Tag Archives: print

Sand Patterns

Sand Patterns
Sand Patterns

Sand Patterns. Death Valley National Park, California. April 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sand patterns on the side of a sand dune following a wind storm

Like so many such places, Death Valley is a place of big, solid landscapes — but it is also a place of small and incredibly fleeting things. The landscape is constantly being reshaped and moved by wind and sometimes by water, and while the large-scale features change very slowly, the smaller features often are so transitory that they are gone almost as soon as they appear.

The sand dunes are, no surprise, one of the places of constant change. While the dunes, perhaps surprisingly, manage to maintain their general form over long periods of time, a closer look reveals things that change from day to day and even from moment to moment. During this visit to Death Valley I experienced several days of high winds and conditions that were often quite dusty, with dust storms in play for more than 24 hours. I ventured out onto these dunes near the end of a day that had begun with strong winds and blowing sand, and the conditions had only calmed down shortly before I walked out here. The patterns are on the lee side of a dune, where sand blown to the top of the dune on other side falls over the edge and out of the wind, forming intricate and intertwining patterns. For just a very brief moment in the evening the waning sunlight angled almost directly across the surface of these shapes, and moments after I made this exposure the light was gone.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mountain Silhouette, Dust Storm

Mountain Silhouette, Dust Storm
Mountain Silhouette, Dust Storm

Mountain Silhouette, Dust Storm. Death Valley National Park. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A dust storm obscures desert mountains

Those who have been in a desert dust storm (not fun) or sand storm (worse!) will already know about this, but I wanted to share a photograph that shows a bit of how the desert environment is transformed by these conditions. The weather conditions on the first part of this visit to Death Valley had already been strange — the previous morning I had traveled to a high ridge top overlook before dawn, only to discover the atmosphere filled with such haze to a depth of perhaps 7000′, despite the fact that there did not seem to be a source of the dusty air nearby. On the day I made this photograph I took a long drive over a different ridge and then down into and through a long and deep canyon. The trip through the canyon as beautiful, but it is so narrow that my world was confined to what the interior of that canyon — I had little awareness of what might be going on outside.

Eventually I reached the end of this canyon after passing through a narrow slot area, and I emerged at the top of the canyon’s gigantic alluvial fan, hundreds of feet about the valley floor. I was surprised to find that the other side of the canyon was almost completely obscured by the backlit, dust-filled atmosphere. The far hills were visible, but only barely, and almost all details were gone. Such views carry an odd mixture of awe at the immensity of the glowing atmosphere and a kind of resignation to the uncomfortable and difficult aspects of working in such an atmosphere. As a photographer I try to focus on the visual power of the scene (while protecting my gear!) and I make photographs. As I made this one I felt that it was going to be a bit of a stretch since the contrast was so low and the details washed out so much — but this is, in fact, what one sees on an afternoon like this one.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dark Hills, Death Valley

Dark Hills, Death Valley
Dark Hills, Death Valley

Dark Hills, Death Valley. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dark hills contrast with surrounding salt flats and alluvial fans

I know that “dark hills” is not a very poetic description for this landscape… but it does seem, at least, to be accurate! These formations have intrigued me for a few years, and I’ve been surprised to be able to photograph them all alone — despite visiting them regularly, I have never encountered another person there. I’m not sure why, except that there are some better known icons nearby, and perhaps they attract all of the others in the area.

In the past I tried to find out more about the source of the formations and my recollection (which I was unable to re-verify this time) is that they are the result of some kind of ancient tufa-like deposits formed on the bottom of the lake that once filled the basin that is now Death Valley. Their darker color contrasts strikingly with the surrounding terrain, and the material of the mounts has a finely layered quality. This example sits on a small playa where pooling water seems to have left salt deposits behind, though similar forms can also be found in slightly higher terrain nearby. In the evening the low light from the west angles across these mounds and makes their textures and curves a bit more visible.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Man at Railing

Man at Railing
Man at Railing

Man at Railing. Getty Center, Los Angeles, California. March 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man looks over a railing at the Getty Center

This photograph includes a section of the structures facing the central courtyard at the Los Angeles Getty Center, high on a hill above the Los Angeles area. We visited on a sunny day, that the stark light illuminated the geometrical architecture forms — at upper right are curved surfaces lit by direct sun, and to the left are shadowed areas that are lit by the reflections.

The architecture here seems quite complex to me, with the smaller details of square window panes and stone and metal creating the outside surfaces, and the larger forms angling together in all kinds of interesting ways. The lone figure, a Getty security guard taking a break, was the first thing to catch my attention here, but in the end I think that the buildings themselves are the central subject.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.