Tag Archives: reflections

Photographs: Netherlands, Photographs: Travel, Photographs: Urban/Street

Amsterdam Pedestrians, Rain

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Amsterdam Pedestrians, Rain
Light rain falling on Amsterdam street filled with pedestrians

Amsterdam Pedestrians, Rain. © Copyright 2018 G Dan Mitchell – all rights reserved.

Light rain falling on Amsterdam street filled with pedestrians

Amsterdam is really a place that is as dark as what you see here — or at least it wasn’t during the majority of our August 2018 visit. I heard from locals that it certainly can be cloudy there a lot, but we mostly had lovely weather, with clouds, an occasional bit of rain, but also plenty of sunshine.

However, the day we arrived it was rainy, and as we walked from our hotel (located just outside the central part of the city) towards the area of the familiar canals night was falling and it was a bit dark and mysterious, with lots of people walking along the wet and reflecting streets.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Netherlands, Photographs: Urban/Street

Amsterdam, Rain

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Amsterdam, Rain
A rainy evening in Amsterdam

Amsterdam, Rain. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rainy evening in Amsterdam

This was my/our first visit to Amsterdam and the Netherlands. We started the day in London, where we caught a train to Amsterdam, arriving in the afternoon. Because the weather has often been quite warm — hot, even — in Europe this summer, I was expecting something similar here. It was not cold, but it wasn’t the same kind of hot weather we had in London and which we had later on in parts of Germany. I admit to having been a bit ignorant about the Amsterdam weather. I remarked to some locals we were eating with that I was surprised by the rain and they sort of laughed, pointing out that gray and wet is the norm here.

And, in fact, it was gray and wet when we made our first foray in to central Amsterdam from our hotel just outside the hubbub of the central area. We were hungry and looking for food, so off we went. A number of things struck this first-time Amsterdam visitor right away. First, everything you have heard about bicycles there is true — if anything, there are even more bikes than you thought. These aren’t American-style mountain and road bikes. They are sturdy “work” bikes that are used for the business of getting from place to place. Second, everything you have heard about the availability of marijuana here is also true. If you didn’t already know, don’t go to an Amsterdam “coffee shop” of you want coffee… I made this photograph as we walked this rainy street on our way to dinner.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Pedestrians, Lexington Avenue

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Pedestrians, Lexington Avenue
Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

Pedestrians, Lexington Avenue. Copyright 2017 G Dan Mitchell – all rights reserved.

Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

I think that so-called street photography (which might be termed “urban landscape” photography) can do many things. Some try to constrain it, offering limiting definitions that call for monochrome, handheld cameras, photographs featuring people, and a certain direct approach to dystopian unpleasantness. While it can be that, it can be other things, too. The focus can be the light, the geometry, the individual and collective people, oddities, visual beauty, the constructed environment, and much, much more. And (despite this example!) there is nothing requiring it to be black and white and look like it was created with the photographic technologies of any particular era.

In this case, my thoughts were mostly about shapes and light when I made this photograph. (That doesn’t mean that we aren’t free to make other associations.) On this date, close to the winter solstice, the light shines obliquely up streets like this one in Manhattan, and because this section of Lexington is relatively wide and in an area with few really tall buildings, quite a bit of that light finds its way down to the street and sidewalk. As I walked into this light, I was looking for certain effects that are mostly found in such urban environments, especially the multi-directional light produced when the direct sunlight combines with light reflected from buildings and windows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: San Francisco

South Beach Harbor, Morning

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South Beach Harbor, Morning
Morning light on South Beach Harbor and buildings of downtown San Francisco

South Beach Harbor, Morning. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on South Beach Harbor and buildings of downtown San Francisco

On this late-January morning I was up — you know the drill… “hours before dawn” — to catch a train up the Peninsula to San Francisco for a morning of street photographer and a visit to the San Francisco Museum of Modern Art, where an extensive show of Walker Evans photography was nearing the end of its run. (At some point I should write a bit about my response to the show. A quick summary: great show, some brilliant work, some work I identify with personally, some work that makes me wonder why it is on the wall.) For these trips I’m usually up around 4:00 AM, giving me a half hour for coffee and a quick breakfast before I walk to catch a bus to the train station, where I catch one of the “baby bullet” express trains that has me in San Francisco an hour later.

The weather was in flux, and when by the time I arrived it was clear that a dome of solid high clouds was over San Francisco. However, as I left the train just before sunrise I was able to see some light on the underside of the clouds that was apparently coming from a gap in the cloud cover across the Bay to the east. I quickly headed over to the nearest shoreline location and ended up at the South Beach Harbor. I found some unusual light here as the sun rise. The light was coming through a narrow gap between the western edge of the cloud shield and the low, East Bay hills. Meanwhile, the clouds over and to the north of San Francisco kept the sky there somewhat dark. As the light hit the shoreline area where I had gone, the foreground boats and buildings and so forth were lit by this lovely filtered light and set off against that darker sky. The conditions did not last long — soon the sun rose above that cloud gap and the light soon became gray and flat.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.