Last fall I was in a popular Eastern Sierra location to photograph autumn aspen color. I had arrived before sunrise, while it was still pre-dawn twilight. I began photographing before the sun came up, continued through the arrival of first direct light, then moved on to some other nearby subjects. As I continued to work I could not help noticing that the full moon was setting in the western sky.
Continue reading Sierra Setting Moon at Sunrise
Death Valley National Park is a huge landscape, in more ways that one. The park is huge. It is the largest park in the contiguous states. (Alaska, where everything is on a larger scale, has four larger parks.) Within the park we often are able to view huge distances — in fact, Death Valley’s visual scale reminds me of places I’ve seen in Alaska. Here we look down Rainbow Canyon and across the entire Panamint Valley (one valley west of Death Valley itself) toward more desert mountains.
Continue reading Panamint Valley
Although it might see counter-intuitive for a place like Death Valley National Park, these mountains typically are snow-capped in the winter. The highest point in the Panamint Range is Telescope Peak, at an elevation of just above 11,000′. That puts it in the alpine zone, and although moisture is usually scarce here, when it does come it can produce snow at that elevation. A cold storm had recently passed, and the snow level in the photo is lower than usual.
Continue reading Snow-Capped Telescope Peak
This is not the first time that I have photographed this same subject, more or less, in evening light. Corkscrew Peak stands out in this scene of rugged, furrowed desert mountains. Because the location is on the eastern side of Death Valley, late light angles across the landscape just before the sun drops behinds mountains far to the west, and this light emphasizes the textures of the eroded landscape.
Continue reading Corkscrew Peak and Desert Hills