Tag Archives: reflections

World Trade Center and Oculus

World Trade Center and Oculus
One World Trade Center flanked by building and part of the Oculus structure

World Trade Center and Oculus. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

One World Trade Center flanked by building and part of the Oculus structure

Any commentary on a photograph from this location could easily expand to a chapter or more of text, but I’ll attempt to keep it to my usual two paragraphs. If you take the MTA E line spur to the WTC you emerge to more or less this view, one that has changed continuously for the past decade and a half — beginning with the events of September 2001, continuing in the aftermath of clean-up, followed by a long period of monumental construction work, and now beginning to look relatively complete. We did not visit the site for some time after the towers were destroyed, but I recall that our first visit was still a powerful experience — most of all I recall turning a corner and seeing a wall of photographs of FDNY victims.

Today the site, while still carrying the memories of the 2001 incident, begins to feel more and more like it is becoming a finished place and less like it is a perpetual construction zone. The huge Oculus structure now houses the PATH terminal and plenty of businesses. In this photograph its striking, skeletal form intrudes into the frame from the left, and dramatic clouds from another New York summer day are behind the new Trade Center building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Cafe, Montmartre

Cafe, Montmartre
Evening scene at a cafe in Montmartre, Paris

Cafe, Montmartre. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening scene at a cafe in Montmartre, Paris

This photograph was made on a warm summer evening last summer in Paris, on the day that we arrived by train from London. I’m almost embarrassed to say that this was our first ever visit to Paris — it is a long story — but I’m also very happy that we did get there, spending a beautiful week in the city. As first-time Paris visitors, we had little idea what we were doing, an issue perhaps compounded by the fact that I generally don’t like to do too much research about a place before arriving. Oh, and we don’t speak French. All of that aside, we made it from the train station to our hotel, and set out on foot in the early evening to try to get our bearings.

We had virtually no idea where we were going. We understood that we were in Montmartre, which we had selected at least in part because our son and daughter-in-law had stayed in the area recently. I won’t recount the entire story of our random wanderings through areas that we began to understand a bit better by the end of our visit, though in another post I may share the tale of our “discovery” of a rather well-known place. In any case, we were hungry, and it didn’t take us too long — though longer that it took on the following evenings — to figure out that finding a place is not a problem in Paris. In fact, we ate at this place…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

San Francisco Waterfront, Night

San Francisco Waterfront, Night
Downtown San Francisco waterfront at dusk.

San Francisco Waterfront, Night. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Downtown San Francisco waterfront at dusk.

I made this photograph on a lovely, slow, spring evening in San Francisco, where I had gone to meet up with a small group of street photographers. First I joined them for dinner in Chinatown, and then we all headed out to do some photography. While I usually do street photography completely on my own, relishing the ability to move fast from place to place or stay put for long periods of time, it is enjoyable to work with others at times, too. Several folks in the group were interested in the waterfront where downtown San Francisco meets the bay, so we headed that way first, and eventually everyone ended up on a popular pedestrian pier with good views back towards the City.

A few years ago I realized that the image quality and high ISO capabilities of very small digital cameras was making it entirely possible to go out into the street and do handheld photography after dark. Before that time my night photography was almost invariably the long-exposure type, with the camera on a tripod and exposure times measured in minutes rather than fractions of seconds. Then, during a weeklong visit to New York, it hit me that I could push things enough to shoot night, and I was immediately hooked. So when I found myself in front of this subject, one that would typically be a tripod-only subject, I thought I’d give it a try even though I was traveling very light — one small camera, one prime lens, no tripod. And even in this late dusk light it turned out to be quite possible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Flag Makers

Flag Makers
A complex landscape of steps, columns, braces, windows, reflections, and buildings

Flag Makers. San Francisco, California. January 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A complex landscape of steps, columns, braces, windows, reflections, and buildings

I made this photograph near the new, lower level entrance to the remodeled San Francisco Museum of Modern Art (MOMA) during a visit around the start of the new year. The old entrance to the museum has now been augmented by a new entrance that leads into the newly added wing. A large installation fills the space on the very lowest level, and large windows open from there to the surrounding buildings and a stairway leading to the entrance one floor higher.

I love photographing in museums — for the architectural spaces and the people — and I photograph inside and around MOMA every time I visit. Some subjects are immediately obvious but other take a bit longer to figure out. This open area on the lower level is, for me, in the latter category. It immediately felt like a place to make photographs, but it has taken quite a few visits to begin to reveal its potential. This photograph is more or less a study of the many layers and angles found within and outside of this space, including layers of time between the very new museum and the very old brick wall just beyond the stairs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.