Tag Archives: piute

Eastern Sierra Autumn Sunrise

Piute Peak Sunrise
Autumn aspen trees at the shoreline of a subalpine lake below sunrise light on Piute Peak.

Eastern Sierra Autumn Sunrise. © Copyright 2023 G Dan Mitchell.

Autumn aspen trees at the shoreline of a subalpine lake below peaks in sunrise light.

I have photographed at this location for so many years that I no longer count on it to be a place to find something new… unless it looks like conditions might be unusually good. (I do still find other interesting subjects “in the neighborhood.”) But it is my tradition to check in for a short visit every year, and that’s more or less why I was there this October.

The morning was somewhat unpromising. There was a lot of color, but the patterns were unusual — green where I would have expected yellow and orange, and full color in places where I might have expected it to be green. And it was… windy. Very windy. Capturing a nice reflection on the waters of the lake was a lost cause. But sunrise is sunrise, and it is almost always a beautiful sight this ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspens, Eastern Sierra Lake

Autumn Aspens, Eastern Sierra Lake
Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Autumn Aspens, Eastern Sierra Lake. © Copyright 2020 G Dan Mitchell – all rights reserved.

Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Along the same lines as another photograph I recently wrote about, this one is an alternate framing of a scene that I previously shared in a landscape mode photograph. (For folks unfamiliar with this terminology, “portrait” mode is taller than it is wide and “landscape” mode is wider than it is tall.) When I wrote about the decision to create two versions of such a scene I proposed two reasons for doing so. First, I cannot always say with certainty which formatting is better. Second, clients (especially in the publishing world) are often quite specific about which they need, so it makes sense to have both if possible.

There is another practical factor at work in this case, too. Before I went to this spot I had a fairly specific idea of the camera position I wanted to use and of how I wanted to incorporate the red foreground trees with the lake, the more distant colorful aspens, and the higher mountains. So I got their very early — early enough that I took a headlamp when I walked to this spot — and prepared to work from more or less the same spot as the light evolved. And it evolved a lot on this morning. Before sunrise there was abundant wildfire smoke floating around and the scene was quite muted and not what I hoped for. Initially I had decided to let the distant part of the scene go and instead focus on the closer portions less affected by the smoke, but as the sun came up it cut through some of the haze. All of this meant that as I worked from this fixed location, waiting for the right light to evolve, and I had plenty of time to try different camera orientations and other small modifications of the composition and framing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Autumn Lake, Dawn, Eastern Sierra

Autumn Lake, Dawn, Eastern Sierra
Dawn light comes to an Eastern Sierra Nevada lake surrounded by autumn aspen trees and reflecting distant peaks.

Autumn Lake, Dawn, Eastern Sierra. © Copyright 2020 G Dan Mitchell – all rights reserved.

Dawn light comes to an Eastern Sierra Nevada lake surrounded by autumn aspen trees and reflecting distant peaks.

Yes, this is a bit of an iconic spot, but with good reason. And this year the colors around this Eastern Sierra Nevada lake were exceptional. I first photographed here before it became the often over-busy place it is today, so I’ve seen the color transition here many times. It has been about a decade since I saw colors like what I found this year. The most striking thing this year was the abundance of red and orange colors, something we don’t see every time.

The circumstances of this photograph were a bit complex. I was camped nearby the night before, and at sunset a thick cloud of suffocating wildfire smoke descended from the Sierra crest. I almost packed up and left, but then I decided to at least stick around for the night and see what the morning might bring. It was still smoky in the morning though not quite as bad as the previous night. Figuring that the smoke would be even worse farther to the north, I decided to head to this nearby lake. The smoke muted the light quite a bit, but because the smoke is not consistently thick there were moments when it thinned and more directional light appeared. I decided to simply set up in one spot and patiently wait for those momentary changes in illumination.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

North Lake and the Sierra Crest, Fall

North Lake and the Sierra Crest, Fall
North Lake and the Sierra Crest, Fall

North Lake and the Sierra Crest, Fall. Sierra Nevada, California. October 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Brilliant gold and red fall aspens ring the upper shore of North Lake as the Sierra Crest towers above.

Somewhat past the “golden hours” of first light I investigated a hill above this lake as a possible shooting location. Because this was a morning of mixed clouds and sun, the time for good light was more extended than it might otherwise have been. The clouds began thicker and gradually began to thin, and as they did so the mixed sun and cloud shadows moved continually across the landscape, spotlighting different parts of the scene. This was one of those situations that puts the lie to the notion that the landscape is a fixed and static thing – from my perspective the entire scene was in a constant state of flux and photographing it required full attention. Here most of the shadows had cleared from the scene, with the exception of some over the foreground lake and a few scattered among the peaks, and beams of light slanted into the scene to light up the grove of brilliantly colorful fall aspens.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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