Tag Archives: pond

Islands, Fog

Islands, Fog
“Islands, Fog” — Two small reed-covered wetlands islands in thick winter tule fog.

At times I like to make photographs that contain as little detail as possible, photographs that might suggest more than they tell. The most distinct feature in this scene is the darker island at the left. Beyond that we see (barely) one more island and then nothing. Any further detail is masked by the thick Central Valley tule fog.

It was a remarkably foggy day. I drove over there from my home about two hours away, and the last half hour or so of the drive was in fog so thick I could barely see the roadway. I had initially hoped that I might get a bit of sunrise color and then a late-morning clearing, but neither happened. If anything, the fog got thicker after noon!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dormant Wetlands Plants

Dormant Wetlands Plants
“Dormant Wetlands Plants” — Dormant and dried wetlands plants reflected in the still water of a quiet pond.

My first “real” visit of the season to my favorite migratory bird photography location did not go as planned. (Actually, I did stop briefly a month ago and a half earlier, but things were still slow back then.) I was hoping for luminous tule fog and lots of geese and sandhill cranes. Instead I got thick gray elevated overcast and fewer birds than expected. Ah, well, it happens… and when it does I look for something else to photograph.

This is one of the “something else” photographs. This area is full of shallow seasonal ponds, and when they fill the summer’s plants still emerge from the still water and make fascinating reflections. For this subject the very soft light from the overcast worked well and revealed a more of the plants’ details.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Forest and Pond (Vertical)

Forest and Pond (Vertical)
“Forest and Pond (Vertical)” — Forest trees reflected in the still water of a subalpine pond, Yosemite.

This is another photograph from my early July (the first day of the month!) camping and photography trip to the High Sierra just outside the eastern boundary of Yosemite National Park. Among other things, this positioned me for quick trips into the park to photograph in the high country. The landscape was still almost deserted — the snow and meltwater had recently diminished, campgrounds were not yet open, and new rules restricted the number of drivers entering the park.

Later in the season this little scene would look quite different, as everything in the high country begins to dry out near the end of a typical summer. But at this point the grasses were still green and growing, and there was some new growth on the trees, too. There are actually two versions f this photograph — I shared a horizontal (“landscape”) version of it a few weeks ago.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

First Light, North Peak

First Light, North Peak
“First Light, North Peak” — First morning light of the summit of North Peak on the Sierra Crest, feflected in a subalpine pond.

By now the story of this pack trip is perhaps becoming familiar… but there are still more photos! I went on a mid-July backpacking trip into the Eastern Sierra with a group of longtime backcountry friends… plus a few new friends. We camped at a lake near this spot for a couple of nights before moving on. The photograph includes a peak that was visible from my campsite, and the camera position is perhaps a one minute walk away.

Many years ago I would not have taken a trip like this one. Back then I wanted to cover the miles! But this time we only hiked two (!) miles the first day, and we stayed at our first camping location for two nights. These days, when wilderness photography is usually the main goal of these trips, being in one place for several mornings and evenings gives me time to thoroughly explore the photographic opportunities.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.