Tag Archives: range

The Overlook

The Overlook
A person stands on a high point overlooking Death Valley and distant mountains.

The Overlook. © Copyright 2023 G Dan Mitchell.

A person stands on a high point overlooking Death Valley and distant mountains.

As I write this text, a few days before the photograph will post, it seems likely that this will be the final photograph in the series from my January visit to Death Valley National Park. I like to spend the better part of a week photographing there in the winter — the most pleasant and arguably the most beautiful time of the year there. (All bets are off if it is a good wildflower year!)

I shared a different photograph of this scene a few days ago. This one features a singe individual instead of a pair. Such a difference might seem small, but I think that the image of two people in such a place can evoke a different response than the image of a lone person in the immense landscape. I made this one in portrait (vertical) mode — partly because I think it works this way and partly because sometimes people are interested in a scene framed that way!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rocks, Playa, Desert Mountains

Rocks, Playa, Desert Mountains
Afternoon light on desert mountains beyond rocks and playa, Death Valley.

Rocks, Playa, Desert Mountains. © Copyright 2023 G Dan Mitchell.

Afternoon light on desert mountains beyond rocks and playa, Death Valley.

This spot has drawn my attention over many years of visits to Death Valley. It would be easy to miss — it is just a rock-covered hill next to a roadway, in a location where people are most likely looking in a different direction. But I stop here frequently and poke around, looking for photographs. It hasn’t been easy!

One of the challenges here is that, in my view, the best time to photograph here is in the late afternoon, just before the sun drops behind the far ridge. Not only does this bring the challenges of shooting almost directly into the sun, but the black rocks and easy turn into pure black shadows. It is also a bit of a challenge to find combinations of rocks that have some kind of compositional integrity. This photograph comes from an afternoon when some dust and haze highlighted light beams from the late-day sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

From Valley To Peaks

From Valley To Peaks
In morning light, he Panamint Range rises from below sea level in Death Vally to over 11,000 feet at Telescope Peak.

From Valley To Peaks. © Copyright 2023 G Dan Mitchell.

The Panamint Range rises in morning light from below sea level in Death Vally to over 11,000 feet at Telescope Peak.

Earlier I shared another photograph of this series of impressive ridges, rising in the dawn light from the below-sea-level playa of Death Valley to the 11,000’+ summit of Telescope Peak. The other photograph took in a wider view of the landscape. In this one I narrowed the focus to emphasize the immense mass of these mountains and their astonishingly tall escarpment.

It is very hard to get an accurate sense of scale for this scene. This was true when I was there, and I suspect it is even more true when looking at the photograph. The base of the mountains is many miles away — I don’t have an accurate measurement, but it must be more than ten miles. If you look closely, you may notice that it takes four ridges to reach that highest summit, whose distance is likely something like 25-30 miles. And if you look closely you can pick out a series of four ridges as the mountains rise to the summit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Overlook

Evening Overlook
Two people watching the early evening view of immense desert mountains from a high overlook.

Evening Overlook. © Copyright 2023 G Dan Mitchell.

Two people watching the early evening view of immense desert mountains from a high overlook.

Late in the day during my recent Death Valley visit I went to this overlook. It is more typically a place to photograph the sunrise, which comes from camera-left and illuminates the big ridges in the distance. But I had a free evening, not a morning, so I figured it was worth a shot. I arrived before sunset, and I made this photograph before the sun had dropped behind the western ridge, though the haze and high clouds softened the light a bit.

I’ve never been able to quite describe in words the experience of standing on a very high point in such a vast landscape. From here one can look 5000′ down into Death Valley or look 6000′ up toward the highest peak in the Panamint Range and simultaneously feel “on top of the world” and very, very small in the presence of such immensity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.