Tag Archives: reflection

Coots, Pond, Autumn Sky

Coots, Pond, Autumn Sky
A flock of coots and autumn morning sky reflected in a wetland pond.

Coots, Pond, Autumn Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of coots and autumn morning sky reflected in a wetland pond.

Autumn and winter are my favorite seasons, especially but not exclusively for photography. In my part of the world these are the seasons for the most compelling light, the most interesting skies, and transitions of all sorts — the color transition of autumn, the shortening (and subsequent lengthening) of daylight hours, the quicker transitions between rain and sun and fog and wind.  Rather than waiting for those occasional special days, as one often does in the summer, I can just head out and be almost certain of finding something.

This morning was full of surprises. I was up and on the road hours before dawn, expecting to end up in a place full of thick tule fog, where I would photograph a sunrise obscured by this fog and then continue to photograph as it lightened and then cleared. But none of that happened. The weather forecasts were off, and instead it was almost completely clear of fog, opening expansive views to the morning sky. This sky was filled with the early clouds of an incoming Pacific weather front, with only a thin band of clear sky in the distance beyond the edge of the clouds. Shortly after the moment of sunrise, the still-low sun sent its light across the bottom of the cloud deck and the light caught the curving textures of the clouds, here reflected in the water of a pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Trees, Granite, Reflections

Trees, Granite, Reflections
A granite outcropping and trees reflected in the surface of a subalpine Sierra Nevada lake

Trees, Granite, Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

A granite outcropping and trees reflected in the surface of a subalpine Sierra Nevada lake

This scene was along the edge of a lake I visited on several evenings, hiking up from our base camp during our September week in the Eastern Sierra Nevada backcountry to make photographs. The logical starting point for photographs here was near the lakes outlet, where there was a small, rocky meadow and several nice granite outcroppings that extended into the lake. I initially began by photographing there.

But soon the light left that area and I decided to wander around a bit more. Not far away was a small bay extending off from the main body of the lake, and on the other side of this bay several attractively twisted and bent trees stood on and in front of a large granite outcropping.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Talus, Reflection

Talus, Reflection
A talus field of large boulders meets the shoreline of an alpine lake

Talus, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of large boulders meets the shoreline of an alpine lake

And, yes, another “going with the blue” photograph of talus boulders. It is, I admit, turning into a bit of a theme among my photographs from the September backcountry Eastern Sierra photography week. If you follow my posts you probably already know the following, but for anyone who hasn’t read the previous text… we were camped at a lake in a deep north-south oriented valley with very high peaks on either side. Immediately to the east of our camp, across a nearby lake, was a huge talus slope, full of randomly arranged boulders from top to bottom.

Because of the north-south trend of the canyon, early morning and evening direct light was blocked, and we had long periods of “blue hour” shaded light to work with every day. Yes, the light actually is very blue. It comes from having only the blue sky — a sort of giant natural light panel — as the light sources. The question in post is always how blue to let the scene be, since the actual blue can be shocking to viewers. (Our complex sensory system sees this as less blue — the mental process subconsciously says, essentially, “Yes, this is blue, but I know the actual color of rocks, so I’ll pretend I don’t see the blue!”) The photographer gets to make the subjective call on how blue things should be. At times I’ve gone so far as to completely neutrally the blue tones, and if I did so here you would probably feel that it looked natural. On the other hand, it is interesting to me to “go with the blue” and think about the real color of light and the effect that it has on our perceptions. (To be honest, I have actually reduced the amount of blue in the scene!


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

End-Of-Summer Light

End-Of-Summer Light
Late season Sierra Nevada light in the John Muir Wilderness

End-Of-Summer Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late season Sierra Nevada light in the John Muir Wilderness

As you may have figured out if you follow my work, I often photograph very early and very late in the day, especially when I have access to soft light. On trips like the one where I made this series of photographs the day follows an unusual schedule. We are typically up very early (before dawn) for a few hours of photography, we return to camp to hang out and take care of various camp duties in the middle of the day, and in late afternoon we once again head out into the field, frequently not arriving back in camp until after dark.

But sometimes the light is beautiful outside of those limited hours. There could be special weather conditions — fog, storm clouds, haze — or a landscape that is amenable to midday photography. In the Sierra there is a period from middle September until the first real snows come that can produce some of the most beautiful daytime light I know. I think of it as golden light, and it comes on clear, cool days when the fall colors are arriving. This was one of those days, with the lakeside grasses turning yellow and the water very still, when I made this photograph near the outlet of a small, subalpine lake.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | FacebookEmail


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.