almost like trying to ski on a tilting ice rink, and you can easily find yourself skittering across the surface out of control. By late afternoon the warm temperatures melt the snow and can turn it into a slippery slush, and it can be like skiing on oatmeal. But at just the right moment, as the surface of the snow begins to soften but the lower layers are still firm, some of the best skiing possible can occur for a short period each day.
When photography in early or late light, I encounter something very similar — though with a bit of creativity it is possible to stretch things just a bit. Let’s take the afternoon, the time of day when I made this photograph of a simple scene near the outlet stream of a subalpine lake. I began my work a couple of hours before sunset, when the light was still clearly “daytime light.” The sun’s angle is higher, the shadows are more start, the light has a blue quality. As the evening approaches, there is a point at which the light seems to mellow and warm, the shadows lengthen and fill with a bit of reflected light… and almost everything begins to look beautiful. But at this point things change very quickly. I might find myself spotting a bit of light on a branch or a rock, and by the time I’m set up it has moved. While this time seems conducive to looking and contemplating, it is actually a time when I often have to work quickly before the “good light” is gone. This little scene, which is nothing all that special in objective term, was such a scene — a brief moment of warm light slanting through shoreline trees and across meadow grasses, and a few moments later the day ended.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A lone tree at the base of rugged Soberanes Canyon
The Soberanes Canyon and Creek area of the upper Big Sur coast is, to me, a particularly interesting spot. Here in one place are a number of the characteristic features of this coastline: rocky sea stacks, rigged shoreline backed by coastal bluffs, big surf, beaches, a coastal valley leading steeply up into the mountains, and, of course, fog. It is a popular place, and there are often many cars stopped here. Some people park and head toward the ocean, while others head away and climb up the canyon.
The canyon leading up and away from the coast has intrigued me for a long time, though it wasn’t until relatively recently that I began to explore the area more carefully. One of the first things I realized about this canyon is that it can create some special conditions of light and atmosphere in the morning. Mornings are often a bit tricky on this coast, since if faces west and the sun rises behind tall mountains to the east. However, when the conditions are right, as the sun tops the high ridge the light often comes down into the canyon and backlights the coastal haze, obscuring the details of the canyon and sometimes creating a mystical quality.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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