Tag Archives: pond

Photographs: Central California, Photographs: Nature

Wetlands, Evening Clouds, Moon

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Wetlands, Evening Clouds, Moon
Clouds, darkening evening sky, and the moon abouve wetlands

Wetlands, Evening Clouds, Moon. © Copyright 2017 G Dan Mitchell – all rights reserved.

Clouds, darkening evening sky, and the moon above wetlands.

The last hours and then moments of the day in a place like this are often magical. There’s frequently a sort of emotional crescendo as the day ends, followed by a quiet coda after the sun set. As evening approaches it is time to make decisions about where to be for the quickly moving events just before and after sunset — when the light changes quickly and the birds are often in motion. Once the golden hour light begins the scene becomes dynamic, with light passing though phases from late day, to golden hour, to post sunset, to twilight, and each has its photographic potential. This is often a period of an hour or more of fairly intense photography.

Then one realizes that the light has truly faded and that night is coming on. There is a release of tension, almost a letting go of the breath, and I become away of the fading light and the quiet. Often there are a few moments when I put the camera down and just stand quietly, taking it in. I made this photograph at the end of a New Year’s Day a couple of years ago, as clouds passed over the wetland ponds and beneath the deepening blue of the twilight sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Wildlife

White Pelicans, Pond

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White Pelicans, Pond
A row of white pelicans swims sedately in clearing morning fog

White Pelicans, Pond. © Copyright 2018 G Dan Mitchell – all rights reserved.

A row of white pelicans swims sedately in clearing morning fog.

White pelicans seem to keep to themselves at the locations where I photograph birds. I’ve gotten to know a few small groups here and there, and I’ve noticed a few things about them. During a season they seem to establish a “home base” and stick to it — and I can almost be certain to find them at the current year’s location. They stick together in groups of perhaps a few dozen, spending a lot of time clumped together near the water, seemingly doing next to nothing. In the morning they frequently fly out after many other birds have already done so. And because their groups are relatively small, these fly-outs happen quickly.

This group was a little ways from its usual spot on this day. They had swum — or perhaps more accurately, floated — across a large pond and eventually drifted quite close to me. Their passage was quiet and sedate, with little movement above the water line. Eventually they arrived at whatever point they had selected, and before long there were headed back the way they had come.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

Cranes, Fog, Island

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Cranes, Fog, Island
A small flock of sandhill cranes at the edge of a small island and reflected on a pond on a foggy morning

Cranes, Fog, Island. © Copyright 2018 G Dan Mitchell – all rights reserved.

A small flock of sandhill cranes at the edge of a small island and reflected on a pond on a foggy morning.

Sometimes I photograph birds (and other subjects) accompanied by various friends and fellow photographers. Other times I go alone. I enjoy both, though there is something special about being “out there” in the wilds on my own as I was on the morning when I made this photograph. Working alone (and sometimes working with kindred spirits, too) allows a kind of intense focus on the subject that borders on obsessions. But, perhaps ironically, it also permits a sort of slow and aimless work that simply allows things to happen.

This was that kind of morning. I was, indeed, quite focused on locating and photographing birds and the foggy morning landscape, and an observer might have wondered when I occasionally stopped and worked one subject for extended periods of time. These cranes were standing in shallow water, and I watched them for some time until they finally seemed to have had enough of me, and they took flight and departed for some distant location.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

Geese, Pond, Dawn Sky

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Geese, Pond, Dawn Sky
Ross’s geese in a wetland pond on a foggy morning beneath dawn sky

Geese, Pond, Dawn Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

Ross’s geese in a wetland pond on a foggy morning beneath dawn sky.

There is often a particular esthetic around bird photography that concentrates on close photographs of individual birds. I’ve often thought that the reasons for this particular approach are several. For some bird photographers – though not so much for me — this work is an outgrowth of “birding,” and in that endeavor being able to view individuals close up is a goal. There’s also an element of the technical challenge. It isn’t easy to get in position to fill the frame with one bird, and it is even more difficult when the bird is in flight. On top of that, we must acknowledge that for at least a subset of bird photographers, the acquisition and use of really big and really expensive lenses has its attractions.

I’m not immune to those things, but I often find myself approaching birds in a somewhat different way. Few of my photographs feature a single bird filling the frame. (I can do that, and I have, just not that often.) More typically, the photographs include a group of birds — a couple of them together or perhaps thousands — and place them in the landscape. The latter is quite likely linked to my long interest in the landscape as a subject. This photograph clearly fits that lineage — it is what I think of as a “birdscape,” a photograph including birds in the landscape they occupy. I made this photograph in a water-filled place on a foggy morning when soft and colorful dawn light briefly lit the sky.

David Hoffman and I have an exhibit of “birdscapes” opening very soon at Stellar Gallery in Oakhurst, California, near the southern entrance to Yosemite National Park. If you’ll be in the neighborhood — going to see the Yosemite Valley snow or to photograph Horsetail Fall? — stop by and take a look at our photographs!

February 16th-March12th. Reception February 16 5-8:00PM. Stellar Gallery, Oakhurst, California

Birdscapes — David Hoffman and G Dan Mitchell
Birdscapes — David Hoffman and G Dan Mitchell

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.