Tag Archives: pond

Photographs: Nature, Photographs: Pacific Northwest

Waterfall and Pond, Japanese Garden

Image July 11, 2020 G Dan Mitchell 2 Comments

Some years back we used to get to visit Portland, Oregon somewhat regularly when we had family in the area. (Our youngest son lived there for a few years.) Portland is a rather unique place, especially in the central core. I won’t try to explain except to point out that there is a rather unique fusion of cultures in the area. We like the place, though it has been a few years now since our last visit.

Portland seems to me to be a city off gardens. Two wonderful Asian gardens are in the area — the Chinese Garden in an urban setting close to the downtown area, and the Japanese Garden set in more rustic surroundings in the hills. We spent a day in the latter garden, and this photograph of a lush scene of water and vegetation is one of several photographs I made there during this visit.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Sierra Nevada

Fractured Stone Landscape

Image August 11, 2019 G Dan Mitchell Leave a comment

A small subalpine lake, fractured granite slabs, and peaks on the Sierra Nevada crest.

This is the sort of Sierra Nevada landscape that usually appeals most strongly to me — that terrain just below the upper limits of trees, where small lakes and tarns dot the landscape, small meadows lie among them, high peaks tower, and rocks and slabs and boulders are everywhere. The latter — the “rocks and slabs and boulders” — are the most defining element of this landscape, all the way from the granite underfoot to the fractured faces and ridges of the peaks.

This spot, high in the Eastern Sierra, is essentially “at the end of the trail,” as the maintained trail ends at a lake just beyond the low saddle between the foreground and the more distant peak. It is a wonderful place for wandering, as the open terrain is conducive to route finding — this is country where it is possible to say, “I think I’ll go there,” and then find a clear route to “there.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature

Evening Clouds, Winter Wetlands

Image March 13, 2019 G Dan Mitchell Leave a comment

This past weekend I was doing the long drive back from Death Valley National Park to the San Francisco Bay Areas. This is quite a drive — a long one that takes the better part of a full day, and a route that begins in one of the most arid locations in North America and ends in the cool and moist Bay Area. I have various ways to break up the long drive, and one of them is often to make a final stop at one of the great Central Valley wetland areas a couple of hours from my destination.

In fact, that was my plan on this trip. I wasn’t sure of the weather of my timing, but as I came to the base of Tehachapi Pass in Bakersfield it looked more like my schedule and the weather might cooperate, so I eschewed the usual I-5 homebound route and instead headed up Route 99, with a plan to cut over to wetland further up the Valley. I arrived to find… not too many birds (it was, after all, late in the season) but ponds full of welcome water reflecting a sky filled with dissipating rain clouds.

G Dan Mitchell is a California photographer

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Photographs: Central California, Photographs: Nature

Wetlands, Evening Clouds, Moon

Image February 21, 2019 G Dan Mitchell Leave a comment

Clouds, darkening evening sky, and the moon above wetlands.

The last hours and then moments of the day in a place like this are often magical. There’s frequently a sort of emotional crescendo as the day ends, followed by a quiet coda after the sun set. As evening approaches it is time to make decisions about where to be for the quickly moving events just before and after sunset — when the light changes quickly and the birds are often in motion. Once the golden hour light begins the scene becomes dynamic, with light passing though phases from late day, to golden hour, to post sunset, to twilight, and each has its photographic potential. This is often a period of an hour or more of fairly intense photography.

Then one realizes that the light has truly faded and that night is coming on. There is a release of tension, almost a letting go of the breath, and I become away of the fading light and the quiet. Often there are a few moments when I put the camera down and just stand quietly, taking it in. I made this photograph at the end of a New Year’s Day a couple of years ago, as clouds passed over the wetland ponds and beneath the deepening blue of the twilight sky.