Tag Archives: pink

Marsh, Dawn Fog

“Marsh, Dawn Fog” — Winter trees silhouetted against the dawn on high clouds above a wetlands marsh shrouded in tule fog.

Bird photography is my excuse for going to this place in the winter. But the truth is that when the birds aren’t around I am happy to photograph this quiet and mysterious landscape, especially when morning tule fog drifts in and out. On this morning there were birds, but they weren’t where I was. So I paused in this spot and others like it and photographed the subtle light and colors of the early morning foggy landscape.

A bit more about the bird photography: I’m not sure how people imagine the process of photographing migratory birds, but I suspect that they might be surprised at how it actually works. Believe me, it is not a case of spending hours clicking off perfect exposures of astonishing wildlife. That happens, but there’s a lot of “slow time” between those moments, when the experience is more about the quiet and the slowing of time and about the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Ma Maison en Alsace

Ma Maison en Alsace
“Ma Maison en Alsace” — An old building in the quaint Alsatian town of Eguisheim.

I have written before that our “home base” in Europe is Heidelberg, where relatives live. (Hi Greg and Jan, and others!) We were based there for the first three weeks of our late 2024 trip — we traveled out to Nürnberg, Munich, and the Alsace region of France. This photograph comes form the latter adventure. This building is in the little Alsatian town of Eguisheim, where there are a lot of these old school structures.

I don’t count myself as an expert on Equisheim or Alsace, but this town is apparently known for its circular form (based on very old protective walls) and for maintaining a whole lot of these old buildings. Most have, of course, been fixed up — and some turned into shops and lodging — but many of them lean in charming and occasionally alarming ways.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Geese, Morning Clouds

Geese, Morning Clouds
“Geese, Morning Clouds” — A flock of geese in flight against morning clouds, Central Valley, California.

Sunrise often produces remarkable light, especially when the right sorts of clouds are present. These clouds were a bit unusual for this location, where I usually either encounter thick tule fog or high clouds produced by large scale weather patterns. These morning clouds were lower than usual, but not ground fog, and having a bit of the “mackerel sky” look. I photographed them as the first light arrived and a flock of migratory geese passed overhead.

I photograph a lot of different subjects, but in the late fall and winter months the migratory birds become a major focus. It is easy to miss their arrival if you live in a city, but in rural parts of California their presence, often in astounding numbers, is pretty obvious. I photographed these in an otherwise nondescript agricultural area in the Central Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Mono Lake, Evening

Black Point, Mono Lake, Evening
“Black Point, Mono Lake, Evening” — Evening clouds above Mono Lake and Black Point.

I made this photograph on an autumn evening after incoming clouds had ended my aspen photography for the day. I decided to make a quick run down to the shoreline of Mono Lake to see if there might be any interesting dusk light. The conditions were a bit subtle, but I think that they are actually representative of what we’re likely to see at Mono in the evening when clouds over the Great Basin dissipate and the lake is in shadow.

This particular bit of shoreline has long intrigued me. (I’m not the only one!) In many places along its edge we look straight out at the immensity of this lake, but in this spot we instead have a view along the shoreline, past bays and Black Point, toward volcanic islands and then desert mountains in the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.