“Lake, Forest, and Ridges” — Ellery Lake and surrounding peaks, Sierra Nevada.
I previously shared another photograph made from this same vantage point. That photograph is more tightly cropped and does not include sky. By using a somewhat shorter focal length I was able to include a bit more of the forest at lower left and the rising ridge at the right, though these choices required me to include the sky in the frame.
Low, late afternoon sun back-lights autumn aspen trees and receding ridges, Eastern Sierra Nevada
What can I say? I love back-light! The more difficult the light, the more I like it. Often I shoot almost directly into the sun when it is low in the sky, especially when there is some haze that makes the atmosphere appear to glow. (I’ve become adept at shading the lens from the direct light — using my hand, my hat, or anything else handy to try to prevent lens flare and reduce the hazy quality that comes when this light is directly on the lens.) The kind of light I’m looking for is the sort that is too bright to look at.
We arrived at this location late in the day, as per my plan. I know it well enough to recognize that the light can become quite interesting just before the sun drops behind mountains to the west. For a short time the light slants across the landscape, almost parallel to the slope of the land as it drops to the east. This produces that glow I mentioned, it accentuates the atmospheric recession effect, and the leaves of trees can glow with the light coming from behind. For this photograph I found a spot where lines of colorful aspens crossed the frame from bottom to about half way up, and then ridges continued the pattern until the final pattern with its row of conifer trees.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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