Tag Archives: pond

Fog, Tree, And Pond

Fog, Tree, And Pond
“Fog, Tree, And Pond” — A tree reflected in a wetland pond in dawn tule fog, San Joaquin Valley

I love fog, and I especially love the thick and mysterious tule fog of California’s Central Valley — comprised of the northern Sacramento Valley and the southern San Joaquin Valley, and draining to the Pacific Ocean via San Francisco Bay. This fog is mostly a winter thing, when the moisture rises from the ground, farmland, and ponds as the temperature drops at night. It often reaches its peak in the early morning, just after dawn. (It also creates some very challenging driving conditions — so bad that lots of people simply try to avoid them.)

If you stop and get out of your car, the world of tule fog is quiet and mysterious and still. Your universe closes down to a radius of perhaps a couple hundred feet or less, and you can sense as much about your surroundings by sound as you can by vision — you might hear but not see a flock of crane passing overhead. Surprising to some who are new to these conditions, while the tule fog is incredibly dense, it is often astonishingly shallow. On occasion I have seen conditions so bad that it was almost impossible to drive… but I could look up and see clouds in the sky overhead. The tops of trees and utility poles might poke out of the top of the fog layer. This, of course, can produce some very special light, since this thick fog may also be intensely illuminated by that overhead sky and sun, to the point that at times it can almost hurt to look into the brightness. Those were not the conditions when I made this photograph, but the astonishing blue color (which I actually had to tone down a bit in post) is the result of the glowing fog picking up the color of the blue morning sky.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Wetlands Evening

Wetlands Evening
Trees, plants, and a few birds under a bank of clouds above San Joaquin Valley wetlands

Wetlands Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees, plants, and a few birds under a bank of clouds above wetlands

The process of bird-photography, at least as I know it, is perhaps not quite what people who don’t photograph this subject might imagine. The actual practice and experience varies from photographer to photographer and, no doubt, from place to place. However, I’d be willing to bet that many people would be surprised at how much not-photographing goes on! There are amazing moments when we come upon a special scene, when a huge flock of geese lifts off, when we get close to a raptor, when the light and sky do something astonishing. Then there are all the other moments, and they form the majority of the experience. The birds are somewhere else. They are just a bit too far away. The light goes flat. It rains. And so on.

The fact of the matter is that in order to photograph those periodic extraordinary moments, you have to spend a lot of time just being there. If really special stuff happens, say 1% of the time, you’ll increase your odds of experiencing it if your base is 100 hours rather and one. Of course, that also means that you’ll increase the number of slow hours when not much happens. Be ready. Bring a book. Take a nap. Wander a bit. And sometimes take a look at other subjects, like the still and quiet grasses growing in a shallow pond beneath winter skies, even though there aren’t a whole lot of birds there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Snow Geese, Pond

Snow Geese, Pond
A flock of snow geese stands in a shallow wetland pond.

Snow Geese, Pond. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of snow geese stands in a shallow wetland pond.

This is a somewhat different photograph of geese than I might usually make. More often I photograph them in flight or in huge flocks, either landed or flying, and quite often the photographs feature Ross’s geese. This group is none of those things. When I came to this spot — and, yes, I was looking for big flocks — I found small groups of geese (and other birds) that were mostly quietly tending to their business in these shallow ponds. There wasn’t a lot of flying, a lot of noise, or much else.

However, their relative passivity did give me a chance to make some photographs that can (especially when viewed larger than these web images permit) reveal some of the individuality of the birds in the group. Their heads are up, which often indicates that they are aware of something that focuses their attention, possibly a potential danger of some sort. (It could have been me, but I was using a long lens and was pretty far away.) Because of their erect bearing, we get to see the juxtaposition of all those heads and beaks, pointing in various directions. It is also possible (again, in a larger version of the photo) the tell-tale “grin” pattern on the sides of the beaks that characterizes snow geese. (It is easy to mistake them for Ross’s geese and vice versa, and the indicators can be a bit subtle.) In addition, contrary to our expectation that such bird will all look pretty much the same, among the members of this group you can spot some significant variations in appearance. For example, note the two birds with darker feathers or the several with distinctly yellow features on their heads.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese, Dusk, Pond, and Tree

Geese, Dusk, Pond, and Tree
Geese take off over pond and tree at dusk, San Joaquin Valley

Geese, Dusk, Pond, and Tree. © Copyright 2018 G Dan Mitchell – all rights reserved.

Geese take off over pond and tree at dusk

This day in the wetlands was something of a surprise. When I arrived before dawn, the light was dreary, with a shield of clouds from a passing cold front hiding the sky and the sun, with the exception of a very narrow band along part of the eastern horizon. There was little photograph in this light, but before long the sun rose though that gap and provided perhaps ten minutes of beautiful light… and then that show was over and the flat light returned. All morning long it remained cloudy, though that band of open sky in the east gradually expanded and worked its way toward my position.

Just past midday I finally took a break and left to grab a bite to eat. An hour later I was back, and now the clouds above this area were breaking up and the light was starting to be interesting. By evening most of the sky was clear, though the air remained hazy — not unusual for this part of the world in winter. I looked around for the birds that I wanted to photograph, but wasn’t finding any large flocks. Finally I made it back to where I started… just as geese began to fly out from their resting place in nearby ponds. I put a long lens on the camera and continued photographing well past sunset, as the sky darkened and waves of birds continued to fly away. In the end, this day was a reminder that sometimes finding beautiful conditions requires facing some less exciting light… and being persistent and patient.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.