Tag Archives: reflect

Apartment Building, Reflections

Apartment Building, Reflections
Against the backdrop of a black tower, an apartment building reflects the urban environment

Apartment Building, Reflections. San Francisco, California. February 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Against the backdrop of a black tower, an apartment building reflects the urban environment

Since I spent a day in San Francisco last week, you can expect a group of architecture and street and similar photographs over the next few day, possibly intermixed with landscapes and nature for a few weeks!. I was there to see a particular installation at SFMOMA, the San Francisco Museum of Modern Art. I always take my camera, partly to photograph people at the museum, partly to photograph the building itself, and partly to take advantage of photographing the surrounding neighborhoods, especially from elevated vantage points at the museum.

The recent expansion of the museum added a new wing at the rear, with seven floors of exhibits and other services. (And, as I realized on this visit, several more floors above that which appear to be inaccessible to the public, unfortunately.) Several outdoor terraces and balconies provide interesting overlooks above the surrounding urban scene, and during my visit the light was very interesting, too — ranging from cloudy and rainy to occasionally clear, but often with at least some clouds softening the light. I’m fascinated by the juxtapositions of form and color in the dense field of surrounding buildings, including the contrast between light tones and reflection of the building on the right versus the dark, slick, and vaguely ominous black of the further building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mono Lake, Reflected Clouds

Mono Lake, Reflected Clouds
“Mono Lake, Reflected Clouds” — Clouds reflected on the still surface of Mono Lake

Mono Lake has many moods. For example, as I post this, it is a quiet and lonely place where snow covers the mountains to the west, fog may fill in for days, and few people visit. In summer it can be very hot and often quite windy, with blowing dust and waves on the lakes surface. At dawn the light can be subtly colorful; at midday it may be intense and flat.

I made this photograph on a day just before the start of autumn, when the lake’s surface was unusually calm, to the point of almost justifying the description “glass-like.” I went to a place that is not visited as frequently as some of the more accessible and iconic locations, and from here I was able to photograph right at the water’s edge, a vantage point from which I was able to include a few isolated clouds floating past plus their reflections in the still surface of the water. At times like this, the strongest impressions of the Mono Lake Basin for me are of great distances, the immense sky, still water, and deep silence.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Water Plants, Reflections

Water Plants, Reflections
Water plants reflected in the surface of a wetland pond

Water Plants, Reflections. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Water plants reflected in the surface of a wetland pond

Subjects like these are almost easy to find and almost irresistible to photograph when I’m out chasing wild geese in the California Central Valley wetlands. While the birds are the main subject, or so I tell myself, there is much else to look at — the trees and grasses, the immense sky, the effects of fog and haze, and the patterns and reflections on the surface of the wetland ponds.

This was a very foggy morning, somewhat to my surprise. I always check the weather conditions before heading out here, usually in the hope that there will be at least some fog. But this time there were no indications that it would be anything but sunny and clear, at least not until my pre-departure final weather check, where I found one report of ground fog at a nearby airport. And, sure enough, once I got within a half hour of my destination the fog began to develop, and after my arrival in continued to build. So much of my morning was spent photographing in Central Valley tule fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening Trees

Evening Trees
Evening trees reflected in the surface of San Joaquin Valley wetlands

Evening Trees. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening trees reflected in the surface of San Joaquin Valley wetlands

The primary attraction for me in these San Joaquin Valley wetlands is, or so I tell myself, the hordes of migratory birds that arrive here in the late fall and over-winter — geese, ibises, sandhill cranes, along with egrets and herons and more. They draw me to the Valley, just a couple of miles away from my home over the coast range, throughout the late fall through winter period. But once I get there I think I am as interested in the landscape as in the wildlife.

We had just about finished a full day of photographing (mostly) the migratory birds. Late in the day I always start to think about what my final subject will be, and then I try to extend my shooting time as late into the failing light as possible. I might continue to photograph birds in deep dusk, raising ISO and lowering shutter speed and working with the resulting motion blur. On this late-fall evening I went in a different direction, and I put the camera on the tripod and finished up with some blue-hour landscape photographs of the wetlands, the trees, and the evening clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.