Tag Archives: range

Photographs: Central California, Photographs: Nature, Photographs: Photographers

Chasing Spring Color In The Temblor Range

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Chasing Spring Color In The Temblor Range
Photographers Robert Eckhardt and Michael Frye photographing spring wildflowers in California’s Temblor Range

Chasing Spring Color In The Temblor Range. Carrizo Plains National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Photographers Robert Eckhardt and Michael Frye photographing spring wildflowers in California’s Temblor Range

It has been my tradition for a number of years to spend the better part of a week photographing in Death Valley National Park around the beginning of April. It turned out that this year’s spring bloom in the Carrizo Plain area was reported to be stupendous, and when I heard that friends of mine would be there photographing I altered my plans to pass through there on my way to DEVA, giving myself an evening and a morning to photograph the wildflowers and landscape.

The group of us decided to head out to some hillsides at the base of the Temblor Range, which runs along the edge of the plain. We drove as far as we could up a dead-end gravel road, then got out, loaded up camera gear, and headed up into the hills, where lots of flowers were covering sections of the hillsides. Here photographers Robert Eckhardt and Michael Frye photograph in a field of yellow and purple high above the base of the hills and the Carrizo Plain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Ghost Towns, Photographs: Nature, Photographs: Structures and Objects

Abandoned Stamp Mill

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Abandoned Stamp Mill
“Abandoned Stamp Mill” — An abandoned water-powered stamp mill high in the Panamint Range, Death Valley National Park

It seems that every national park or monument has both a natural and a human hisstory, or perhaps a story about the relationship between the two. While the power of natural forces (heat, water, geology, and more) is abundantly obvious in the huge, austere landscape of Death Valley National Park, the human history of the place is rarely far from view. It begins with the evidence of people who lived here long before European-origin settlers came, evidence that can be seen in rock art scattered throughout the park, in the recognition that many settlements (current and now-abandoned) have a very much longer history than we may think, and in the native people who still occupy and identify with this landscape.

Perhaps more obvious is the more recent history of those who came to look for mining success. (There are places in the park where extraction still takes place.) Some examples are obvious to the casual visitor, but the more time you spend in the back-country of the park the more you understand that this particular history is everywhere — though not usually as obvious as this example. This stamp mill, built to crush gold ore, is amazing in multiple ways. Perched at the end of high ridge in very remote location, it was powered in the most unlikely manner… by water piped in from a spring over twenty miles away. The location is stupendous, and it is easy to think that practical issues may not have been the only considerations in choosing the site. From here one can look down thousands of feet to broad alluvial slopes leading towards Death Valley, but one can also look further into the distance and see the snow-covered peaks of the Sierra Nevada.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Central California, Photographs: Nature

Hills, Edge of the Carrizo Plain

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Hills,Edge of the Carrizo Plain
Evening light on a stream bed dropping though Temblor Range hills toward the Carrizo Plain

Hills, Edge of the Carrizo Plain. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light on a stream bed dropping though Temblor Range hills toward the Carrizo Plain

On this early April day I drove south from the San Francisco Bay Area on highway 101, leaving that route and heading east near Paso Robles to travel through the impossibly green spring landscape of Central California hills. I wasn’t alone. This being a beautiful spring Sunday, many others were out here to look for spectacular wildflower displays. And here, as in many other similar California locations, we found what we were looking for.

I continued to the east, eventually arriving at this high plain, often a desolate place but for a few weeks in wet years a place full of growth and color. I met up with friends who were already camped there, and we soon headed out to look for places with special color. We followed a small gravel road up into the foothills of the Temblor Range — we parked where it ended, loaded up packs, and continued on up into the hills of foot, heading toward some extensive fields of colorful wildflowers. As we topped the first rise I paused an looked back down at the base of the hills where the gully of a small stream winds its way toward the plain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Pinnacles and Oak Trees

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Pinnacles and Oak Trees
Pinnacles tower above a grove of oak trees, Pinnacles National Park

Pinnacles and Oak Trees. Pinnacles National Park, California. March 17, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Pinnacles tower above a grove of oak trees, Pinnacles National Park

I made this photograph in the late afternoon on the March day when I returned to Pinnacles National Park for the first time in quite a few decades — since before it was a national park! I had arrived early in the morning, when few others were yet there, and loaded up my camera pack to hike up to and along the High Peaks Trail, and impressively narrow and exposed route along a ridge and among the huge rock formations that give the park its name.

Exhausted (I carry a lot of photography gear!) I arrived back at the trailhead in the middle of the afternoon and decided it was time for a snack and a nap. That, by the way, is not an uncommon plan among photographers, who often find that the light at this time of day can be less than inspiring, and a typical day may start with very early photography, end with very late photography, and include some down time in between. As early evening approached I loaded up once again and headed down a nearby canyon that passed by more of the formations, stopping here for a photograph that includes three of the main spring icons of this area: the impossibly green new grass, oak trees, and the rock formations.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.