Tag Archives: reflection

Forest and Shoreline Boulders

Forest and Shoreline Boulders
Trees growing on rocky terrain along the edge of a Yosemite wilderness lake.

Forest and Shoreline Boulders. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees growing on rocky terrain along the edge of a Yosemite wilderness lake.

While this scene is at a specific little lake in the Yosemite National Park wilderness, it might as well be just about anywhere in the Sierra, its features are so typical of the Range of Light, at least in this high elevation forest zone. Many of the lakes reside in glacially carved hollows, and as a result there are often rocky areas surrounding them. The most recent glaciers came recently enough that the soil is rather thin in many places, but everywhere meadows and forest live next to these lakes.

Because it appears that I am photographing across the lake toward this shoreline you might imagine a rather small lake. But there was a small peninsula that allowed me to get out into the lake and photograph the shoreline from a rather close distance. (There was a lot larger expanse of water behind me than in front of me!) In addition to the rocks and the reflections, this scene includes one of my favorites — backlit trees, here given a bit of separation from the background mountain by means of some late summer haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sierra Shoreline, Morning

Sierra Shoreline, Morning
Reflections and soft morning light on on trees and boulders along the shoreline of a Yosemite wilderness lake.

Sierra Shoreline, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Reflections and soft morning light on on trees and boulders along the shoreline of a Yosemite wilderness lake.

This photograph brings back a bunch of wonderful and somewhat wistful memories. I made it on a weeklong wilderness trip with a group of photographers with whom I’ve been heading into the Sierra backcountry almost every summer for more than a decade. (The “wistful” part of the memories is largely because the pandemic has prevented us from getting together again this summer.) We typically spend that time exploring some beautiful Sierra location, base-camped long enough to really get to know the place. Every morning we emerge from tents in darkness and head out to photograph for hours. We return to camp in the middle of the morning with stories to tell and chores to take care of. Late in the afternoon we head out into the field again, photographing until the light fades and we return to camp in darkness. The we do the same thing the next day.

This trip took us to a beautiful little forested lake in the Yosemite backcountry, a place I had not visited previously even though I had been in the general area quite a few times. The lake is up high, with expansive views from nearby ridges, and surrounded by forest. On most mornings I did a slow circuit around the lake as the light arrived. This lovely section of shoreline was more or less on the opposite side from our camp, and after photographing it more than once I figured out the light well enough that I was able to photograph it in the soft morning light just before the sun arrived, when the water was still smooth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Black Point and Negit Island

Black Point and Negit Island
Tufa formations, Black Point, Negit Island, and distant hills in sunset light at Mono Lake.

Black Point and Negit Island. © Copyright 2021 G Dan Mitchell – all rights reserved.

Tufa formations, Black Point, Negit Island, and distant hills in sunset light at Mono Lake.

Yes, this is yet one more — but probably the last — of the photographs of this lovely autumn evening at Mono Lake a few years ago. Most of the others feature the rising full moon, but I made this one a few minutes before that event, while the last of the day’s sun was still streaming over the Sierra crest and striking the tops of the mountains to the east of Mono Basin.

Besides being a photograph of a beautiful time of day at the lake, the scene includes a number of important little elements that might not be immediately obvious. In the foreground we see a few of the ubiquitous tufa formations that dot the border of the lake, quite a few of which were revealed when Los Angeles’ thirst for Sierra Nevada dropped the lake level. This also reveals sections of the curving lake shore that would have been underwater some decades ago. At the far left is the dark bulk of Black Point, and intriguing formation that few get to actually visit. Just of Black Point’s shoulder is Negit Island, one of two volcanic islands in the lake. to its right you can barely see the low north side of larger Paoho island. And those far mountains where a bit of sun still shines are a very long ways away, and it a location that is pretty close to inaccessible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Moon Rising, Mono Lake

Autumn Moon Rising, Mono Lake
A full autumn moon rises above Mono Lake at dusk.

Autumn Moon Rising, Mono Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

A full autumn moon rises above Mono Lake at dusk.

There are still a few more photographs in this series of autumn evening images from Mono Lake that I made a few years ago. These come from that pandemic photographic genre that we might call “photographs that would have been lost forever if forced isolation had not given me a great reason to look through my old files.” (Maybe you have a shorter title?) I know I’m not the only one dong this. Travel has, of course, been complicated for a year and a half. I’ve been out, and I’ve even been to Mono Lake during this interval, but the opportunities seem greatly diminished. But there are tens of thousands of raw files in my archives, and it has been productive to spend time going back through them and discovering things I had left behind. (How that happens would be a great subject for a long post sometime.)

On this autumn evening I timed by arrival at Mono Lake for right around sunset. I knew that the full moon would rise over those distant mountains east of Mono Basin, and I expected that the moon world rise while there was still some light in the sky. This is ideal in many ways, since the remaining ambient light is often colorful, it illuminates landscape details, and it reduces the contrast between the bright moon and the darker scene. In several of the photographs —working very quickly! — I used a much longer focal length to enlarge the moon. But for this one I backed off and included much more of the surrounding landscape and the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.