Tag Archives: pine

Pine Forest, Evening

Pine Forest, Evening
“Pine Forest, Evening” — A High Sierra pine forest in soft evening light.

This is an example of what a photographer friend has called “quiet photographs.” There’s no astonishing sunset, no peak piercing the clouds, no spectacular waterfall… just a quiet scene of the sort that characterizes much of our experience in the wild. I love those over-the-top astonishing moments, but I equally love the quiet, still moments and scenes like this one.

This particular scene is along the edge of Tuolumne Meadows in Yosemite National Park’s high country. No one else was there (hard to believe?) and the sun had just set. These trees, the ubiquitous lodgepole pines, stand near the edge of the the open meadow, and the meadow hasn’t entirely given up to them yet, as you can see from the open spacing of the trees and the short green foliage along the ground.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trees, Evening Light

Trees, Evening Light
“Trees, Evening Light” — A row of pine trees at the edge of a subalpine meadow catches the last evening light.

Yosemite’s Tuolumne Meadows, in the park’s high country, gets special and quite changeable evening light. The meadow runs roughly east-west, so the setting sun sends its light along the meadow’s length. As the sunset develops, long shadows play across the landscape, interrupted by bits of warm light here and there.

I suspect that most people looking at this photograph may get a sense of calm and stillness. That’s not inaccurate, but photographing this ephemeral light is quite different from photographing more static subjects. In fact, I was working madly to grab this frame before the last bit of warm light on the trees was consumed by the encroaching shadows.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Forest and Pond

Forest and Pond
“Forest and Pond” — Trees reflected in the still water of a subalpine pond, Yosemite.

I have had my eye on this little scene for a while. The trees stand along the far bank of a small subalpine pond in the Yosemite high country. During the daytime it is a tough photograph, with the sunshine becoming almost unbearably bright. My ideal might be to photograph it before sunrise or after sunset. But this time I found myself here a bit earlier in the day — so I went ahead and made some photographs.

A challenge with scenes like this is that the dynamic contrast between the highlights on the trees and the background shadows can be huge if there is direct sunlight — too big to capture in a photograph. That’s partly why the soft light helps —before sunrise, after sunset, or when something else shades the scene. I timed this so that the trees were entirely shaded, yet nearby subjects in brighter light cast some directional light into the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

2 responses to “Forest and Pond”

  1. Oscar Ramirez Avatar
    Oscar Ramirez

    I know nothing about photography but enjoy your art and techniques. Your dedication to the art is commendable!

    1. G Dan Mitchell Avatar
      G Dan Mitchell

      Thanks, Oscar!

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Meadow, Mountains, Morning Mist

Meadow, Mountains, Morning Mist
“Meadow, Mountains, Morning Mist” — Morning mist rises from a subalpine meadow with trees in the foreground and peaks in the distance.

For a few days in early July I had this usually-crowded Yosemite location almost to myself. The nearby high-country campground was not yet open, and entry-restrictions to the park reduced the number of visitors. I camped just outside the park’s boundaries, and I entered in the mornings before sunrise — there was no line and I could get to my destinations quickly. On a couple of mornings the sunrise destination was this great subalpine meadow.

The meadow runs from east to west, so sunrise and sunset tend to send light down its length. I positioned myself near the west end on this morning, which meant that I was shooting nearly directly into that morning light. Here I placed a group of trees along the right side of the frame, to contrast the dark forms of their trunks and shadows with the lighter distant mountains, details muted by backlit haze.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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