Tag Archives: ridges

Crystal Bay, Lake Tahoe

Crystal Bay, Lake Tahoe
“Crystal Bay, Lake Tahoe” — Blue water and light above Crystal Bay, Lake Tahoe

My annual hunt for aspen color took me to the Lake Tahoe area in early October. I realized that although I’ve gone to Tahoe for many years that I have very few photographs of the area. So often Tahoe has been a place to go for other purposes, such as skiing or a cabin stay, etc. And, frankly, Lake Tahoe is very busy and, in many ways, an urbanized place — so my nature and wilderness instincts are often a bit frustrated there. But it is a beautiful lake, and I saw more of that when I went there with photographic intentions.

The underlying reason this time has to do with a project related to fall color in the mountains of California. I’ve covered many other Sierra fall color areas, but I needed more material from the Tahoe area. So I spent an evening, a full day, and part of a morning doing some exploring. The “full day” began with a drive to the Carson City, Nevada and then north towards Reno and back toward Tahoe via Mount Rose. There were quite a few aspens along this part of the drive, but I couldn’t stop much due to road construction. Then I did something I’ve done a number of times before — I circumnavigated the lake, paying special attention to fall color. I realized that there is quite a lot of it, even if much of the color is in areas filled with cabins and resorts. This photograph overlooks the northeast part of the lake from the roadway descending from Mt. Rose.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Canyon, Haze

Canyon, Haze
Canyon, Haze

Canyon, Haze. Yosemite National Park, California. September 6, 2014.© Copyright 2014 G Dan Mitchell – all rights reserved.

Afternoon haze fills the Grand Canyon of the Tuolumne River

Westward flowing rivers, descending through deep canyons toward California’s Great Central Valley, are a major feature of the Sierra Nevada. Although one major river, the Kern, heads south and many smaller creeks take a short route down the eastern escarpment of the range, the gradual slope from the west means that the west side rivers often drain huge areas of the range and, though a combination of ancient glaciation and continuing river erosion, have cut many impressive canyons. Some are popular and frequently visited, such as Yosemite Valley and to a lesser extent Kings Canyon, but most of the others are not as well known.

On a hazy late afternoon I climbed the spine of some low granite ridges above the lake where we were camped and found myself looking directly down the course of the Tuolumne River as it makes its way through a deep and twisting canyon toward… sadly, the Hetch Hetchy reservoir. Fortunately, that abomination is not visible from this point, and instead the view is of a series of overlapping and receding ridges dropping to the bottom of the huge and remote canyon.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Grand Canyon of the Tuolumne

Grand Canyon of the Tuolumne
Grand Canyon of the Tuolumne

Grand Canyon of the Tuolumne. Yosemite National Park, California. September 6, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Haze fills the westward view into the Grand Canyon of the Tuolumne River

Far below the location of this photograph lies one of the greatest travesties in the national park system — the abomination of the Hetch Hetchy dam and reservoir. I now understand the political pressures that led to the damming of this “second Yosemite” — San Francisco’s obsession with water following the 1906 great earthquake and the subsequent fire — but in retrospect this was a monumental offense to the purpose and goals of our great national parks. The Hetch Hetchy Valley had virtually everything that its more southerly neighbor has and which astound people from all over the world — towering cliffs, beautiful domes, forest and meadow along a great river on the valley floor, tall waterfalls. After years of absence from this prostituted place, I returned a year or two ago on an afternoon when I was heading home from the Sierra… and I felt only anger and disgust at the the damned dam.

But here, miles upstream, the Grand Canyon of the Tuolumne River is still a wilderness, protected from overcrowding by tall and steep walls and a narrow gorge. In the late afternoon I walked a ridge near the edge of the canyon and looked west into the maze of successive ridges that separate creeks that feed the river and made this photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rain, Cottonwood Mountains

Rain, Cottonwood Mountains
Rain, Cottonwood Mountains

Rain, Cottonwood Mountains. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Afternoon showers from a clearing storm fall on receding ridges of the Cottonwood Mountains, Death Valley National Park

This had been a “weather day,” with several hours of snowfall high up in the Panamint Range, where we had photographed sunrise—such as it was— and wildflowers and, of course, snow. We spent the morning and half the afternoon kicking around up high in these mountains, enjoying the late-season surprise cold weather, finding tons of wildflowers, and visiting various historical remnants of the mining days in Death Valley National Park. My typical shooting day in a situation like this starts well before dawn, includes a midday break, and then moves on to late afternoon and evening shooting until it is dark. But it was well past mid-afternoon when we finally descended from the Panamints.

There was no time for a real break, so we headed right on out to find an evening subject. We had not yet photographed in the Mesquite Dunes, and my initial thought was to photograph there in late afternoon and evening light. In the right conditions there can be wonderful light late in the day, especially during the final few minutes before the sun leaves the dunes. But there were still clouds floating around, especially to the west, and I wasn’t at all sure that we would see the good light out among the dunes. So I decided that it might make more sense to go to a higher spot where the wider panorama would let me pick out various areas of the Valley and surrounding mountains as the light changed. Arriving at “the spot,” I looked west and saw that showers were still falling over the Cottonwood Mountains and glowing with backlight from the late afternoon sun, so I put on the long lens and made some photographs of portions of the range where the falling rain masked the details and turned the mountains into abstract shapes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.