Tag Archives: ridge

Early Fall Aspen Color

Early Fall Aspen Color
Early fall color among small, high elevation trees east of the Sierra Nevada

Early Fall Aspen Color. East of the Sierra Nevada, California. September 17, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Early fall color among small, high elevation trees east of the Sierra Nevada

Back in the middle of September, several weeks before I would usually begin photographing autumn aspen color in California’s Sierra Nevada, I visited the range for an end-of-summer trip and with the idea that I might do some pre-autumn reconnaissance in order to try get some idea of what the fall color season might bring at the beginning of October. It was my plan to camp in Tuolumne Meadows, hiking and camping and photographing there, but also ventured out a bit further, especially to the east side of the range.

As expected, it wasn’t really fall color season just yet, however I did encounter much more color than I would have expected — enough, in fact, to do more than just look around. Before the trip was done I made “fall” color photographs in several locations on the east side of the range, but I also ventured further east of the Sierra to some high desert areas and other mountains where I’ve been poking around looking for color in the past few years. I had a hunch about one high ridge where I had explored back roads earlier and from which I knew there could be long views, including those back toward the eastern escarpment of the Sierra. Somewhat to my surprise, I found a lot of aspen color out here. Although much of it was in what might be termed “scrub aspens,” the color was impressive and many of the groves stretched into the distance over high mountain ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening Shadows, Sierra Crest

Evening Shadows, Sierra Crest
Mountain shadows on the Sierra Crest at sunset, Yosemite National Park

Evening Shadows, Sierra Crest. Yosemite National Park, California. July 14, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Mountain shadows on the Sierra Crest at sunset, Yosemite National Park

Earlier I had photographed in the large meadows along the Dana Fork of the Tuolumne, just below Tioga Pass, continuing to work until the sun dropped behind the long and tall ridge to the west. As I walked back toward my vehicle through the soft light of the shadows, the surrounding peaks were still in full sun. I started thinking about putting a very long lens on the camera and photographing the last light when if finally got to these peaks and ridges.

It took a while! This meadow area loses the light early, so even though I lingered there after the direct sun was gone, I still had quite a while to wait before sunset. The intense coloration of the arctic zone peaks comes from two sources. This section of the Sierra is topped by much older rocks — not granite but very reddish-brownish rocks. By the time I made this photograph the sun was very close to the horizon and the color of the light had warmed considerable, adding even more intense color to the rocks. (Inspecting the image file very closely I learned something new — there is a faint trail traversing the upper slopes of the ridge at the left!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Ridge, Morning Haze

Trees, Ridge, Morning Haze
Trees stand in morning light along a glaciated granite ridge, Yosemite National Park.

Trees, Ridge, Morning Haze. Yosemite National Park, California. July 16, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Trees stand in morning light along a glaciated granite ridge, Yosemite National Park.

Many things characterize the unique personality of the Yosemite National Park high country, but for me the glaciated granite slabs and domes are the primary defining features. You can find them elsewhere, but here they seem to be almost everywhere you look. They include areas of pure rock, sometimes almost without fractures and with almost nothing growing. More typical though are scenes like this one, where the granite is fractured, sculpted by ice, littered with erratics, and interspersed with trees and plants that have managed to find a way to live on what seems like bare rock.

On the final morning of a recent visit to the park, before I had to break camp and head home, I went out looking for ridges like this one, topped with trees and photographed in the back light of the morning sun. Beyond the ridge and trees lies the upper end of one of the great canyons of the park, carrying a stream that eventually arrives in Yosemite Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Basin and Range

Basin and Range
A long distance view across Death Valley and to distant mountains beyond

Basin and Range. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A long distance view across Death Valley and to distant mountains beyond

The landscape of Death Valley National Park is immense. The fact that it is the largest national park in the lower 48 states begins to penetrate my awareness the more time I spend there. A number of years ago I spent some time on a very long cycling trip in Alaska and the Yukon, and this desert landscape comes closer than any other I have experienced to evoking the same sense of huge distances and deep stillness and quiet. This landscape extends even further beyond the boundaries of the park, from the Sierra Nevada to the west to distant peaks of the basin and range country to the east.

This high elevation location opens to such a huge swath of terrain that it is difficult to get your mind around the scale of what you are seeing. For example, there is a road out there in the large valley. To get there from the place where my tripod was set up would take me hours of driving — and that would take me perhaps less than half way toward the most distant peaks. Enhancing the other-worldly quality of this morning was the unusual atmosphere. The clouds of a weather front were breaking up over the mountains and valleys, and their shadows were moving across the landscape. Meanwhile, in another valley far behind me, dust storm conditions (which would envelope this entire scene by the end of the day) were beginning to pick up, and already the atmosphere was getting that milky, hazy quality that precedes such weather. At the bottom of the scene is an immense gravel fan that has carried material down from these mountains, filling the valley in places to thousands of feet of depth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.